Archive for the ‘Gail Simone’ Category

Movement-1-coverWritten by: Gail Simone
Art by: Freddie E Williams II
Cover by: Amanda Conner
Variant Cover by: Cliff Chiang
Page Count: 32
U.S. Price: 2.99
On Sale Date: May 1 2013

I took an oath a few months ago….to keep away from the rumors, previews, spoilers, and anything else leaking out onto the internet concerning big events in comics.  It’s been nice – being taken by complete surprise in many of the comics I’m reading.  However, the only bad thing about keeping a turned eye to everything that’s up-and-coming is when I neglect the cool stuff.

All I knew about Gail Simone’s “The Movement” was simply that she’s writing it.  It wasn’t until YESTERDAY when a fellow comic book nerd reminded me that it was hitting the stands TODAY.  I would have completely passed it over had she not reminded me, and now that I’ve read it, my hope of having another title filled with incredible anti-heroes has resurfaced, and all is good in the world.

movement1-panel

What’s different about this title by Simone is the amount of new characters coming out of Coral City.  Not every character’s been named yet, but I’m sure they’ll be unveiled as issues come out.  Without a doubt, however, the cast is an intriguing one – there’s an Earth mover called Tremor, a self-dubbed Prince of Rats named Mouse, a wearer of a set of mechanical wings named Katharsis, and Virtue who’s seemingly the leader of this mysterious band of “heroes.” The one caught in the middle of everything is named Burden – or, at least, that’s what his parents call him – and it’s uncertain at this point as to what his role in the story will be.  We do know that he hasn’t learned to control his powers, which is what’s caused this presumed demon possession.

Compacted into this issue are a few more mysteries that will undoubtedly reveal themselves as this series pushes forward, but this series opener has definitely peaked my interest.  Secret Six was great because of its “sketchy” nature.  It didn’t rely on heroes doing things the honorable way.  Everything the Six did fit right into their evil-doer background, yet you were compelled to like all of them.  Likewise, The Movement takes on that same role, but it obvious Simone is making this title excitingly fresh and different. You’ll question the actions of the heroes and finish this book unsure of what their motives are, aside from wanting to do the job the cops aren’t willing or able to do.  But if you’re a fan of Gail Simone, issue #1 will be literary candy for your brain.

Simone is a master of creating characters we can immediately invest in.  We’ve been trusting her for this long and she seldom writes anything that doesn’t get your blood pumping.  Taking the theme of cop brutality and corruption and bringing in a team of young heroes daring enough to put stop to it is a much needed topic to be addressed.  Now we’ll see how far the corruption goes and if the Movement can do anything about it.

10 out of 10 stars

Batgirl-16-CoverWritten by: Gail Simone
Art by: Ed Benes, Daniel Sampere
Inked by: Vicente Cifuentes
Colored by: Ulises Arreola
Lettered by: Dave Sharpe
Cover by: Ed Benes

So….Batgirl is about to marry the man who’s brought more horror into her life than Kristen Stewart has brought onto the big screen.  Gail Simone brings everything to the table – giving us horror, suspense, action, gore, twisted sensibilities and plot twists, and one Hell of a cliff hanger!  In all honesty, Batgirl has more reasons than Batman does to hold against the Joker in the name of vengeance doesn’t she?  This issue tests her concept of justice, brings some of her previously developed philosophies on life back into question as well as her own sanity.  Does Gail Simone actually like Batgirl?  She’s seems to torture her enough, so it makes me wonder.

As stated, Batgirl is on the verge of marrying the worst kind of psycho, with no way out.  Joker’s onslaught on mind-fuckery knows no limits in every Bat-book.  Who knows if Barbara’s mother is still alive?  She has little choice  but to go along with Joker’s twisted plot.  Not only does Batgirl find herself in an impossible situation, she must also face the realization that certain family members have an evil/crazy streak in them as well.  Mind blowing twists flying at her from left and right, it’s no wonder Barbara’s on the verge of loosing her sanity.  The cover is completely on the mark and makes one wonder, could someone like Barbara Gordon, if pushed to the limit, turn out like the Joker?

choking-the-joker

It’s hard to put it all into words.  This is a book you simply have to see.  Gail Simone is one of the best (if not THE best) comic book writers in the industry right now, but comic book’s are nothing without the art.  This Batty installment contains an artist toggle, going back and forth between Ed Benes and Daniel Sampere, but the differences in style are hardly noticeable, though I would have liked more consistency in the coloring job.  But it’s all worth that amazingly creepy cover art by the master, Ed Benes.

It’s always interesting to see how writers handle touchy subjects…like post traumatic stress disorder for example! Simone takes great care in giving this disorder proper respect while also showing how daunting and traumatic it cab be for those suffering from it.  But, in her awesome Simone fashion, she presents a female who overcomes impossible odds, boosting Batgirl onto the top five most-heroic-DC-characters-in-history list.

