Archive for March, 2012

Ancient Dreams: The Hand Of Fate Press Release

Posted: March 31, 2012 in Uncategorized
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Written by: JP Roth
Penciled by: Mike Krome
Pencil Assistant: Dawn McTeigue
Inks: Dawn McTeigue
Colors: Sabine Rich
Cover: Peter Steigerwald & Dawn McTeigue 
Lettered by: Stefan Merour
Business Manager: Clare Bendandi
Production Manager: James Perfilio 

Only the press release???  DARN YOU JP ROTH!!!

Having the privilege of being an acquaintance of the mythological author on facebook, I was able to coerce her into sending me her newly finish comic to read and review.  (I just like writers for their ability to send me stuff before anyone else!)  Much to my dismay, however, I opened the email and found only a press release.  This left me in a state of absolute uncertainty!  I want to know what’s going to happen!  I want to find out where the story goes!  But (sigh) alas, I will have to wait a little while longer.

Of course, this little unexpected irritation (curse you Roth!!!) does not deter me from the excitement brewing within my loins.  The combination of exceptionally poetic dialog and gorgeous artwork had my creative juices salivating, wanting to eat up the content on every page.

It’s an exceptionally gothic tale, filled with mythological elements and seemingly space-age fantasy, all centered around one protagonist, Cara Wynter.  Unable to determine the meaning of her dreams, she strolls into taverns of moonshine in an attempt to drown her confusion with a pint.  But nothing seems to work as she continually falls into a dream state (awake or not) visiting royalty and deities, all hell bent on destroying one another…and somehow she’s been caught in the middle of it all with a very important role to play.

If you know me, then you know I have the biggest man crush on Neil Gaiman. From what I have read thus far of the Ancient Dreams release, there are elements of Neil Gaiman running all throughout this book.  I don’t mean to imply Ms. Roth isn’t original in her writing, but everything rings of Gaimanized elements which I love.  The combination of the real world and the mythological world are quite exciting, as well as adding ancient Spartan mentalities and ideals along with a mystery that made my imagination run wild!  Of course, it ends with a cliff hanger so good that I can’t decide if I want to strangle Roth for making me wait, or give her a huge hug for writing something with THIS MUCH potential!

While it’s only a press release, it’s enough to make you want to pick the book up right away.  The writing is so poetic and descriptive, and the art is just as great!  The artistic trifecta of Krome, McTeigue, and Rich created a flawless visual spread that I could only dream of doing.  Clearly Roth spared no expense in this comic venture of hers, and it’s going to pay off!

I can’t wait to get the entire finished book; it’s right up my alley and ensnares my senses.  But while I love this precursor to the finished product, I’m going to remain angry with JP Roth for making me wait.  Again I say “CURSE YOU JP ROTH!!!”

80′s Cartoons…Did You Watch These Growing Up?

Posted: March 31, 2012 in 80's Cartoons
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I recently learned that a local movie theater here in town, called The Lyric Cinema, shows Saturday morning cartoons FOR FREE every morning, and includes an all-you-can-eat cereal bar!  The cereal bar costs $5 dollars, but who cares right???  It’s one of the coolest things I’ve ever heard of!

With Spring Break officially starting for me, and not having to work because of it, I’ve decided to go check out this awesome cinematic excursion at least once or twice next week.  Seriously, what theater does this kind of thing?  Probably very few.  But this has sparked my nostalgic senses, causing me to go on a scavenger hunt on youtube to remember the crappy cartoons I used to watch as a youngin.’  By chance, did any of you watch these while growing up?…..

DinoSaucers

The Challenge of the Gobots

Bravestarr

The Galaxy Rangers

Jem – yes, I used to watch this…

Silverhawks

The Visionaries

MASK

Defenders of the Earth - Who’s Lothar???

Jayce and the Wheeled Warriors! – seriously, who WOULDN’T watch this???

