Archive for the ‘Geoff Johns’ Category

Written by: Geoff Johns
Variant Cover by: Doug Mahnke

While there will always remain this perplexing dichotomy between the purpose of the new 52 and the Green Lantern universe – seeing as how the wielders of the light didn’t partake in the reboot – Geoff Johns finally makes this title exciting!

The jungle presents a lot of challenges, at least it seems that way in the plethora of films, stories, and books where the jungle is the main setting. From it rises a series of moments involving the divine and humility, where the characters involved reveal the deep, dark secrets plaguing their minds.  Here, we find Sinestro and Hal going at it in a jeep construct through such a place.  It’s interesting to watch this conversation play out with no denial from either one while they listen to each other talk about why the other person’s wrong.  Yet, in their faces, we see a hint of understanding; Sinestro seems to be figuring out that his methods aren’t necessarily a welcome aspect, while Hal never denies Sinestro always being “right.”

And then conversation leads to the discovery of an Indigo Tribe member who looks amazingly like an old, worn out Guardian.  It’s been too long since the two worked together as a team, and Sinestro accepts Hal’s reasoning that FEAR isn’t the correct course of action in saving the day.

But there’s definitely a bigger mystery to be solved here which deals with the longevity of Sinestro’s cooperation.  And the Indigos aren’t going to let him go without some reassurance that Hal can “save” Sinestro from his fear mongering and murderous ways.  Of course, I highly doubt that Sinestro will make a complete move away from his Corps, (or what’s left of it anyway) to come back to the one that fathered his light wielding abilities.  But this is an interesting question, can Sinestro become a hero again?

This issue leads us to believe that Sinestro DOES in fact have a sense of justice lingering somewhere inside; he has convictions, and a strong sense of doing what MUST be done for a cause.  The Indigos seem to have almost lost all hope in that idea, but not completely and are willing to free Sinestro from their control if Hal can make that change occur.  It took 10 issues, but we’re finally seeing the purpose behind this arc…a change is about to occur within one of the title’s key players that will alter this title for good.  What that IS is hard say, but it is coming, and I’m pumped to see how it ends!

Doug Mahnke blows it out of the park despite the lack of support on the colorized front.  If anything were to be lacking in this story, color shouldn’t be it.  Thank goodness for the final pages where Black Hand rises, (again) receiving his black ring once more after the purple one left to find a suitable replacement.  Black Hand was so loyal to the Black that he was willing to die to escape the oncoming Indigo ring.  Whether or not he KNEW he would rise as a Black Lantern is another story.

This is a great issue finally deeming itself worthy to be titled “Green Lantern.” Keep up the good work Johns!

9 out of 10 stars

Written by: Geoff Johns
Pencilled by: Gary FrankJim Lee
Cover Color by: Alex Sinclair
Lettered by: DC Lettering

Hold on a sec…the Weapon’s Master is back???  I guess the DC reboot hasn’t forgotten everything that made the Dan Jurgens run of the Justice League so good!  In fact, it was issue #61 of the Justice League that featured the Weapon’s Master from April of 1992 that birthed my love of comic books.

Much to my dismay however, the Weapon’s Master is neglected the spotlight and used more as a comic relief, along with Flash and Green Lantern’s bantering over who plays who in the old “good cop-bad cop” routine.  But Wonder Woman never misses a beat with her ever-so-subtle entrances to help calm the storm.

Meanwhile, Supes, Bats, and Cyborg take on a riot at Arkham Asylum, seemingly started by the notorious villain, “The Key.”  Apart from Bruce Wayne’s text to Clark Kent about his dinner plans, this a much more angst driven fight, filled with the kind of gothic sensibilities that follow Batman like a plague.

However, hovering in the shadows is the crippled author, David Graves who mysteriously disappeared and now walks with a super powered metal suit (so it would seem) attacking Colonel Steve Trevor and forcing him to reveal the secrets of the JL Satellite base.  From author to potential arch villain?  From respected JL fan to revenge driven old man?  This I gotta see!!!

There’s an interesting juxtapose coming out of #9; Graves is shown being an expert on the Justice League, having written multiple books on them and other super-powered phenomenons, and the book continually (and randomly) flashes back to each League member’s past, showing very stressful times in their lives that directly connected to their current situation as superheroes. Unlike last month’s installment, this issue is working on almost every level, providing us with some very cool story building elements.  I’m going to make the educated guess that these flashbacks are both memories which haunt the League but also have to do with the knowledge Grave’s has in which he will use against the League within an issue or two.  I wonder why Aquaman wasn’t included in the festivities though?  Hhhhmmmmm…

One of the most terrifying moments in the book is when Graves shoots his doctor.  It doesn’t matter that superheroes and villains have died of much more devastating causes due to supernatural, explosive, or cataclysmic events, the visual of a bullet to the chest and blood flowing out on the carpet seems to have a different and much more emotional impact.  Would you agree?

I love Jim Lee, but am I the only one who sees his work as…unchanging?  Comic books, especially the much more main stream ones, have gotten to a point where even their BEST artists follow a similar format when it comes to penciling. With Jim Lee, so many of the poses and stances each character has in THIS issue can be found in almost every issue Jim Lee has ever drawn.  I love his work, don’t get me wrong, but due to its unevolving nature, I find myself enjoying the artwork of Amanda Conner, Francis Manapul, and others that tend to keep their style fresh and unique.

And of course, a secondary storyline involving Billy Batson and company comes to us right after Steve Trevor ends the Justice League section of the book, being forced to do something that Wondy will, most likely, whoop his butt for!  Billy is having to endure being apart of a family he never wanted in the first place, a school that seems to be against him, and anger issues he should probably seek therapy for.  But it’s all part of the plan for the upcoming change destined for little Batson.  I’m enjoying the slow pace, I just wish it wasn’t in the Justice League book!  I appriciate not feeling compelled to buy another title, but unless there’s an eventual connection Captain Marvel will have with the League, (Possibly replacing the uninteresting Cyborg???? pleaseohpleasohpleaseohplease…) I’d really like the Cap to have his own solo book.

And there we have it, issue #9!  It’s a great read and an undeniably fantastic improvement on an already fun title.  Three more issue to go before we hit the one year mark, and things are just starting to boil!

9 out of 10 stars

Written by: Geoff Johns
Pencilled by: Ivan Reis
Inked by: Joe Prado
Cover Color by: Rod Reis
Lettered by: DC Lettering
Colored by: Ivan ReisJoe PradoRod Reis

Six years ago the news media was all about the King of Atlantis.  Is he the real deal?  How does he breath under water?  Is he truly Atlantean Royalty? And who in their right mind gave him that Zack Morris hair do?  Eight issues ago we were shown an Aquaman that that very few people cared about or even knew existed.  How quickly people forget about their heroes in six years.

But I guess he did run off into the sea, shirt ripped and pectorals bulging, joining a band of vigilante pro-activists who were fighting for…uh…something.  But what he do in that one year?  That’s the real question.  Sure, he was causing some mayhem during his “fight the power” faze, but why did he leave? And how will this impact his life as Earth’s mightiest H2O tolerant, blonde haired heart throb?  The past returns to haunt yet again!

And Arthur’s past certainly isn’t getting along well with his present.  Ya’wara and Mera partake in a humorous exchange of implied sizing each other up!  Leaving Arthur stuck in the middle, finger up his nose, dumb found, and uncertain of what to do.  But don’t worry, before he leaves to go on his nostalgic man hunt, Aquaman puts his hand out towards Mera with a heart felt, “I love you.”

More mysteries build up in this issue – the relationship between Aquaman and the Doctor becomes a little more sympathetic, and Black Manta continues to slither around like a water moccasin, killing everyone from Aquaman’s past.  No thanks to Arthur’s Aqua Teen Hunger Force, armed with ancient Atlantean weaponry.  From six years in the past, this team boosted events to what they are now.  This was certainly a band of heroes who could have challenged the Justice League to a stand still!

