Archive for the ‘Peter Milligan’ Category

Written by: Peter Milligan
Pencilled by: Ed BenesDiego Bernard
Cover Color by: Nathan Eyring
Lettered by: Carlos M. Mangual

One arc down and I’m still collecting the “doomed” title known as Red Lanterns. Something about it keeps drawing me in, compelling me to stick with the rage filled book that expands on Atrocitus and his Red Lantern Corps.  The title itself is doing quite well – expertly written and wonderfully drawn.  As always, however, my concern is with the longevity of the title…can it last as long as DC hopes it to?  With the publication of issue #7, my hopes have certainly been raised.

One thing I’ve noticed about Red Lanterns is how difficult it would be to translate the script onto the big screen.  Sure, the dialog looks great as wrote, but if you ever heard anyone say this in real life, it would be clunky and strange.  But Peter Milligan writes a wonderful story that splits up into three different sections; Bleez’s take over of the Red Lantern Corps in Atrocitus’s absence, Guy Gardner fighting the newly inducted Red Lantern from Earth, and Atrocitus facing his past. Milligan has a lot of good things coming, and he’s writing them in a way that will make yearn for more.

But the poor letterer, or whoever is in charge of making sure the right set of dialog is being said by the right character, made an incredible boo-boo.  I don’t think anyone who’s as big of a reader as me would have missed it, but this needs to be said regardless.  Carlos Mangual, in the future, be a little more careful, ok?…

Aside from that, Mangual lettering job is spot on perfect.

Guy Gardner’s entrance, of course, is interesting.  He’s always been the hot head of any comic he’s featured or guest starring in.  He’s good at it, and it makes for wonderfully tense moments.  But he also hits the nail on the head when he remarks about how opposite his confrontation with Rancorr is…

Guy? The Reasonable One? NNNAAAHHHHH.....

The confrontation is intriguing though.  The Hot head of DC is the one having to talk sense into a lantern controlled by his rage.  But there’s also an instance where Rancorr speaks to Guy, pleading for help.  Why isn’t Rancorr like every other Red Lantern?  Sure, Atrocitus can speak and has taught the others how to speak and think coherently, but that took time.  Rancorr’s ability to remember, be aware of himself, and speak are developments that have not yet happened (at least this quickly) with any of the Corps members.  The implications of this are endless.

The tension that’s building up between Atrocitus and Bleez is amazing.  Bleez is in charge of the Red Lanterns, but the question of how long was raised by one of her tortured victims.  Bleez has yet to prove herself, so the fear of Atrocitus is still out there.  Yet Atrocitus’s rage seems to be controlled by his needs to kill Krona.  But now Krona’s skin is wrapped around Atrocitus’s son, and the source of his rage no longer exists.  This begs the question…if the source of a Red Lanterns rage is obliterated, will that Red Lantern loose his or her ring, and in turn, go back to their normal life?  More than likely not, but it is interesting to think about.

Give me more Ed Benes please!  Sure, you see a lot of the some poses, action shots, and ass bearing moments, (like you’ve seen the exact same ones in previous issues) but he’s so good at it!  I would have asked for a different colorist, but it’s still stunning to say the least.

A lot of interesting questions are raised by Rancorr’s inner monologue , which will lead to some interesting confrontations for the future, and tension is building up better than I thought possible.  I guess it proves that as long as you have a capable writer behind the wheel, any comic book can have a great story.

9 out of 10 stars

Written by PETER MILLIGAN
Penciled by
ED BENES & DIEGO BERNARD
Inked by
REBECCA BUCHMANN
Colored by
NATHAN EYRING
Lettered by
CARLOS M. MANGUAL
Cover by
ED BENES
Edited by
SEAN MCKIEWICZ & PAT MCCALLUM 

So as many of you know, I’m not a Marvel reader.  However, back in the early part of my childhood, I was.  (Say it ain’t so!!!)  The one Marvel superhero (nudge nudge, he’s not a SUPER hero) that I was never able to get excited about was the Punisher.  Why?  Because the plot basis behind his comic book was, and is revenge.  The origin story depicted from the film was fantastic…but the Punisher worked best as a simple mini tale rather than a prolonged, ongoing title.  You can only do so much with a hero like the Punisher before the excitement dwindles away due to writer’s block.