Next month will be Gail’s last issue before she takes a one month break from the title.  In the meantime, Death of the Family is taking the comic book genre to new heights, laying the ground work for a revitalized Bat-family.  Barbara Gordon has become a much more mature character within the New 52 thanks to Gail, and only good things can come of the unknown result of the Joker’s return.

10 out of 10 stars

News turns out to be old after 24 hours of it’s release when it comes to comics, and thanks to my internet connections, I was unable to post this bit until today.  Brian Cunningham is probably slapping himself in the face right now because DC realizes when an editor makes a shitty-ass decision!  Here’s something Gail Simone tweeted just yesterday….

back-on-batgirl

Yes, DC overturned Cunningham’s decision and assured Gail that she wasn’t off the title, which is music to my ears!

But we have to wonder, does this make Gail Simone the Wonder Woman of comics?  Not that she wasn’t already, but when was the last time you heard of a writer being fired from a title and making a comeback this strong and this quick?  Internet objections ran rampant in social medias and comic book and movie related sites, and I think DC execs figured out that they just might have lost a good chunk of their fan base.

Having a ton of offers from other publishers, and huge support amongst her fans, I think Gail Simone can rest assured that her popularity and top notch writing talents have not gone unnoticed, or unloved.  I hope Brian Cunningham has to look Gail in the face while they work together on future issues, and I hope Gail enjoys every minute of making him feel like crap!

Yes, it’s baffling, but true.  Earlier today, Gail Simone posted on Twitter that she would no longer be writing for Batgirl.  How was this message delivered to Gail?  By email…

gail-simone-no-longer-writing-batgirl

I’m not certain why DC decided to make this move since Simone’s work on Batgirl has been well received.  Reviews only had good things to say about her run, and the internet was glowing with positive remarks about it.  DC’s need to relaunch the entire universe has only had a few saving grace titles, which have been a good chunk of the Bat-verse.  Why they would fire her from one of their best titles is beyond me.

In any case, no matter what the reason, I will always remember her time on the said title as a gem within DC’s New 52 line-up.  It just won’t be the same from now on.  Whoever they hire to replace Simone will have some ENORMOUS shoes to fill.

Writer: Gail Simone
Penciller: Ardian Syaf
Inker: Vicente Cifuentes
Colorist: Ulises Arreola
Letterer: Dave Sharpe 
Cover: Adam Huges
Editors: Katie Kubert & Bobbie Chase

Now THIS is more like it!  For three issues, as much as I’ve enjoyed them, we’ve been getting a Barbara Gordon/Batgirl who felt to timid to be a superhero due to the baggage left back in the seat of her wheelchair.  Finally, the Batgirl we all knew and loved has come back to us, using her brains and top notch fighting skills rather than reverting back to her days of teenaged arrogance and inexperience.

Simone mixes a lot of fantastic literary qualities into this particular issue, filled with laughs, nostalgic moments, dramatic occurrences, and some tender instances.  One scene in particular where Batgirl saves two innocent bystanders from the violent hands of a band of thugs (who rely too much on faulty phone apps to avoid superheroic detection) and embraces a wonderful moment of sentimentality that is sadly absent from most of the male superheroes.

The final battle between the Mirror and Batgirl had Simone’s signature all over it; everything coming together to give Batgirl a reason to deliver an excellent bit public oratory worthy of an Oscar nomination for Best Actress.  However, since this is a comic book, with no way of giving an actress the chance of obtaining that nomination, a letter to the villain was all that was needed to successfully execute the emotional twist of this issue.

The whole notion that millions have endured tragedy and the loss of loved ones, moving on with their lives where he hadn’t the courage to do so, is an exceptionally strong message that anyone could learn from and take to heart. To make others pay for your pain, innocent people who have nothing to with you, is a selfish act no matter how you look at it.

It also allows Batgirl that moment of realization that THIS is a new era in her life.  She’s out of practice, yes, but she’s realized that it’s not JUST her ability to do flips and kicks that makes her who she is, but her brilliant mind she developed as Oracle which makes her potentially one of the most cunning superheroes in DC’s repertoire.  All she needed was that moment of truth to recognize and remember that.

The opening sequence was a bit much for me.  Maybe the Mirror’s power truly does help one to see things in his or her past in an amplified negative light, but I didn’t buy the whole “Barabara fights herself” monologue.  But it was set up very creatively, with Batgirl in the wheelchair, and Barbara standing up, walking around.

Syaf is an artistic magician.  The definition within in every character, landscape and constructions are perfect, without flaw.  Arreola also displays a mastery of light and shadow, giving so much depth to the colors in this dark and gothic world of Batgirl.It’s likely that this might be the best work I’ve seen Syaf and Arreola do this year.

This comic is on the verge of being one of DC’s BETTER books, but it’s still timid and playing it safe enough to the point where it just hasn’t broke out in excellence like Suicide Squad, Swamp Thing, Action and Detective Comics have.  However, Batgirl has reached my “4 issue” trial period and is definitely staying on my pull list.  I can’t wait to see how Barbara’s story behind her mysterious recovery is unveiled and how she uses her new found strength in the future.