There was a lot of really cool paneling and architectural work done on the layout of this issue.  Not really different from anything else I’ve seen, but very appealing and nice to look at.  While I understood what happened in the flashback sequence, however, I couldn’t help but remember the old Looney Tunes shorts where, when calling any man to step forward and fight, comrades took a step backward, leaving the protagonist without a choice…

C'mon guys, we can take 'em...uh, guys...where'd ya go?....oh crap, not again!...um, nice evil doer...

I understand what was going on, don’t worry, (especially since I took it out of context) but there is a certain level of humor in this, wouldn’t you agree?

In all seriousness, however, Reis takes everything he does very seriously; bringing all of his talents to the table, delivering the best work possible from any comic book artist.  While Arthur maintained his green and gold motif from six years ago, he was a lot more savage, young looking (giving a hint of Edward Cullen) and obviously mad at the world.  This is an artist I can trust to be completely honest on every page.

Aquaman continues to be a book I don’t hesitate to read.  Many of the titles I pick up have me wondering if I’ll enjoy it month after month.  There are only a few I don’t worry about at all…and Aquaman is among that elite group of titles for me.

10 out of 10 stars

Written by: Geoff Johns
Pencilled by: Gary Frank
Inked by: Gary Frank
Cover Color by: Alex Sinclair
Lettered by: DC Lettering

How many times can we recall Oliver Queen having a GOOD story written for him? If you think about it, I mean REALLY think about it, the answer would be zero.  Green Arrow has so much potential as a Superhero but DC’s never provided him with a script worthy of his his character.

I can honestly tell you that Justice League #8 does absolutely nothing for Green Arrow’s popularity in the slightest.  There’s too much of a resemblance to the Smallville depiction of Queen and feels more like an unlikable comic relief that reader’s don’t laugh at.

Granted, there is some potential in developing the Emerald Archer in a more positive way, so maybe this issue was simply a way of getting all the bad characteristics out to make way for the his more enjoyable side.  But it still doesn’t change the fact that this issue’s a snoozer, acting more as a slap stick comedy sketch or a Merry Melodies animated short where the character keeps on coming back regardless of what hits him.  Watch out Wile E. Coyote, you may have some competition in persistence!

Don’t get me wrong, I LOVE the classic slap stick from before I was born, but Justice League has never been marketed as such.  For me, that makes it difficult to swallow.  But on the bright side, Geoff Johns is truly making the League a central driving force with the New DCU.  This is a League that really doesn’t like each other, yet somehow has the ability to work together.  A true enigma if I ever saw one.

Plus, I’m enjoying Wonder Woman’s sword slinging.  Women and swords, it just feels so right!  There was also a nostalgic shout out to the Meltzer days of the Justice League where the team was formed in the heat of battle against Amazo.  DC hasn’t forgotten about the quality stories that gave life to the League, and it’s nice to see how well they’re incorporating the old and new continuity building parts of the universe.  Martian Manhunter as a League enemy?  This is going to be SUPER exciting.  (Hopefully MM will fill in for Cyborg when DC realizes he’s just not League material!)

Due to the focus on Green Arrow, the issue is lacking in entertainment.  Thankfully, Johns is able to lighten the mood with a Shazam secondary story that’s as fun as it is epic.  It’s always a joy to see an 11 page story have as much depth and character in it as a regular 32 page comic.  And give props to Gary Frank for continually bringing his top game to the pages of everything he does!

I enjoyed the art in this book, as well as the Shazam story and a few little things within the main JL storyline.  However, I wasn’t able to keep my eyes open long enough to finish the issue in one sitting…and that’s saying something for me!  Because of that I simply can’t give #8 a very high rating.  Sorry boys and girls, #8 just didn’t cut it.

5 out of 10 stars

Written by: Geoff Johns
Pencilled by: Gary FrankGene Ha
Inked by: Gary FrankGene Ha
Cover Color by: Alex Sinclair
Lettered by: DC Lettering

Pay no attention to the creative quartet, all bearing the letter “G” in their first name. Although it is amusing!  (Sorry, These are the things I notice that should be passed over.)

Five years after the Justice League was officially recognized by the government, the team is still operating as a band of unorganized individuals who are unable to function as a unit…at least not from the reader’s standpoint.

Within this comic book world that the Justice League protects, the government is trying to maintain its ability to “govern” while the rest of the world hopes to kick it’s elected officials out and allow the heroes to take over and run the country.  It’s a pity the country doesn’t truly know how poorly the League cooperates with each other…but I guess that wouldn’t be too different from the real world.  We can always consult Colonel Steve Trevor as to how the League is functioning of course, but even he would uphold an unbiased position.  (right?)

Yes, I was just as perplexed as I’m sure you were, Steve Trevor has made his appearance in the new DC Universe, and it seems that men high up in the ranks are not free from political scrutiny when it comes to relationships.  If any of you were wondering about the future between Clark and Lois, put those inquiries on hold and focus more on the future of Colonel Trevor and Wonder Woman.  Instead of developing this couple in her own title, the two have been forced to explore their relationship across the universe.  It seems clear, though, that the two care for each other, even if Diana seemingly rejected Steve’s confession of love.

Despite Steve’s love for the princess, it doesn’t distract him from his duties as liaison between the Government and the League.  He seems to be doing his job well, even if his bosses wonder about his involvement with Wonder Woman.  If only they could see how they League behaves behind closed doors in their satellite watchtower.  Not only do they bicker, fight and focus more on enjoying their time in space, they also like to take advantage of getting free meals, bedding, and anything else that room and board includes.

Wonder Woman seems to be holding up her role as the intelligent female with the only sensible head on her shoulders, while the others have too many muscles and powers for them to be concerned with “thinking” and “working as a team.”  I was certainly surprised by Batman’s comment about the Justice League: International, but maybe he’s just frustrated with organized crime fighting units in general, more importantly…his own.

Now don’t think this issue is ONLY about a hopeless romantic disguised as a military official, or even the strange mutated subplot – there’s a mysterious villain hiding in the background sizing up the League and their abilities.  What his (or her) motives are is unclear, but I’m guessing it’s going to be a way to give Green Arrow a REASON for even being in the new DC Universe.  (Probably the worst fad that came out of the series Smallville…stupid sunglasses.)

I would have preferred that Captain Marvel stayed out of the League’s book, but the short, introductory story was at least entertaining.  I won’t be skipping over this secondary story like I do with most other comics.

I couldn’t be happier with Gene Ha’s penciling skills.  I do miss Jim Lee taking the charge, but I would be perfectly happy if Gene Ha takes over permanently.

If I were to take a guess, Geoff Johns is setting up  a more realistic viewpoint of the League.  These aren’t perfect heroes who hold to the same sense of Justice and honor the ones we knew before the reboot did.  Rather this is a group of Heroes have a lot to learn…and that promises for some fine reading material!

10 out of 10 stars

Written by GEOFF JOHNS
Art and cover by
JIM LEE
Inked by
SCOTT WILLIAM, SANDRA HOPE, BATT & MARK IRWIN
Colored by
ALEX SINCLAIR with TONY AVINA
Lettered by
PAT BROSSEAU
Variant cover by
ADAM HUGHES
B&W Variant cover by
JIM LEE

As my “Heretical Biography” states, my introduction into comics was with issue #61 of Justice League: America.  Just under two decades since then and I’m still as loyal to the said title as I was in 1992…even more so.  When the title was terrible, I stuck with it.  When the title was amazing, my nerdgasms were that much better!

That being said, there’s really nothing exceptional about the rebooted title other than the art.  Geoff Johns is an amazing storyteller, don’t get me wrong, but anything and everything has already been done with every Justice League origin story. There’s not much left to do that’s fresh and new.  Thankfully, Johns found a way to make sure THIS origin story had a bit of originality to it, with a rough edge.