Red Lanterns is one of those titles I see having a great start, but suffering the same fate as the Punisher.  Atrocitus seems to be loosing control of his Corps because he’s beginning to start that process of coming to terms with his rage. This is GOOD STORY TELLING and I give Peter Milligan props for taking this route.  Ever better is how well the tension is increasing with Bleez threatening to take over the Corps due to Atrocitus’s “weakening” leadership skills.  However, at some point Atrocitus has to accept the way he lives his life and be at peace with himself, otherwise it’s going to be nothing more than a title with an aimless pathway.

Other positives aspects of this issue deal with the fact that we, as readers, sympathize with the Red Lanterns.  Every single one is dealing with anger that is enhanced by the red rings, and it causes them to fight with themselves.  What we learn from this issue especially is how the Red Lantern Corps is a community of aliens that truly want to live in harmony and amongst each other, in peace; but they’re burdened  with the rage held in place by their rings.  Constant degrees of emotional distress and pain plagues this league, and we, as readers can’t help but sympathize with that.  Certainly, this title qualifies as a villain book, but deep down inside each any every Red lantern we’ve come to know, there is a semblance of love and humanity.

The introduction of Rankorr was fun; not only are we able to enjoy the freshness of a new character, but we’re also able to hear the thoughts of a newly inducted Red Lantern soldier.  So many thoughts were running through his mind which made it unclear to Rankorr what he had become.  Could it be that the numerous questions running through a Red Lantern’s mind is too much for it to bear which is what causes all Red Lanterns to go insane?  More to come on this in 30 days I suspect.

Ed Benes is fantastic, but Nathan Eyring certainly didn’t help support that fact.  The maturity of the art seemed to fall away in comparison with the last five issues.  I really do try to judge artwork with an unbiased mindset, but sometimes when you go from “incredible” to “good,” it’s hard to NOT keep your preconceived notions out of the way.  There was an unnecessarily heavy inking job done, as well as inconsistent color work.  Definitely a step down from everything done in previous issues.

So in and of itself, this issues is quite good.  Like many other reviewers, however, I share their fear that the Red Lanterns may become an unfocused title that no one will read.

8 out of 10 stars

Written by PETER MILLIGAN
Art by
ED BENES, DIEGO BERNARD
Inked by
ROB HUNTER
Colored by
NATHAN EYRING
Lettered by
DAVE SHARPE
Cover by
ED BENES
Edited by
DARREN SHAN, BRIAN CUNNINGHAM 

Well, it was bound to happen sooner or later…Red Lanterns is starting to find it’s way into the dull drums.  It’s not quite there yet, but it’s clear the title is going to be fighting to stay alive.

Atrocitus is having issues of trust with his fellow Red Lanterns, and more importantly, with Bleez.  Krona’s body is missing and Atrocitus’s paranoia is dictating his unjustified suspicions to blame Bleez as the body snatcher.  Of course, there’s more to this story than what’s right in front of us; A phantom perpetrator is behind Krona’s missing body and the rest of the Corps is trying to figure out its purpose in the universe.  Elsewhere, an Earthling was just inducted into the Red Lantern Corps…and he’s mad as Hell!

I’m still enjoying this title, don’t let my first paragraph fool you.  However I do see the beginnings of its literary downfall.  Atrocitus’s paranoia did bring the story down a few notches for me, almost becoming a burden on the script.  it isn’t all bad, but it was dragged on a bit too long, as if that was all it had going for it.  The one saving grace of this title’s longevity would be the minion’s back stories……that and Blezz’s ass shots.

If This Isn't Enough Ba-Donk-A-Donk For You, Than Click To Enlarge

I love Ed Benes, he’s one of my favorite comic book artists, but he certainly loves the female rear end…human or alien.  If Benes leaves this title, can anyone satisfy the fanboy’s need for soft core porn disguised as a fist fight?  Bleez is a strong character, but she shows a bit too much sexual innocence that doesn’t fit her feisty characteristics.