9 Out Of 10 Stars

Writer: Gail Simone
Plot: Ethan Van Sciver & Gail Simone
Artist: Yildiray Cinar
Colors: Steve Buccellato
Letters: Travis Lanham
Cover: Van Sciver & Hi-Fi
Editors: Rickey Purdin & Rachel Gluckstern

This is all quite strange to me to be perfectly honest.  I’m not sure what I think about it all.  It almost feels like a forced plot, like there’s something definite and strong at the center of this first arc for Firestorm, yet with tons of uncertainty tangled throughout it.  Is Simone and Sciver making this up as they go along, or do they have a plan?  If there is a plan, I certainly can’t see it.

If rumors are correct, Simone will be off this title before too long, with Sciver (I’m certain) taking over the literary responsibilities.  That makes me wonder how much of the plot is actually Simone’s, and how much of it is Sciver’s.    Is Simone simply helping out until Sciver becomes less busy?  Whatever the case may be, I’m definitely regretting paying $25 for the subscription to this title.

This mostly seems like an excuse to have a battle against giants, both of them so eager to fight that they simply pound away at everything because it’s fun.  I’m still not sold on the whole “by our powers combined” bit this comic seems to by driving with, but I was never a big fan of Firestorm having a second consciousness living inside him either.

Never-the-less, the book isn’t without it’s redeeming qualities.  The dialog between characters, such Ronnie and Jason, find their way into fantastic, yet bickering harmony.  Plus, their seems to be some fairly interesting side stories that could prove quite interesting down the road.  And while they hate each other so very much, Ronnie and Raymond understand that the only way they are going to survive any threat coming their way is by working together.  The bond that these two will obviously develop together has the potential of being quite good.

Cinar did some great work this issue; a combination of terrifying and saddening shots is where this book shines.  There’s a great usage of lighting within the coloring job that gives #3 that much needed visual aid to keep us interested.  I just wish the story were just as good.

5 out of 10 stars

Written By: Gail Simone
Penciled By: Ardian Syaf
Inked By: Vicente Cifuentes
Colors By:
Ulises Arreola
Letters By: Dave Sharpe
Cover By: Adam Hughes

I’m Still Not Buying It…
Ok, so I’m still a little “iffy” about this whole miraculous recovery Barbara had from being paralyzed, waist down.  Something’s brewing though, I can feel it.  The terrifying feeling that comes over Barbara every time she has a gun pointed at her, or while overexerting her legs seems to be foreshadowing something revolving around this unnatural recovery from the wheelchair.  Will we ever get SEE the moment Barbara found her legs mobile again?  I don’t know…but certainly there’s a hidden agenda within Simone’s writing that leads me to believe there’s more to this Hobbit than meets the eye! (Sorry, just got done watching Lord of the Rings.)

It could be that Barbara’s timidness to her past predicament is merely a story telling device that will help her break into the rebooted DCU.  She’s definitely showing herself a little less professional as Batgirl than she did as Oracle though; perhaps she’s simply trying to get back into the swing of things?  I know I’d be a little weary if I all of the sudden woke up one morning swinging across Gotham as if nothing ever happened.

Of course, last month I was led to believe that this was a confident Batgirl, one that moved past her inner demons and could take on the whole world, one that could be a leader amongst her friends and an example for all who surround her.  Now, here she is, acting the fool and listening to a lecture from her new roommate about lying and allowing herself to get beaten to a pulp by not going into things prepared.  It seems that Barbara’s motto is the old saying, “Do as I say, not as I do.”

The new villain is strange to me; his name is the mirror, which would indicate a dark and menacing persona with a shocking twist.  And after all of the teasers of what the Mirror’s power had done to people, you’d think revealing himself (no sexual innuendo intended) to Batgirl would be much more climactic.  Instead, we get a very artistic panel showing Batgirl’s horrified face reflected off of Mirror’s inner cape for only a moment, only for her to respond, “Fine, Mirror it is then I guess,” without being shaken in the least.  What are the Mirror’s powers again and how has he been terrorizing innocents for so long?  I echo Batgirl’s sentiments with this villain that he is nothing more than a walking disco ball.

Ardian Syaf always puts a smile on my face.  His shadowy faces are some of the CREEPIEST in comics.  There’s something about dark and gothic art that has always appealed to me, and that graveyard fight scene was a joy to behold.  The rain seemed to bounce right off of Batgirl’s armor, as well as giving the entire graveyard scenery an appropriate mushy sensation.

All in all, while I was disappointed with the story components, Gail Simone certainly knows how to write intelligent dialog.  I’m simply having trouble wrapping my brain around the sudden recovery and how amateurish Barbara is behaving.  Maybe I’m expecting too much, but this issue was still entertaining if nothing else.