The first five issues gave us a decent display of each of the hero’s powers, with exception to Cyborg since he really has no control over his techo-implants. (Or at least he simply hasn’t learned to use them.) But now we’ve come to issue number six and all of the introductions to each hero’s super powers were forgotten, ending this story arc in a free-for-all.  No Amazonian awesomeness, ring slinging fun, nor any splashing moments for the king of the seas.  I try to give the writer the benefit of the doubt for a severe lack in power displaying, but with how the previous five issues set it all up, I assumed that meant it would all come together in one powerful conglomeration of super powered team-ups.

There was a semblance of teamwork however; each member providing something interesting that became the defeat of Darkseid.  However, I didn’t feel there was anything to latch onto.  In fact, Darkseid’s arrival might be one of the biggest let downs with this Justice League origin.  The heroes dog pile on top of him, he’s able to get a few good punches in here and there, but nothing about Darkseid’s entrance felt worthy of the amount of build up the previous issues gave him.  Is he really going to be some brute, all brawn and no brains?

Thankfully some intelligence emerges with Wonder Woman and Aquaman jabbing at Darkseid’s most powerful asset…his eyeballs.  Being the responsible employee I am, I left my issue of JLA #6 at home so I wouldn’t be distracted by it.  (But blogging while working is ok!) Because of that, however, I am unable to use it as a reference, but I seem to recall no omega beams in sight.  It’s a shame, but only a minor complaint.

Currently, the only members of the League that are impressing me thus far are Wonder Woman and Aquaman.  Superman, being the most powerful is unsurprisingly subdued in a light shows of shackles, and the other more powerful members of the League can’t seem to shake off the ruler of Apocalypse.  Leave it to an Amazon and a man with scales (both of which only have one title with their name on it) to use the gifts given to them to defeat the bad guy!

I won’t say anything about Cyborg.  Pure cop out if you ask me…

Lots of negativity, I know.  To be honest, however, I still enjoyed this issue; the art is great, and it’s still fun to see all of the characters back together on the same team.  The ending of this issue, though, is what makes it all worth it.

The team stands in front of the world at the capital accepting recognition from the President.  While the cheers and hoopla are thrown their way however, the League wonders where they go from here.  They aren’t a team, they don’t really like each other, and feel much more drawn towards their personal responsibilities rather than the the assumed collective responsibilities as the League.  However, they can’t refuse the acceptance as it’s a free ticket into the hearts of the people.  Thus will follow the fantastic potential of great character building stories and team building adventures!  I’ll definitely be coming back for more to see how Johns builds this team into somethings bold and daring!

7 out of 10 stars

Written by GEOFF JOHNS
Breakdowns by
IVAN REIS
Penciled and Inked by
JOE PRADO
Colored by
ROD REIS
Lettered by NICK J.  NAPOLITANO
Edited by
SEAN MACKIEWICZ & PAT MCCALLUM

Do any of you remember, prior to the reboot, there was a back story DC fleshed out about Mera and how she was tasked with killing Aquaman?  Apparently that side of Mera wasn’t wiped out with the last conglomeration of DC continuity.  With their relationship only being as old as four years, Mera still has ill feelings about the land dwellers and their constant and utter underestimation of both her and Aquaman.  However, being a woman living in the shadow of Arthur can make things a little more complicated for her…as well as those surrounding her.

It’s interesting to me that the superhero names that both Mera and Arthur inherited, due to their abilities, don’t seem to be aliases that the two like to use.  Much like with the majority of Marvel Comic’s superheroes, everyone seems to know the identity of Aquaman, not that he was trying to hide it.  The scaly clothing they wear is also not as it appears; everyone (even us readers) seem to have always operated under the assumption that the outfits are some form of costume, when in fact it’s nothing more than regular “everyday” cloths Mera would go shopping in!

Click To Enlarge

Kind of makes you look at the whole thing from a different perspective doesn’t it?   Not only does Aquaman and Mera get no respect, but they act under the delusion that their wardrobe is considered “normal.”  Four years of being together and they still haven’t figured out that land dwellers (as I put it) really don’t understand them.

But, of course, that doesn’t stop the seedy store manager from puttin’ the moves on the queen of Atlantis!  One thing that this issue does for us is solidify how strong willed Mera is, and show her low tolerance for the surface people’s attitudes.  No doubt, however, most women would love to do to the same thing to seedy men that Mera does to her harasser…

Click To Enlarge

We also see the major difference between Aquaman and Mera.  Issue #1 showed us an Aquaman who goes through his daily routine, humoring people and their ignorant attitude towards him…Mera is not as nice.  Initially she attempts at being friendly, (Very different from her role s a Red Lantern back in the days of Blackest Night) but one mere incident can bring her back to reality and the realization that she simply doesn’t fit in with “these people.”

Rightfully so too!  For six issues, people have done nothing but patronized Aquaman even after performing his superheroic duty.  Now, Mera is faced with saving a girl from being shot in the face by her dad, and walking right into the last straw  with his unoriginal comment of being a “fish out of water.”  She’s almost willing to kill to shut the ignorant and stupid people up.  But her frustration with people doesn’t stop with their ignorance; it stems towards their illogical loyalty to those willing to put a bullet through their skull.  The sociological implications of this issue are astronomical!

In the end, however, all it took was a brief display of love and kindness for Mera to be at peace with her living situation.  There is hope for us after all!  Thank you Jennifer for giving Mera the hope she needed.

The brother’s Reis, once again, do no wrong, providing us with beautifully sculpted bodies, incredible movements of water, and wonderful scenery.  If you wanted to buy this book for the art and not the story, you wouldn’t be wasting your money. I always buy for the story first, but the art alone is worth the $2.99 price mark.

Aquaman is one of the better titles in DC’s new 52 lineup that is actually doing a good job with rebooting is line.  We haven’t actually started over, but Aquaman’s story is definitely just beginning.

10 out of 10 stars

Written by GEOFF JOHNS
Art and cover by
IVAN REIS and JOE PRADO
Inked by
JOE PRADO & EBER FERREIRA
Colored by
ROD REIS
Lettered by
NICK J. NAPOLITANO
Variant cover by
IVAN REIS and JOE PRADO
Editors by
PAT MCCALLUM & SEAN MACKIEWICZ

Out of all of the titles in DC’s reboot, which one would you say is getting the best treatment?  Only those who are picking up EVERY title could truly answer that question.  And while I have my own preferences and favorites, my response to that question would most assuredly be Aquaman.

To start off, Aquaman is seen falling from the sky landing smack dab in the middle of a desert.  His bewilderment is quickly followed by a plea for water.  We soon learn that this plea was not meant so much for dehydration purposes, but more so to activate a small ancient Atlantean communication device with a message of destruction hidden within.

As with all sci-fi soap opera dramas, there’s also a dream-like encounter between Arthur and his father in what turns into an emotionally heart clenching moment of fear and neglect.  Very rarely do we see Arthur in an emotionally vulnerable state of mind, but here he’s as strong as he ever was in past arcs.

The substance of this issue is not within the dialog, but rather in the visuals.  50% of this book is more of an action packed, rock ‘em sock ‘em story where the remaining percentage relies on silence and heat.  The Reis brothers show us what brilliant artistry looks like when you can actually make the readers FEEL what is being portrayed in the art.  I didn’t actually sweat, but the desert splash pages caused my senses to wonder if I was actually experiencing heat or art.  And the contrast between the hot and cool effect when the image of the Atlantean soldier appears is an amazing piece of work.

Going along with incredible artistry, the image of Arthur’s mirage father was mind blowing.  It was a seamless display of a much more painted look in contrast with the more familiar art work from the brothers Reis.

I’m very excited to see where Johns goes with Aquaman. There’s obviously something big coming, and knowing Geoff Johns, that big thing is going to blow us all away!  Back in 30!