Here's Some More For You, Bloody Nose And All! Click To Enlarge!

Benes is still great, I’ll never NOT enjoy his artwork.  He has THE CLEANEST lines in the genre and creates the strongest and most visually striking characters and scenery…even better than Jim Lee.

Going back three paragraphs, the other Lantern’s back stories are certainly becoming quite interesting, even if they feel a little too quick and contrived.  But these stories are definitely making it clear that the title of “leader” isn’t something carved in stone within the ranks of the Red Lantern Corps.

I’m still enjoying everything Peter Milligan is doing, it’s just not a ground breaking comic.  I’m glad that DC is taking advantage of the new Corps they created through Blackest Night, but I think the Blue Lanterns might have been a better choice to give a title too.

6.5 out of 10 stars

Written By: Peter Milligan

Art By: George Perez, (1-15) Fernando Blanco (16-20)

Inked By: Scott Koblish

Coloring By: Tom Smith

Lettering By: Rob Leigh

Edited By: Eddie Berganza & Chris Conroy

Cover By: George Perez with Tom Smith

The Plot

Shade the Changing Man is visited by Enchantress in this world of Flashpoint as they struggle with altering magical realities and reminisce on the once powerful super team, The Secret Seven.

My Awe Inspiring Opinion

We aren’t in an Elseworld’s title ladies and gentlemen.  This book’s title is, in fact, correct.  I have no doubt that anyone and everyone reading this knows all about the mysterious reboot that DC is inflicting on the DC Universe.  Why they decided to do this, we can only speculate, but I’m confused as to why they felt the need to completely change my favorite comic book title into a mesh posh of unfamiliarity.

The flashpoint event has one major advantage which is, at the same time, a major disadvantage…the consistent comparing and contrasting that will no doubt be apart of every DC fan partaking in this event.  From what’s come out thus far, and what’s going to come out, there seems to be a legitimate amount of familiarity in each title to generate interest in fans.  I picked up this first Secret Seven tie-in issue because of my love for all things Secret Six.  How amazed I was to discover that it has absolutely nothing to do with Gail Simone’s Secret Six.

Now before I go into my bash fest, I must first congratulate DC on following through with their promise to make many of these tie-ins “stand-alone.”  Secret Seven has that fresh feel that doesn’t require its readers to be familiar with regular Flashpoint miniseries or have any knowledge of Shade or Enchantress.  If you want something new and strange, Secret Seven could be a good choice for you.

Now onto my hatred for this first issue…

I don’t so much hate it as much as I don’t really understand it.  There are a lot of things going on in this issue but no explanation is given for why they’re happening.  The importance of these events isn’t explained, which makes me wonder why this title was even published.  It could be the connection Shade had to the Suicide Squad a few years ago which prompted this spin-off, but even then I still didn’t quite get the “point” of it all.

Maybe if I knew more about Shade and his significance within the DCU I would better appreciate this issue in and of itself, but even with its new a fresh feeling, the book itself comes off more confusing than anything else.  There’s no clear definition as to who the bad guy is (which may be the point, I don’t know) and who the good guy is.  All that IS, in fact, clear is that Shade somehow stole Joseph’s amazing Technicolor dream coat, Enchantress looks shockingly like Carmen Sandiego on the cover, and that the entire issue feels like a bad episode of “Dr. Who.”  Give me my Tardis and send me back to a time when a good comic consisting of a team of seven was being published.  (Oh Sovereign Seven, how I miss thee.)

George Perez puts out some pretty good work, however crazy it may be.  Perez has seemingly become a foundational aspect to DC when looking for an older artistic style, which I’m sure was the point.  I just hope all those heads with blood-shot eyes can recover from seeing Shade’s concealed crotchal area.

My Majestically Climactic Conclusion

Maybe I’m allowing love for the Secret Six book to dictate my feelings towards the Secret Seven, but I really think that this three issue tie-in series will flop on its face while the rest of the world stomps on top of it.  I only hope it the next two issues are better.

3 out of 10 Stars