6 out of 10 stars

Written By: Gail Simone with Ethan Van Sciver
Art By: Yildiray Cinar
Colors By: Steve Buccellato
Letters By: Travis Lanham
Cover By: Ethan Van Sciver with Hi-Fi

The Simone Streak Of Perfection Fell Away…
I hate to say…I really hate to say it, but Gail Simone may have actually written a below AVERAGE comic book.  The story didn’t grab me all that well, the exchange of dialog was mediocre at best, and the climatic ending wasn’t all that climactic.  I’ve never been a true Firestorm fan, always liked the character, but he was never a hero I followed faithfully.  In fact, the only reason I decided to subscribe to this title was because of Gail Simone stamp on the front cover.  I figured, if Gail Simone is writing it, I’m sure to enjoy it…but now I’m having my doubts.

Of course, that doesn’t mean I didn’t get some enjoyment out of the comic.  Simone’s plot is a classic one of two people pitted against each other; one being a geeky high schooler who enjoys the more academic side of life, while the other is a jock that can’t seem to understand why people don’t appreciate that value athletics can bring to people’s lives; two polar opposites that almost comes to blows before they’re transformed into wielders of the Firestorm matrix…purely by accident.  This is the kind of story I can, and always have gotten behind, there was just something missing from the whole story that made not care so much about what was going on.

Cinar, however, is perfect in every little detail; drawing very clean lines, with an ink job that makes me wish I had taken the time to learn how to ink my drawings properly back in college.  The scene where Ronnie and Jason become a part of the Firestorm matrix is the most impressive however.  It was as if we were taken into a new world.  Everything surrounding the each character felt like it was twisting in an unnatural formation.  Likewise, the force of every power surge from both Ronnie and Jason was realistic enough for the best of artists.

For me, I think the issue’s biggest downfall is how over played the two characters dislike each other.  Jason wasn’t really mad at Ronnie specifically, but more so at the way the school seems to purposefully favor the white athletes over the black ones.  And Ronnie is too dumb to really understand ANY bit of intellectual jargon in the first place, so he simply lashes out against the opposition without thinking it through.  I’m not sure I like the new concoctions of Ronnie and Jason.  Hopefully the series will get better as we’re bound to see the two find ways of working together to defeat evil.

Of course, the weirdest moment for me was the end scene where Ronnie and Jason merged together, forming Fury, a giant version of Firestorm.  I’m not sure I understood this, but it will undoubtedly be explained in one month.  I think too much effort was put into keeping both Firestorms (for reason of maintaining ethnic diversity?  I dunno!) as well as keeping the popular image of Deathstorm alive in the Firestorm villain repertoire.

It’s still a fun issue, but definitely nothing to get excited about.  I honestly don’t care what happens next month.  Fingers crossed that issue #2 will show an improvement in this series.  Sorry Gail, I’m still your biggest fan!  Please don’t hate me!!!

5 out of 10 Stars

Writer: Gail Simone

Artist: J. Calafiore

Colorist: John Kalisz

Letterer: Travis Lanham

Cover Art: Calafiore & Kalisz

This Is How it All Ends…

The Secret Six is on the cusp of fighting one of their toughest battles ever with Bane leading the charge!

Torn by the new discovery of his destiny in Hell, Bane decides to quench his hateful thirst for the Dark Knight in one final battle.  But this last installment of the Secret Six is much more than a mere vendetta held by Bane, but rather of team coming to terms with themselves and each other.  Decisions will be made, hearts will mend, and only one ending can meet the standards of this legendary, yet villainous, comic book team.  But is it truly and ending?

The Most Suitable Ending…

Where do I start?  Since issue #1, The Secret Six has been the title I anxiously wait for every month over all the rest.  Even during Gail’s time on Wonder Woman, the Six has always had my attention the most.  When I heard that my favorite title was one of the few that was not transitioning into the new 52, I wept on the inside and wondered if any comic could ever equal the standard of quality established in the Secret Six.  A few come close, but ultimately the Six wins.

I’ve never truly been satisfied with the ending of most comic book titles’ runs; the only ones I can remember being truly satisfied with was The Batman Adventures and Justice League: Generation Lost.  But I can now add the Secret Six to that list of perfect endings to outstanding titles.

#36 wraps up many of the amazing aspects that made the Secret Six DC’s best comic book title; allowing friendships to finally be realized, loving relationships to be explained, and providing a happy ending in the only way the Six are able to understand.

But, They’re Bad Guys!  Shouldn’t I be Happy That They’re Gone?

The Secret Six is a team of bad guys, no question about it, but the amount of heart that each character developed as the series progressed over the last three years is so much more than any of DCs most iconic characters ever had.  As we came along for the ride, we’ve seen the darker side of the Six more than we have the lighter side.  However, as the darkness loomed over us, we found a hint of respectability and good within each member of the six…even King Shark.