10 out of 10 Stars

Written by GEOFF JOHNS
Art and cover by JIM LEE and SCOTT WILLIAMS
Colored by ALEX SINCLAIR
Lettered by  PATRICK BROSSEAU
Variant cover by ERIC BASALDUA
B&W Variant cover by JIM LEE
Edited by DARREN SHAN & BRIAN CUNNINGHAM

I know, I know, It’s been a while, a little over a week in fact since my last review or posting, but life is back on track and I’m ready to nerd out once again!

Here at Heretical Jargon I try and always face the facts…hardly anyone reads my blog!  Or, at least, no one important reads it…I think we can all agree to that.  But I like to dream of the probability that someday, somewhere, someone worth while will read my blog and recognize that I have something important to say.

My dreams linger on, but right now Darkseid is on the rampage, Omega beams and all, and beginning his “Hell on Earth” campaign.  The League (are they an official “League” yet?) begins the task of setting aside their differences and working as a team to take down the alien invader before the streets are flowing with lava, and the skies are filled with steampunk-like monkeys from the Wizard of Oz.  For the sake of the world, get your act together caped crusaders!

You know what I think? I think everyone is having trouble accepting the “Justice League” feel to this title because there’s nothing new about.  Granted, a reboot does merit “newness” and “freshness,” but that doesn’t mean this title DOESN’T feel like a Justice League book right?  There are so many similarities between this and Meltzer’s series start up that I find it difficult to believe people just don’t see it.  The story isn’t great or original, but it’s definitely a League-tailored plot.

I take issue with many of the characterizations however; Superman, Wonder Woman, and Batman were clearly defined as a trinity whose buffer and constant theme of morality and love was culminated within Wondy’s loins.  Now Johns has made her out to be this head strong “kill first, ask questions later” type of woman.  Wonder Woman’s own title does her greater justice than the League’s.  Why would Johns negate so much of what makes Wonder Woman so awesome and make her as dumb as Superman?  Is Batman the only one who kept his intellect transitioning into the reboot?

Of course, we can always expect Hal Jordan to be a bit on the idiotic side, and his reaction to Batman’s unmasking is one of the funnier moments in comics I’ve seen in a while.  The exchange between Bats and GL, however, was odd, and I began to wonder what type of after school special this was panning out to be; especially with Hal suddenly developing this driven sense of leadership after being so defiant and full of rage moments after Bats ran off.

I echo Mike Campbell in his thoughts over at Where Monster’s Dwell that Geoff Johns has written immensely better story lines.  This might just be the title to drop if you’re looking to do that.  However, this title is far from bad.  it takes a lot to completely destroy a Justice League book for me…just ask James Robinson!  but this is the worst issue of the series by far.  Cyborg gets a feature on the cover?  He doesn’t even get a good fives lines in the whole book, much less serving a real purpose.

Darkseid seems to be an aimless character so far.  Surely things will develop further with him, as well as giving the League something more to go off of than constantly bickering at each other.

6 out of 10 Stars

Writer: Geoff Johns
Penciller: Jim Lee
Inker: Scott Willaims
Colorists: Alex Sinclair with Gabe Eltaeb
Letterer: Patrick Brosseau
Cover: Lee, Willaims, Sinclair
Editors: Darren Shan, Brian Cunningham

The only thing that was missing from that last splash page of Justice League #4 was Darkseid shouting “SAFETY!!”

I joke…or do I?

Most of this issue focuses around the same thing the previous three issues have been…introduce more heroes and cause even more egos to explode.  ”I want to lead!” “You aren’t leadership material!” “My power ring is bigger than your power ring!” It’s all one big shouting match between the guys, and they all want to be in charge.  Even Batman has an inferiority complex going for him.  The only one’s not going after the captain’s spot are Supes and Wondy.

Now I’m not trying to say this is a bad thing, don’t get me wrong.  Geoff Johns is great at making overused material feel fresh and new.  (James Robinson was the one with that problem.)  With this title taking us back five years into the past where superheroes are a fairly new landmark in human history, and each hero having minimal knowledge of each other, Geoff John’s approach makes perfect sense.  However, the biggest question to consider is this…is anything NEW being learned?

For us veteran comic book readers, the answer is NO.  For the newbies, it’s a whole world of YES!  So as a reviewer, do I review this issue with my experienced knowledge of the Justice League and comic book folklore, or do I set aside my preconceived notions about what the Justice League SHOULD be like and review it as if I were a newbie?

Click To Enlarge

As stated above, right now the Justice League is nothing more than a prick waving contest between the guys for the leader spot, Wonder Woman’s Lasso of Truth showed us that much.  Green Lantern, backed by the Flash for the most part, sizes Aquaman up by way of getting in his face and waving his questioning finger in front of him.  Aquaman quickly answers Green Lantern’s challenge with a fleet of hungry sharks and a Triton to a baddies jaw, as well as his resume as King of Atlantis.  Batman is able to get his two cents in about his leadership qualifications.  All the while Superman remains silent in his jockish way and Wonder Woman tries to maintain peace among the (yet to be established) League.

Cyborg’s story is getting interesting, but I’m still convinced he’ll be the weak link within the League.  DC has got to stop trying so hard to bring Cyborg into the League.  I’ll give them to benefit of the doubt for now, but I think the attempts have failed more than they’ve succeeded.

I can see how this entire set up for the league with the bigger oncoming fight against Darkseid can be fun for new readers, and it’s fun for me as well.  There’s something about origin stories that always makes me excited, even if there’s nothing new happening.  But juxtaposed with the whole Universe reboot, I think the whole “newness” of it is helping dictate my feelings towards the new Justice League.  Let’s be honest, this Justice League may be new within the reboot, but this is a story that has been told over and over again with every incarnation of the League.

Jim Lee = awesome!  I could simply end with that and I suspect all of you reading this would agree.  So let’s leave it at that!

Even though there’s nothing new being brought to the League as of yet, I still feel as if I can give #4 a high rating.  When Brad Meltzer took over the League a few years ago, I remember calling it “the best Justice League origin story in comics history.”  But now we are at the reboot where an origin story has been presented for a new set of readers.  What a powerful way to get newbies excited for comics on a monthly basis!

8 out of 10 stars

Writer: Geoff Johns
Penciller:
Jim Lee 

Inker: Scott Williams
Colorists: Alex Sinclair w/ Hi-Fi & Gabe Eltaeb
Letterer: Pat Brosseau
Cover: Lee, Williams, Sinclair
Editors: Darren Shan & Brian Cunningham

Wonder Woman is a United States newbie, wandering around looking for trouble while at the same time displays her gentle, more loving side.  Victor Stone suffers some fatal 1st degree burns, (or is it 2nd degree?  I didn’t learn anything in fire training apparently) and in true Sith style, is saved by fusing his body with mechanical external and internal implants.  The League shows their experience in using their powers, while also showing their LACK of experience in working as a team.  And another sea bound rapscallion makes his debut on the pages of the Justice League, just itchin’ for a fight!

Oh, and Darkseid is pushing is onslaught forward too!  Just FYI…

This issue is pretty hefty!  The best so far me thinks.  This title is running under a flashback mentality, dating back five years ago.  Super heroes are a fairly new concept, and they just keep coming!  As no OFFICIAL League has been formed yet, the heroes are trying to stop the other-worldly baddies without any semblance of a plan.

Not only that, but we are given a sample of each hero’s advantage and disadvantage with their super powers.  Superman is stronger than any hero on the planet, but he’s certainly more of a bronze over brains kind of guy.  Flash needs to stop and think things through a little instead of doing as much as possible before he gets whacked unconscious. Green Lantern may wield the most powerful weapon in the universe, but like the old saying goes, “It’s not the size that counts, but how you use it!,” and Hal definitely needs to learn focus.  But, of course, Batman is…well, he’s Batman…I don’t dare attempt at correcting his behavior.