Issue #36 shows how a team like the Six becomes a family defined by their own principles and not by how the world expects them to be.  Even in the face of the most powerful heroes, the six decide the best way that they can end their time together is by taking on their foes head first, without allowing them to be the victorious despite being outnumbered.  If you truly look and examine the final battle, the Six were in control of the fight despite how outnumbered they were.

But the Secret Six is no stranger to tragedy as every major story arc this title has had has ended in such.  How often has Gail written a truly happy ending for the Six?  Almost never!  It was nice to see some goodness come into the lives of each character for a change; Bane receiving a type of love he never thought he would experience, Scandal uniting in a happy and wondrous trifecta of love, and Deadshot and Catman doing the manly thing and showing how much they actually do care for each other as friends…even if they never actually admit to that fact.  These types of joyous occasions have never occurred in the Secret Six.  I think Jeanette hit the nail on the head by saying, “A happy ending…I’d forgotten they existed.”

Oh so touching! Click To Enlarge!

But no one comes out of this final installment unscathed, even the superheroes realize this.  This wasn’t a mere team of bad guys.  The Injustice League had little purpose except to destroy their enemies, and the Legion of Super-Villains hated each other to the point of being…well…pointless.  The Secret six, as Huntress pointed out, weren’t like the others.  This was a family, and the superheroes knew it.  The Six fought and protected each other…they loved each other.  Which is why Huntress damned herself and the rest of her superheroes peers to Hell…they just killed a family.  This is the most heartfelt and emotional ending to a comic book series I’ve ever experienced in my life!

Being the true guiding light to the Six’s artistic endeavors, J. Calafiore adds an even greater element with the visual perspective of #36, combining images of rage and love that has been intermingled in the series since day one.  Likewise, John Kalisz enhances every panel with perfect coloring and shading, feeding into the emotional impact this final issue gives.

I can’t end this review any better than by simply thanking Creator, Gail Simone, and artist J. Calafiore for bringing the greatest superhero comic book series in history into the hands of readers like me.  As much as I wish that the Secret Six was a part of the new 52, I think I can rest easy with this ending and let go.  I’ve come to terms with the ending and needn’t any reboot nor revamping.  They went out in the best way possible.

10 out of 10 stars.

+ 10 incentive points

I consider Wonder Woman to be one of the strongest heroes in comics both in body and mind.  She is loyal as can be but doesn’t allow her loyalties to overshadow what truly is right and just.  Now of course she has changed a great deal as time has moved forward, especially in her relationship with the Dark Knight.

In the early 90′s, Wonder Woman comes to Batman in awe, while still upholding her personal convictions.  She feels almost too innocent and vulnerable in the way she expresses herself to Batman…

Uncertain of the issue number and run....whoops!

Now, go forward almost a decade and here we have Batman coming to Wonder Woman in that exact same manner, and Wonder Woman taking the place of the awe-inspiring figure…

From Greg Rucka's "Wonder Woman: The Hiketeia." One of the strongest Wonder Woman stories I've ever read.

Thanks to Greg Rucka & Gail Simone, Wonder Woman really has become the strongest woman in comics today.  In turn, becoming the strongest hero in comics…period!

Written By: Gail Simone

Art By: J. Calafiore

Coloring By: John Kalisz

Lettering By: Travis Lanham

Edited By: Rickey Purdin

Associate Editor: Rachel Gluckstern

Cover By: Daniel Luvisi

The Plot

Does anyone else smell a twisted sense of justice and satisfaction infecting this issue?  I certainly do.  #34 not only wraps up the hell bound story arc but also gives clairvoyance to much of the sentimentality existing within the Six since it began almost two years ago.

The Six…er, well, the five…find out where Liana has been held captive by her “Savior” and set her free.  After the rescue mission is complete, the Six go back to their normal lives…and I use the term loosely. This is more than just a violently sexy issue and is the pinnacle of the amount of depth comics have achieved in the modern age.

My Awe Inspiring Opinion

So did anyone take a peek at the letters section of this issue?  I must say I’m geeking out like crazy that a letter of mine actually made it into my favorite comic book title.  Thanks DC, and thank you Gail for grinning gleefully within that castle of yours!  I wish I owned a castle.

Ok, enough about me, let’s move on to bigger and better things…like the Secret Six!  I’m a sucker for these kinds of issues; the characters poor out their emotions and suck the readers in in the process.  Simone paints an interesting picture of a villain team who seems to have a strong sense of morals within their own world…Minus Deadshot, he really doesn’t care most of the time.

While it’s only a small aspect to #34, the opening sequence really drives a joyous rusty nail into my imagination.  It’s always interesting to see characters loose themselves in the moment of delivering justice to the ones that harm others.  Scandal Savage says very little after finding Liana’s kidnapper.  After a brutal scene with the bad guy getting his just deserts, Scandal delivers the coup de grace.  Just a hint, don’t piss off a women in love, you may just have you eyes gouged out…but not before you fingers are bitten off, your kneecap shot, and your body broken.