The introduction of Wonder Woman into the book was a fantastic integration, combined with honor, humor, and maintaining a sexy, intimidating persona.  Although, I wonder, is Wonder Woman going to be too distracting for the guys?  Certainly the Flash and Green Lantern had a moment of incompetence while oogling the woman in the silver, red and blue suit, slinging the sword around.  Even Superman seemed very taken by Wondy…in which case Diana reciprocated Superman’s “flirtatious” moment.  C’mon DC, give Supes and Wonder Woman some romance, PU IT IN THE PLAN!!!

Has anyone ever wondered why Wonder Woman never had multiple comic book series’s where Bats and Supes have HUNDREDS!?!?!  Johns and Lee seem to have made this BIG DEAL of Wonder Woman’s entrance, yet she constantly seems underrated within the DC ranks.  It’s very disappointing and sad to me.  However, it’s nice to see Johns giving Wondy a full spectrum of likes fans can dig into.  She is ready for battle, displaying her warrior ways, and also given some hilarious moments and bits of dialog; eating ice cream and asking everyone if they had seen a Harpy.  Clearly, the rebooted Wonder Woman is going to be a fine addition to the team.

With Aquaman now having entered into the picture on the last page, the only real hero introduction remaining is Cyborg’s.  I’ve never been a fan of Cyborg, but Johns has certainly been building up his back story with the greatest of ease…and I find myself very anxious to see how it all works out.  Was it a precognitive sense Cyborg inherited, or do the cybernetic implants somehow give Victor an ability to see into other dimensions?

Whatever the case may be, Darkseid is certainly coming in full throttle and without mercy…and the team couldn’t be LESS prepared.  Much like what Dwayne McDuffie and James Robinson tried to do with the League before the reboot, (and failed) Johns and Lee are bringing a team together and allowing them to grow as a unit.  There’ll be punches thrown, and obviously leadership issues, but this is going to turn into something truly great and memorable!

10 out of 10 stars.

Writer: Geoff Johns
Artist: Ivan Reis
Inker: Joe Prado
Colorist: Rod Reis
Letterer: Nick J. Napolitano
Cover Art: Ivan & Rod Reis

A King And Queen To Respect…
How DOES it feel to be a superhero that no one takes very seriously…except then it comes to supernatural disasters?  I have NO IDEA, But it seems Aquaman is taking it quite well and maintains his composure as a man of honor.  Amongst all of the unintentional jokes and belittling from innocent bystanders and public officials, Aquaman’s self-worth isn’t lowered in the least.  It’s a fantastic display of super-royalty and shows why Aquaman is not a superhero to be laughed at.

At that same token, where Aquaman is fierce and intimidating, Mera is brutal…and scares the crap out of me! She doesn’t care that she’s using the same amount of brutality that “the Trench” uses against them, all she cares about is riding the world of evil.  But it was also nice to be reminded of her loving spirit and how the water follows her commands with such grace.  In so many ways, she reminds me of Wonder Woman; her spirit, love, and willpower equals that of the amazon princess…and it’s perfectly displayed here in #2.

Gore Can Be Beautiful, Can’t it
John’s had created, to put it simply, a colony of some of the creepiest and downright most evil creatures ever conceived in DC’s history.  But what makes it even creepier is the Reis Brother’s visual depiction of the underwater devils; the consumption of flesh and blood, even from their own peers, is a terrifying aspect that will make your skin crawl!  The Trench might just be the most accurate depiction of what animal instincts are really like…all we’re missing is the reproductive craziness that under water seas creatures embark on.

I had to do a triple take, however, on page two, when the fisherman said, in terror, “my God”…but backwards…

Give him a break...If I was about to be eaten alive, I might not be coherent either.

But other than that little glitch, the art is fantastic, filled with so many gothic colors and perfect expressionful faces.  (yes, I made up a word…my blog, my rules!)  But one thing I’ve never been able to get my hands around is the ability artists have to illustrate water and movement THROUGH the water.  Disney amazed me with the Little Mermaid, and Pixar WOWED me with Finding Nemo…now Rod Reis takes me for an amazing ride with every splash and spoolsh he could throw my way.

When All Is Said And Done
Now, RIGHT when I thought I had a handle on the Trench’s motives…which I thought was to eat, eat, and eat some more…the assumed “leader” of the Trench provides the twist!  Now the mystery begins it’s path into the meat of the arc, showing the possibility that the Trench has a deeper, more hidden agenda that’s more than simply eating non-stop.  What it is, however, could turn out to be simply more eating…but with Aquaman as the main course!

9 Out Of 10 Stars


Written By: Geoff Johns
Penciled By: Jim Lee
Inked By:
Scott Williams
Colors By:
Alex Sinclair
Letters By: Patrick Brosseau
Cover By: Lee, Williams, & Sinclair

It’s Not Easy Being In The League…
The Justice League has undergone so many incarnations that I can’t keep track of them all.  They typically consist of three key players, (And I’m sure you can guess who those three are) but almost always, every member of every version of the League knew each other prior to joining.  Now, with the reboot, issue #2 emphasizes an already known fact that the League is undergoing one of the most challenging and dangerous tasks they’ve ever faced…not knowing each other.

We pick up where we left off last month, with Superman duking it out with Bats and Green Lantern: Hal Jordan.  Realizing they were fighting a losing battle, Green Lantern calls in his buddy Flash to even the odds. The fighting continues until the four of them discover they all share a common enemy, and then there’s a pause in the fighting while the hostility still lingered.  Then Darkseid’s forces burst in via Boom Tube and turn an already tense situation into a cataclysmic event from Hell.

So What’s New About This?
Maybe I’m being too anal about the reboot providing something new and fresh for me in every title I pick up, but I find there isn’t a whole lot of “newness” going on with the League right now.  Sure, the new personalities and characterizations of each hero is being brought into the League, but nothing about how the League is forming is particularly new.  I think Brad Meltzer’s run on the JLA would have been a more appropriate starting point rather than what Johns is giving us.

On the other hand, Johns IS DOING a good job at expanding on each hero’s personalities and mixing them in with one another.  The future Cyborg definitely got a bigger spotlight in this issue than last month, diving into the somewhat distant relationship Vic has with his father…not that Vic hasn’t tried.  But the Flash and GL are certainly going to be bound at the hips, with Supes and Bats keeping to their own “I work alone” zone.  This group of heroes certainly has a lot of work to do if they want to work as a team, and I’m intrigued as to what will happen next…and Wonder Woman and Aquaman haven’t even entered into the story yet!

Jim Lee, as great as he is, really hasn’t changed much in the last few years.  I love his style and how define his characters are, but it’s hard to continually enjoy something as much as you did when there isn’t anything new occurring in the style.  Jim Lee will always be the master of his craft, but it seems that Lee has reached his peak of greatness…I hope he never loses it.

The story is quite predictable as we already know what the outcome of this arc will be…don’t make us wait Darkseid, get your butt out here!  I’m still enjoying the series thus far, but I can definitely see a predictable pattern emerging out of the plot from only two issues, which is kind of disappointing.  I would love to see something come out of this arc that really makes it stick out, even if it’s a small deviation from the regular storyline.  The emergence of Swamp Thing was all that Brightest Day needed to get that miniseries off its feet and into an exciting light.

I’m not trying to say Johns and Lee are awful, I love their work, but I feel their styles haven’t really gotten into the “new” feel of the rebooted DC Universe.  Johns’ writing is “safe,” but not spectacular, with Jim Lee’s style lingering in that “safe” zone with Johns.  Maybe things will pick up once my favorite hero of all time, Wonder Woman, joins the fun.

6 out of 10

Writer: Geoff Johns
Artist: Doug Mahnke
Inker: Christian Alamy
Colorist: David Baron
Letterer: Sal Cipriano
Cover Art: Ivan Reis, Rod Reis, Joe Prado

The Plot
Sinestro has a Green Ring, and the Corps is mad as Hell about it!  The Guardians support the ring’s decision, but Sinestro wants his new found ball and chain off his finger so he can rejoin his yellow ring bearing brothers and sisters.

Meanwhile, back on Earth, Hal is having one Hell of a time getting back into the swing of normal life.  Luckily, an old friend pays him a visit at the issue’s end…we’ll see if this is a good thing or not.  Will Sinestro get his wish and become a Yellow Lantern again?  Will Hal ever make it back to his beloved Corps?  More in 30 days!

My Heretical Opinion
So…um…what exactly is new and different about Green Lantern?  Did the Flash stumble on the cosmic treadmill, causing the world of the Green Lantern to be unaffected?  I thought DC was trying to make everything accessible for the “new” readers they wanted to real in.  Geoff Johns is merely continuing with his already establish remapping of the Green Lantern mythos, bringing Doug Mahnke back in as the Penciller.

I have to be honest, this is a major disappointment for me as I was expecting something really cool to come out of this reboot, but it feels like just another issue from the “old” series that is a timid and unexciting juxtapose from the old to the new.  Were my expectations too high maybe?  Everyone talks to each other as if nothing changed.  Carol Ferris was still a Star Sapphire, Sinestro was still the leader of the Yellow Lanterns, Kronos still f**cked up everything…did anything actually change?  My verdict…not in the least.

However, preconceived notions shouldn’t dictate whether or not this book is enjoyable.  If the reboot of the DC Universe had never happened, this issue would be getting rave reviews as normal, dubbing Geoff Johns and Doug Mahnke as geniuses yet again.  Geoff Johns doesn’t know how to write clunky dialog and drives every story he’s ever written into fantastic conclusions and/or cliffhangers.  Likewise, Doug Mahnke can do no wrong with his gorgeous display of characters and scenery.  Sigh, if only I wasn’t so perplexed by how lackluster this #1 feels in comparison to all of the rest that have come out.

Green Lantern has felt very weighty for the last few years with all the events and enemies darkening its doorstep, maybe it needed a break from anything SUPER angst driven.  It was interesting to see Sinestro back in Green, especially since the last time I saw him sporting the Green leotards was back when I was a kid…when Hal Jordan was on the cusp of going insane, dawning the Emerald Twilight saga.  It’s also very refreshing to see Jordan reverting back to his arrogant days of unintentionally playing the women around him and being ignorant to the fact that he really has no clue how to appropriately interact with “regular” people.

As always, Doug Mahnke brings in a glimmer of perfection with his artistry.  But all the credit shouldn’t be dispersed to Doug alone; his colorist, David Baron, as well shows a remarkable talent for color and shine.  So much of what the two artists bring to the pages allows for each character to come to life in extraordinary ways, combining color, definition, and clean lines to allow it’s explosiveness to radiate through the pages and up to your eye balls, causing our jaws to drop and drool a little.

There’s actually a lot of good stuff coming out of this new GL title; Sinestro is ready to kill in order to achieve his goal, and after all this time in the Corps, Hal still has a lot to learn about himself and others…but I’m still up in the air about it.  If everything else has changed within the DCU, why hasn’t Green Lantern?  How does this make the Green lantern title accessible to new readers?  Are the events of Blackest Night still part of this new canon? What has Johns taken from the old universe and applied to the new?  I’m very confused.

So, overall, this first issue is enjoyable, but the buildup of the new 52 really did get my blood pumping for what was in store for Green Lantern.  I trust Geoff Johns; Green Lantern has been his baby for a REALLY long time so I’ll trust him to deliver some incredible stuff.  Fingers crossed.

7 out of 10 Stars

Written By: Geoff Johns

Penciled By: Andy Kubert

Inked By: Sandra Hope

Coloring By: Alex Sinclair

Lettering By: Nick J. Napolitano

Edited By: Kate Stewart

Associate Editor: Rex Ogle

Cover By: Andy Kubert & Sandra Hope

The Plot

We get a glimpse of the Aquaman and Wonder Woman of Flashpoint, and it ain’t a pretty picture!  Meanwhile at the Batcave, Batman (Thomas Wayne) and Flash try to work out their differences.  Can the Flash restore his reality and wipe out Flashpoint’s.  I guess we’ll find out when the DCU reboot begins huh?  (grumble grumble)

My Awe Inspiring Opinion

How does a fan of DC comics continue to read Flashpoint knowing that it’s the precursor for the rebooted DCU coming in September?  Sure, there are those that are looking forward to the “new and improved” DC line of comics, but for those of us (and it’s a lot) who are really aren’t happy with this up and coming change, it could be really hard to read this miniseries with an open mind.  For me, personally, I’m not sure what to do.

That being stated, I did enjoy issue #2, but not near as much as #1.  There’s only three issues left to go and the bulk of the issue was spent in aggressive negotiations between Batman and Flash…how much time did Johns need to spend in developing the series’ overarching plotline?  I felt as if this could have been fleshed out in fewer panels.  (But I’m just a blogger right?  What do I know?)

Just when I thought Johns was going to take the easy route, he throws in the monkey wrench and makes sure Thomas Wayne isn’t just some evil version of the Batman we all know.  Thomas Wayne shows his stance as a character with his immediate acceptance of helping Barry wipe out the world of Flashpoint if it means giving life back to his son Bruce, willing to not only sacrifice his life, but the life of everyone else on Earth.

Evil Wonder Woman and Aquaman help to maintain the feeling of unfamiliarity and angst.  Andy Kubert’s artistic prowess amplifies this sentiment even more with the two former heroes and their demonic look, followed by a very disturbing turn of events with Barry Allen’s body completely singed from the failed Frankenstein experiment.  This book, despite the foreknowledge of the reboot, left me wanting much, much more!

My Majestically Climactic Conclusion

I don’t know, I liked this issue but I’m pissed about the future of DC being helmed by Johns and Jim Lee.  I can’t fault this issue based on the disgusted feeling I have towards the reboot, so I can’t justly give this issue a bad rating based on that.  But I must make it know to Johns and Lee…I am NOT HAPPY!!

8 out of 10 Stars

Written By: Geoff Johns

Art By: Scott Kolins & Francis Manapul

Coloring By: Michael Atiyeh & Brian Buccellato

Lettering By: Sal Cipriano

Edited By: Brian Cunningham

Cover By: Francis Manapul

The Plot

Hot Pursuit is trying to kill Kid Flash in order to save the universe!  But then Mr. Pursuit realizes that the unnatural anomaly wasn’t being generated from the little tyke, but from a reversed evil doer.  Will the Professor of Zoomology be brought to justice, or has the road to Flashpoint already been paved?

My Awe Inspiring Opinion

The hardest thing of any story arc to deal with (for me at least) is how they never really end.  I used to make fun of soap operas all the time, but comic books are just as bad, if not worse than “The Rich and The Richer.”  This is not at all a negative critique, but rather a factual statement proclaiming why comics are so successful with me, and Johns knows how to take me along for the ride.

I ran into a major problem by reading Flashpoint #1 first, and then reading Flash #12.  I like that the two issues came out in the same week…but I wish I had known which issue to read first.

The main story was good; tension is great, new revelations are given, a character dies, Iris and Barry try to mend their…..wait, what? Who dies?!?!

I won’t give that little bit of information away for those of you who haven’t picked up your comics from Wednesday yet, but it honestly won’t affect you as much as you might think.  It does provide a great set up for what’s to come in Flashpoint, but it isn’t that big of a deal in the grand scheme of things.

Now concerning the unending subplots…who else felt everything was put on hold for Flashpoint?  Just as Barry was ready to accept the fact that he has new opportunities being laid before him, he is jettisoned into a strange new world where everything is backwards.  I think Barry was on the verge of becoming a bigger part of his family’s life – like spending more time with his wife and grandson. Some things seemed a little more solidified with ending, but as we all know, comics always seem to sneak in storylines we all thought had ended years ago. But this unending theme in #12 could be only the beginning of what’s about to occur for Barry Allen as a speedless Flash.  And I for one am excited to see the results!