But it’s within this scene which truly defines the Six and how much they need each other. (Except for Deadshot, he STILL could care less right?)  The Six delves into an exceptionally emotional and touchy-feely montage of feelings and modes of expression.  Scandal, since the beginning, has always been the most expressive of the Six with Bane following up a close second.  But under Scandal’s influence, and through the events of recently visiting hell, the Six finally opens up to each other in ways most families can’t.

But the gleaming moment for me comes out in the final page where Scandal lays on her bed stroking her weapon of choice with Jeanette walking seductively into the room.  It’s not because these two women seem ready to partake in an act of lesbian awesomeness, (and believe me guys, that’s the first thing that will pop in your head) but rather it’s the powerfully moving, yet brief speech Jeanette gives to Scandal.  They’ve accepted their destiny in Hell, which means they are not constrained by the rules set by man.  Yet she states this in such a way that makes you believe in their goodness and forget about their evils.

As always, J. Calafiore can do no wrong.  He’s an excellent judge of how to make each character sexy even during those exceptionally violent moments.  The page where Scandal and Ragdoll embrace each other’s hand is a blue lite masterpiece which gave me chills.

My Majestically Climactic Conclusion

Once again, Simone and Calafiore produce a flawless installment of the Secret Six.  It’s one of the saddest moments for me in my comic book collecting career, however, to hear of its inevitable cancellation due to the DCU reboot.  I can’t say I’m happy about this decision as it pushes my favorite comic out the door to make way for…something else.  But, while I still have time, I’m going to enjoy the ending arc that I’m sure Gail has planned starting next month.  Gail, you are an amazing writer!

10 out of 10

+ 4 Incentive Points.

Written By: Gail Simone

Penciled & Inked By: J. Calafiore

Coloring By: John Kalisz

Lettering By: Travis Lanham

Edited By: Rachel Gluckstern

Cover By: Daniel LuVisi

The Plot

Like most of Simone’s Secret Six storylines, the twisted sense of family loyalty is brought up as the villain team is impossibly outnumbered by Ragdoll’s minions within the depths of Hell.  The card is still his hands and Scandal Savage will stop at nothing to take for herself.  But the Six will have to fight past their own personal Hells before doing what must be done.

My Awe Inspiring Opinion

As already stated, Gail Simone presents such a fascinating viewpoint to the concept of family love, loyalty, and forgiveness.  Lady Blaze gives the team an ultimatum – serve in Hell as her minions, or suffer an eternity in Hell as the rest of damned souls.  Faced against all odds, Scandal and the rest of the Six determine that they are, and have been ready to die for a long time and will fight Lady Blaze to the very end.

The best attribute the Six has is their unrelenting vigilance in staying true to themselves.  They don’t care if it means living an entire afterlife succumbing to the torturous ways of hell, they all refuse to allow the bad guy to win.

#33 shows the Six as who and what they really are…a villain team.  But even still, it’s hard for us to call them bad guys right?  If we, as readers, only knew the exterior shell of the Six, no one would hesitate to call them bad guys an hate them for it.  But in having 33 issues to truly get to know the team, Simone has shown us six (or seven) villains whose pasts almost justify each character’s defining attributes.  With the exception of Killer Shark, there isn’t one member of the Secret Six who isn’t tainted by their horrid upbringing.  It’s hard not to understand and feel bad for these villains whose human side comes out even more than your average super hero.

This issue is filled with the drama of losing loved ones and reliving painful memories, but Simone allows our hearts to breath with a few humorous moments.  My favorite? King Shark’s own personal Hell is where all he has to munch on are vegetables.  Gail, you have WAY too much fun writing this series don’t you?

Catman finds his way through the desert of Hell to the holding pit of his long dead father.  You don’t read to many stories of a son going to Hell to simply double check  that his father was being justly punished in Hell.  But the icing on the cake is the identity of Blake’s father’s tormentor.  No, I won’t give it away…but it’s a doozy and presents an interesting take on what Heaven could be like for some!

The Six is one big mesh of screwed up characters, sustaining this remarkable semblance of humanity but never swaying away from their horrible past and what it’s turned them into.  Throughout all 33 issues, Simone has posed a very deep and thought provoking question, but that question is hoisted up into our brains even more with this specific arc…When is a person bad, and when is a person evil?  It’s for you to decide that, but Simone makes it very clear in her thematic take on the Secret Six that the answer to that question is not always as clear as we may want it to be.

I’ll never complain about Calafiore’s art work…I just won’t.  It’s so vibrant and gorgeous that I often times get trapped in a gaze of his amazing talents.  Dan LuVisi has been tearing up the coolness with his series of Secret Six covers, #33 being one of his best.  The colors and demonic look are nothing to look down at or criticize…and anyone who does should be shot in the face!