Francis Manapul – 10, Scott Kolins – 0.  And while I absolutely cannot stand Kolin’s artistic style, and having an artist toggle in the same issue frustrates me even more, this issue was smart about the toggling.  Kolins typically leans more towards a darker and gothic style while Manapul is much a lot light and well defined.  The two differing styles help to set a tone of the two segments of #12, which I have to give DC props for.

My Majestically Climactic Conclusion

It’s been one year since this series began and it’s been a fun ride.  I look forward to speeding along with the Flash for another twelve issues!

8 out of 10 Stars

Written By: Geoff Johns

Penciled By: Andy Kubert

Inked By: Sandra Hope

Coloring By: Alex Sinclair

Lettering By: Nick J. Napolitano

Edited By: Adam Schlagman & Rex Ogle

Cover By: Andy Kubert, Sandra Hope, & Alex Sinclair

The run-at-the-seat-of-your-pants Plot

After hearing about a shoot-out between some of Barry Allen’s fiercest enemies, the DC Comic speedster runs after the crime scene only to find his speed force ring missing.  He falls down a set of stairs to see his mother after so long.

After a series of events, Barry realizes that not all is well and reality has become somewhat unfamiliar.  The world fights against Wonder Woman and Aquaman, and the similar heroes we all know are a tad bit more relentless and “dirty fighters.”  Worst of all, Iris loves another man.  Barry must now decipher the mystery of this familiar, yet strange new world he’s stumbled into and find his way back home…after Flashpoint is done in five issues of course.

My Awe Inspiring Opinion

Where Brightest Day began horribly, Flashpoint gets off with a bang.  Personally, I find that DC uses the Multiverse way too much, giving us too many Flashes, Supermans, Wonder Womans, and Green Lanterns.  However, Johns seems to have taken full control of this version of Earth within the multiverse giving it a new and fresh feeling, filled with mystery and excitement.  I can honestly say that I’m hooked and will most likely stick with this series all way through to final issue #5.

Johns starts off with a tremendously emotional first few pages, delving back into Barry’s past and how it led up to him being the Flash and developing friendships because of that.  But as we shift further into this world where Barry Is “slow,” even more occurs to enticement and ensnare our senses.  Unlike the beginning of Brightest Day, Johns leaves so much unanswered but gives us so much to go on, leaving the mystery swimming in our heads in a positive flow.

Among these mysteries in the overarching theme of Flashpoint, the two most center-staged ones deal with Wonder Woman and Aquaman turning out to be murderous jerkfaces!  Without a doubt I’ll be picking up the Flashpoint One-Shots staring Wonder Woman and Aquaman just to find out why they are so evil!  But concerning this first issue, we discover one very interesting thing about this world’s Batman.  I can’t give it away for fear of ruining the best surprise to come out of a DC Comic in a very long time, but I don’t know if I can hold in this “father” of all secrets for very much longer.  (Riddle me this!)

The tone was set very well for this series and its character developments.  Faces and costumes are familiar, but mindset is completely different.  It seems Johns has expanded on the dark side of each hero’s personalities.  Batman now seems to be much more willing to sacrifice the lives of evildoers in the name of justice, and the heroes in this world don’t seem to get along with each other in the very least.  The only character that seems to have maintained his personality trait is Cyborg, who not only has the ability to walk, but run, jump and save damsels in distress after “slipping” from the top of a tall building.  Only recently have I gotten into Cyborg’s character.  I think John’s may have just sparked my interest even more.

It’s good to see Andy Kubert working on a series I’m reading again.  But the best work of this issue doesn’t come from the action or more intense scenes found towards the middle and end of the book, but rather at the beginning.  I can’t see a more emotionally gripping panel than the one where Barry embraces his mother in a heartfelt hug.  But even with that said, the artistic vision and execution of this issue is flawless, never sparing on details nor lacking in the depth of color and definition.  Sinclair became just as much of a storyteller as Johns and Kubert with his excellent depiction of a torn and beaten up Gotham City with the multiple shades of red and black.

My Majestically Climactic Conclusion

Now I can’t say that this issue is one of the best I’ve ever red out of DC’s comic repertoire, but it’s definitely got my interests peaked and excited for what’s in store for the future.  It kept my attention from start to finish.  While Geoff Johns is great at writing storylines for Green Lantern, I think some of his real passion lies with the Flash, and it shows!

10 out of 10

Written By: Geoff Johns & Peter J. Tomasi

Artist: Ivan Reis, Joe Prado, Patrick Gleason, Ardian Syaf, Scott Clark, Norm Rapmund, Vicente Cifuentes, Oclair Albert, Tom Nguyen, Mick Gray, Mark Irwin, & David Beaty

Colorist: Aspen MLT’s Peter Steigerwald

Cover Artist: Gary Frank & Rod Reis

Letterer: Rob Clark Jr.

Editor: Rex Ogle

The Earth Shattering Plot

Swamp Thing is Earth’s ultimate savior, but in order for him to return, someone else must die.  As the newly inducted elemental heroes fight off the Dark Avatar, one hero will sacrifice himself in order to save all of humanity…and the one he loves.

My Awe-Inspiring Opinion

As a lot of you know, my opinion of Brightest Day has been quite low. However, with that being said, as painful as it was, I’m certainly glad I stuck it out all that way through as the series as I found out of Swamp Thing’s return.

However, as awesome as this return is, the issue isn’t perfect and seems to have been thrown together to help wrap up a series that was destined for failure.  The end result of each character’s stories may look as if there’s some semblance of a coherent conclusion, but ultimately makes little sense.

The Hawks turn into the wind, Manhunter becomes the Earth, Aquaman becomes H2O, and Firestorm become fire.  These biological alterations of the heroes of course make sense when thinking of their characteristics, but make little sense with the stories they were caught in the middle of within Brightest Day; The Hawks get caught in an interdimensional duel with Shiera’s mother, Manhunter goes through a lovers quarrel over the longevity of Mars, Firestorm failed in his attempt to save his professor, and Aquaman controlled the dead fish…it just doesn’t make sense to me.

As Brightest Day strung me along with multiple convoluted storylines, I now find myself happy about the return of one character but still confused about where this whole thing is going.  Why did Hawkgirl not return and Hawkman did?  Why is Firestorm uncertain about his future?  Brightest Day did a great job at stringing readers along without giving any indication about what was going to happen and leaving virtually no clues to help solve the mysteries.  Now we are left with even more daunting events and questions which, in turn, make no sense and I sit here thinking to myself that I have absolutely no idea what happened in 24 issues.  #24 only satisfied my geeky side with the return of Swamp Thing but didn’t give me any closure with the series itself, not that I was expecting it too.

It was confusing during Blackest Night and is STILL confusing for me in Brightest Day…How can a Black Lantern exist while the actual hero lives as well?  Firestorm goes up against himself and now Swamp Thing fights the Dark Avatar…which is Swamp Thing.  I feel this concept was never successfully explained which makes everything even more confusing than it already was.

And of course I come to the book’s art, and as I’m sure you can see, it has a jumble of artists.  Save me oh Lord, the jolting effect from one page to the next gave me such an artistic headache that I literally took three Advil and five Ibuprofen just to help simmer the pain.  (That’s completely untrue by the way, no medication was needed.  It was just painful to gaze upon.)  The first splash page of Swamp Thing standing over the world is gorgeous!  Then I turn to the next splash page where Swamp Thing fights the Dark Avatar and he looks completely different with no resemblance from the previous page.  The artistic talents in this issue are amazing, but the toggling eats at my soul.

My Majestically Climactic Conclusion

All in all, Brightest Day is a failure, leaving nothing but confusion, uncertainty and very little closure.  Yeah, sure, Swamp Thing is back and it’s awesome…but the ending doesn’t give readers anything to work off of.

3 out of 10 stars.