My only daunting moment was the ending.  And this is by no means a negative critique, but it definitely made me wonder what happened.  If this was part three of three, why doesn’t the story feel as if it’s done?  That’s right, Gail has tricked us all!  This story arc isn’t complete, it’s only beginning!  I shake my fist at you Gail Simone, you have tantalized my need for more!

My Majestically Climactic Conclusion

So, all in all, this is a great issue and I commend Simone for writing such innovative material for such an innovative series.  I’ve said it before, and I’ll say it again…Please Gail, don’t leave this title!  If you do, I might die!

10 out of 10

Written By: Gail Simone

Artist: J. Calafiore

Colorist: John Kalisz

Cover Artist: Dan LuVisi

Letterer: Travis Lanham

Editor: Rachael Gluckstern

My Awe-Inspiring Opinion

Issue #32 brings us part two of the “Darkest House” story arc, putting the Six (or the five in this case) right smack dab in the middle of Hell with Ragdoll leading his new army of six hundred and sixty-six (nice tough Simone) Demon powered army.  Ragdoll has seemed to take control of his life in a profound new way…he just had to go to Hell to do so.  Now the rest of the six are on the verge of crossing that line which Ragdoll carved into the red hot Hell-dirt.  But in doing so, the team might discover some things about themselves that could change the course of the Secret Six forever.

How appropriate is it that?  Out of all the places in the world, the Six fall apart in the most dreaded place of people’s imagination…Hell!  The central thematic push comes with this question…What are the prerequisites for being dammed to Hell?  Bane certainly felt perplexed and taken aback at the revelation that his “righteousness” will not get him his one-way ticket to the Heavenly Kingdom.  In fact, the whole team (except for Deadshot) seemed utterly shocked by the news of their eventually and eternal damnation.

This is the first time I’ve seen uncertainty within the Six as a whole.  They seem ready to give it up because, as Bane said, if they are dammed, what they do on Earth makes little difference right?  It’s only then within Scandal’s powerfully moving, and very human statement where the Six remember what makes them human…

We choose the life we lead.  We choose the people we are.  Not for God.  For OURSELVES!”

This brief, yet powerful statement brings to mind that the only reason to BE moral is to achieve a placement within Heaven.  But once you’re your fate is decided, why be moral? Of course Simone shows that being who you are should never be solely for the purpose to gain favor with any higher, all powerful deity, but for yourself. This is a concept you’d find in one of the graphic novels by the illustrious writers, Alan Moore and Neil Gaiman.  This issue officially marks Gail Simone as one of the best writers in the comic book genre; she always knows how to hit the nail right on the head with everything she does, and #31 brings to life everything that she is as a writer.

This whole trip to Hell began, as I’m sure you all know, with a “Get out of Hell Free” card which Ragdoll stole from Scandal. Simone did one Hell of a job at bringing this detail from the very first Secret Six story arc back to the title, but she doesn’t stop there.  It seems Catman had a secret agenda in accompanying Scandal and company to the pits of Hell.  Are we surprised to find His father lying on the ground, naked and chained to a tree?  I wonder how this will play out for Catman?

But let’s not forget about the most perplexing of plot twists…Ragdoll’s fear of becoming sane.  How backwards is that, when insanity is such a normal part of your life that the very thought of becoming sane frightens you enough to sentence yourself to an eternity in Hell?  But even more interesting is that his friends (or former friends, I can’t figure it out yet) sympathize with him.  Scandal and Jeanette even tear up!  So the bigger question in my mind is will Ragdoll be leaving the title forever or will this chaotic event be a team building exercise for the Six.  Personally, I hope he sticks around and Simone kicks our fishy friend off to rot in Hell for all eternity.

I can never say anything negative about Calafiore.  Why?  Because he rocks, that’s why!  I’ve never see Ragdoll doll so demented looking and full of a humorous rage that reminds me of the Joker.  And LuVisi once again brings us an amazingly vibrant and colorful cover.  Though I’m not sure why a bat demon hovers over Ragdoll when he went back for parademon.  Oh well, no complaints, just a question.

My Majestically Climactic Conclusion

Yes, I’ll say it…this is the best issue of 2011 so far.  And this arc isn’t even done yet!  The last chapter in this arc is coming next month and I don’t know how I’m going to contain myself!  Maybe I’ll eat chocolate.

10 out of 10 Stars

+ 2 Incentive Points

We can continually ask ourselves the same question, who would win in a fight…Superman or Batman?  However, I think this question has gone on far too long and we need to start focusing our efforts on a even deeper question.  Sure, I think Superman would drop kick Batman in a heart, but could he pummel Wonder Woman to the ground?

Who's tougher, the Man of Steel or the Amazon Princess?

Let’s face it, Superman may be powerful and caring, but he’s not always the brightest star in the cosmos.  Like wise with Batman, he may have the brains, but sometimes his inhumanity gets the better of him.  Wonder Woman has all of Supes and Bats’ good traits and none of their bad ones.  One could make an argument that she’s better than both of them in every way.  It’s a legitimate argument to say the least.