Written By: PAUL CORNELL, RICHARD DONNER, DAVID GOYER, DAMON LINDELOF, GEOFF JOHNS

Artist: PETE WOODS, JESUS MERINO, GARY FRANK

Colorist: BLOND, BRAD ANDERSON

Cover Artist: ALEX ROSS

Superman Created By Jerry Siegel & Joe Shuster

The 900th Plot

The Black Ring storyline comes to a climactic conclusion in this 96 paged Action Comics installment, as well as providing us with a few smaller, less significant Superman tales with the exception of one.  #900 comes to us in a package of three, giving us a heated rhetorical duel between Supes and Lex, another battle where Doomsday vs. everyone else, and a barrage of short stories with multiple guest writers and artists.  What’s established amongst all these stories is a satisfying ending to one, and an annoyingly predictable beginning to another.

My Awe-Inspiring Opinion

Action Comics #900 is like a can of mixed nuts; you look for your favorites and deal with what’s left over at a later time.  Thankfully, the story I was most excited about comes right at the beginning…the conclusion of The Black Ring story arc!

I haven’t been following the whole Reign of Doomsday “thingy” simply because Doomsday is way overplayed and I just don’t care; it’s inclusion within this 900th issue was fairly annoying to me, and I’m probably not alone in the sentiment am I?  Its connection to the Black Ring arc, toggling back and forth, felt forced and unnecessary.  I hope DC will one day let Doomsday remain in history as the one who killed Superman and boot Cyborg Superman “Owt da doh!” Move on to bigger and better things DC, please.

Paul Cornell, however, was really on top of things with the confrontation between Superman and Lex Luthor.  Finally, Lex was able to achieve his God-like state and bring his unfathomable wrath on Superman once and for all and put an end to his long hated rival.  But of course, like all good Superman stories, the concept of good is ballooned into an awesomely cheesy yet powerful bit of prose, allowing Lex to see his potential of doing good rather than emitting chaos throughout the cosmos.

But now Lex knows of Superman’s secret identity!  How will this turn the tides in the future of Superman storylines?  Cornell brilliantly implemented a human side to Lex with his anger and jealousy of Superman in having parents like Ma and Pa Kent.  This issue gives us an even deeper analytical look into the psyche of Lex Luthor and how everything that he is today all falls back on his upbringing and poor relationship he had with his father.  If it hadn’t been for the Reign of Doomsday jargon connected to the Black Ring arc, I would say this was the best issue of Superman this year!

On another note, it’s been hitting the news on both the World Wide Web and public news broadcasting media…Superman is renouncing his American citizenship!  This bit of news even hit the radio waves on NPR.  Is it really that big of a deal?

The answer: Yes!  Why? Because Superman is looked upon as a major American icon. For him to take the Americanized aspect of himself out of the picture could greatly change his image and character among readers and fans.

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But let’s not take this lightly and think Superman is hating on America.  As he stated, he feels he cannot limit himself to one type of thinking.  His walk across America seems to have done more good for his thinking and broadened his mind quite a bit.  He views himself not JUST as a hero for America, but a hero for the entire world.  The “American way” is not something he wants to limit himself too, but rather to become a hero for everyone and not only be viewed as an American entity.  But again, how will this change in mentality alter future of Superman storylines and will it be for the better?  I for one am excited at the possibilities!

Another notable story feels more like a two paged set up for a Clark Kent and Legion of Superheroes pin-up…for those who DARE to tear up good literature for the sake of decoration.  (phooey on you all!!!) It’s a cute addition and I loved it.  And just a side note, Lois Lane has amazing legs!  Thank you Gary Frank for making the sexiest Lois Lane in the history of comics!

Speaking of art, I’m not one for artistic toggling, but this issue did alright.  They appropriately placed certain artistic styles depending on what past situations Paul Cornell and his team of assistant writers were calling out to.  I was glad to see Gary Frank take over during the memory of Pa Kent’s death and Jesus Merino take over on some of the other flashback scenes.  Pete woods, however, brings some amazing artistry to the main story sequence and gives Lex Luthor that terrifying edge needed.

My Majestically Climactic Conclusion

I had more good things to say about #900 than bad, so overall, this issue was a complete success in my opinion.  Sure, Doomsday tainted this issues potential, but I can overlook that due to the sheer awesomeness that the rest of the issue delivered.  But now that we are at issue #900, can Action comics survive 100 more issues and get to #1000???  I’ll definitely hope to be alive to witness such an occasion!

9 out of 10 Stars

Written By: Geoff Johns & Peter J. Tomasi

Artist: Ivan Reis, Joe Prado, Norm Rapmund, & Oclair Albert

Colorist: Aspen MLT’s Peter Steigerwald

Cover Artist: Gary Frank & Rod Reis

Letterer: Rob Clark Jr.

Editor: Eddie Berganza

My Awe-Inspiring Opinion

Ok, let’s get one thing straight here…Brightest Day is a pretty bad miniseries; it’s been filled with confusion and strange happenings that seem so out of place that there really was no way to save it from its eternal damnation.  So the only thing remaining is to give it a dynamite ending!  Now there’s still one Brightest Day installment remaining (coming out on the 20th) and the tension has reached a buckling point and all that lies ahead is a shimmering ray of hope that all will be well……and AWESOME!!!

I typically don’t like stories that use the four elements as part of the plot; they typically get a little too cheesy and ridiculous.  But the way Johns and Tomasi construct this plot twister was nothing short of perfect.  Looking back on how things developed into what they are now also makes perfect sense.  While I don’t think that is a redemptive aspect of the series itself, it helps me to breathe a little easier.

I can tell that the end result of Firestorm, Manhunter, Aquaman, and the Hawks was truly planned out and not improvised as I felt it was as the series progressed.  In fact, I found myself slapping my forehead in disbelief…How did I NOT see this coming?  Brightest Day put so much emphasis on the Earth that I should have at least seen some semblance of the Earth elementals being a major player in the story.

But yet some mysteries still remain.  Hawk and Dove still haven’t been given their destinies, and we remain unsure why Cappy Boomerang has to throw his you-know-what’s at our sweet and innocent Dove.  One more issue to go, let’s hope it’s good!

The story within this issue is tense from start to finish!  Why couldn’t the entire run have been like this?  And all the tension occurs in one central location where all Hell is about to break loose.  It’s simply amazing how well Johns and Tomasi give this single issue such an amazing boost of excitement and awe.  I was blown away!

The White Avatar, which speaks to everyone in riddles and one-liners, really has me perplexed.  I’ve found myself wondering through this series if whether or not the white avatar really knows what’s going to happen as random as everything seems to be.  But one thing’s for sure, he’s funny as hell.

“No need to worry Jason Rusch.  Death sometimes makes you stronger…or simply just dead.”

What mystical being says that something like that?  I’m only now beginning to appreciate the humor of the white Avatar.  But it makes me wonder if he’s going to end up being this flimsy, absent-minded being that’s never sure where he’ at or going.

The return of Swamp Thing caught me by complete surprise.  I guess I’m not paying enough attention to the rumors that have been spreading around the internet.  Bringing back Swamp Thing was a brilliant move on Johns and Tomasi’s part, especially in the WAY they bring him back.  How many debates have been flying around the social networking world about who will be Earth’s ultimate defender?  And how many guesses were there for Swamp Thing?  I would dare say…zero!  But it makes perfect sense as Mr. Alec Holland is, in fact, made of the Earth itself.  I can’t wait to see what is in store for him in the future of the DC Universe!!

This issue had me going nuts over the multiple splash pages and crazy destruction.  The Dark Avatar was incredibly well done, and looked amazingly like Swamp Thing…don’t you think?  This is some of the best art I’ve seen in the Brightest Day title since issue #1.

My Majestically Climactic Conclusion

Overall, #23 is an absolute delight.  The story is fantastically written and finally gives Brightest Day something to be joyful about.  It’s smart and exciting to say the absolute VERY least.

10 out of 10