Post your opinion below.  And be honest!  If you really think she couldn’t take Superman, let it be known.  But don’t think for a second I won’t jump on the band wagon and start up a friendly argument.

 

Written By: Gail Simone

Artist: J. Calafiore

Colorist: John Kalisz

Cover Artist: Dan Luvisi

Letterer: Travis Lanham

Editor: Rachel Gluckstern

My Awe-Inspiring Opinion

Was it too nerdy of me to hope that the Rivers Mall, depicted as the gateway to Hell in this issue, was actually a place I might have set foot in?  Having lived in Iowa close to seven years, I wondered if this Mall was real.  Sadly, Google was unable could locate a mall in Iowa that was simply called “Rivers.”  Never-the-less, Iowa is without a doubt the appropriate place to helm the gateway to Hell.  I’m just glad Simone didn’t park the doorway at my favorite grocery store ever…Fareway!

Secret Six #31 takes a giant leap into the past when the said title first began.  Do you all remember that dreaded “get out of hell free” card?  I certainly do.  That first arc was what hooked me to the Secret Six and helped me develop my enormous crush on Gail Simone.  The catch is, of course, that only one person can use the card to return from Hell.  We all thought it was gone, but apparently Scandal kept it hidden…until Ragdoll found it.  Now he plans on using to bring his beloved pal back from the dead, which negates Scandal’s purpose of traveling to Hades to rescue her lover, Liana from a fiery pit of despair.

So this arc has been put in place to help resolve Scandal’s love life issues.  So the question is who Scandal will choose – Knockout or Liana?  The Superhero bombshell or the exotic dancer?  In my opinion, Knockout had her shot and screwed it up!  I certainly hope Liana doesn’t get the shaft.

But this certainly brings up an interesting fact huh?  With Black Alice also losing the love of her life to Satan’s throne room and Scandal believing that Liana is dead,  is anyone going to be happy in the end?  I’m sure all of us reading the Secret Six can do the math that 6 + 2 does not equal six.  Two members are going to have to drop out of the mix, and with Black Alice already stating she will never see the team again, we can assume that one more sixer remains to be booted off the team.  My hope is that one fishy fellow is left to burn, but I have a sneaking suspicion that someone else is going to be left behind.  (Darn you Tim LaHaye and Jeremy Jenkins!)

 

As always, Simone leaves room for further character development as Ragdoll is portrayed in an even darker tone from we’re used to.  He might be the funny man on campus, but he should never be underestimated as he can pack one hell of a manipulative punch to the face.  But Scandal is no push over and can certainly handle herself.  The battle between Scandal and Ragdoll over who gets the card is one of the better comic book fight scenes in history.

To make someone look as if they are ready to kill without giving it a second thought, that kind of talent lay only in the hands of few.  Calafiore certainly gives Scandal and Ragdoll that terrifying look of killer instinct and plasters it all over their faces.  But even more impressive is the look of pain and terror within our mysterious stranger before and after he drips the hot sauce right onto his eyeballs.  Calafiore may sketch out faces that look almost identical, but no one should doubt his ability to visually enhance the tension within a story.

My Majestically Climactic Conclusion

Yes, Doom Patrol is coming to an end, sadly.  But the Six is still around with no end in sight.  The bad guy books are done yet!  While Secret Six #31 requires some research if unfamiliar with a few aspect of the plot, it’s still a great place to start if you haven’t already.

9 out of 10 Stars

From Wonder Woman #25 - Aaron Loprsti

If you were a follower of the Heretic’s Blog, I’m sure you know by now that I’ve moved!  Blogger was just too frustrating and didn’t allow me to do what I wanted to do.  Wordpress has many more options and  is a lot easy to use.  I know this blog is going to have some difficulty getting back to what the Heretic’s Blog was, but I have no fear that things will pick up very quickly.

As a way of kicking off Heretical Jargon, I’m posting a brand new Wonder Woman Wednesday with this incredible panel by Aaron Lopresti from Wonder Woman #25 during Gail Simone’s time on the title.

I came across this ridiculous article at Topless Robot title “10 Reasons Why No One Cares About Wonder Woman.” I read through it and it’s basis for argument is founded in the golden age of comics which the author of this article obviously cares nothing for.  The list went on to discuss how Wonder Woman’s costume hasn’t changed since the time of her inception, (which definitely isn’t true) and how her stories and supporting characters really aren’t that interesting.

Now I’ll be the first to admit that Wonder Woman has certain characteristic that are quite hokey.  However, with the standard set by Greg Rucka and Gail Simone now, I don’t think anyone can say that Wonder Woman is a bad and uninteresting superhero.  In fact I would say she’s one of the best Superheroes in modern comic book folklore.

This photo should remind us all that not only Is Wonder Woman an amazing superhero with that feminine power that defines her so well, but she’s also the coolest and most confident!

Happy Wonder Woman Wednesday!