Chico And Rita Movie Review

Posted: March 28, 2012 in Chico And Rita, Movie Review
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Release Date: February 10, 2012 (NY) 
Studio: Luma Films (GKIDS) 
Director: Fernando Trueba, Tono Errando, Javier Mariscal 
Screenwriter: Ignacio Martínez de Pisón, Fernando Trueba 
Starring: Mario Guerra, Limara Meneses, Eman Xor Oña 
Genre: Animation 
MPAA Rating: Not Available 
Official Website: ChicoandRita.com

You’d think that my degree in Cultural Studies would compel me to embark on much more culturally diverse cinematic excursions.  But no, I’ve allowed myself fall into the dull drums of seeing films that keep me within my comfort zone, almost strictly.

The Hunger Games was the film my wife and I went to see last Friday night, but changed our minds when the line for the said film ran out into the parking lot.  We decided it wasn’t worth waiting in line to see a movie in which the theater would be filled with teenagers who’s love for the story will dictate their giddy, teenaged reactions – in turn, annoying us.

So off it was to our favorite independent movie theater where we saw Chico and Rita, an animated Spanish film where two star-crossed lovers embark on an adventure in romance, sex, fame, and Latin pizzazz culture.  Its Oscar nomination speaks towards the attraction movie goers have for the exotic culture of independent film making more than towards the film’s quality, even though Chico and Rita is one of the more interesting animated films I’ve seen from a visual standpoint.

Think back to when you were a child, (Well, if you 30 years old like me.)  Remember when animated films REALLY started utilizing computer animation – there was always this obvious disconnect from the regular drawn characters, juxtaposed by the fully CGI animated parts of the film.  The same thing happens here, although the entire film is completely using CGI technology, it shouts out to the days of old when hand drawn animation was the way of the future.

the film takes place shortly after World War II, displaying the aftermath and feelings of the people.  Chico, a gifted piano player whose name and skills are known throughout the area, runs into night club singer, Rita, who has one of the most beautiful Latin singing voices I’ve ever heard.  They fall instantly in love.  With feelings being mutual, the two, along with some friends, go on an intense journey filled with gorgeous music, tangled up in deceit, cheating, and lies.

The story isn’t one to get excited about.  In fact, if this were a live action film, I probably would have fallen asleep somewhere in the middle.  But the unique animation and musical quality of the film kept my attention all throughout its duration.  Chico is a jerk who continually plays mind games with Rita, going in and out of her life.  Rita, however, doesn’t help her situation by always opening herself up to him each and every time.  Not until six decades later does Chico realize the folly in his behavior, and apologizes to Rita…where she still lets him back into her life, despite all he’d done in the past.  It’s a story that will frustrate you as you watch both characters make poor choices and never learn from their mistakes.

I realized quite quickly that this wasn’t going to be a substantially literary film, but where it lacks in writing quality, it makes up for in its musicality.  Cuban jazz and Rumba dancing combined with the mid 1940′s American pop-culture  makes for easy listening and a fun experience.  You’ll be dancing in your seat and impatiently waiting for the next musical number to pop up!

There were a lot of missed opportunities with this film; each character remains strictly drawn characters, never transcending into something that transforms them into more than just sketches. It’s apparent lack of an original script, with trite dialog makes the story very difficult to enjoy by itself.  However, that being said, this will definitely be going on my “to own on DVD” list simply because it IS a unique film whose nostalgic animation and musical fervor is enticing enough to compel me to come back and enjoy the experience again again and again.

Wonder Woman #7 Review

Posted: March 27, 2012 in Brian Azzarello, Cliff Chiang, Comic Book Review, DC Comics
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Written by: Brian Azzarello
Pencilled by: Cliff Chiang
Inked by: Cliff Chiang
Cover Color by: Cliff Chiang
Lettered by: Jared K Fletcher

Wait a second!  Hold the phone! You’re telling me that not only is Diana not a miracle child after all, but her fellow Amazon sisters come from a breed of sex-crazed feminazis??  Say it ain’t so!!!

Truth be told, this retelling of Wonder Woman’s origins is becoming quite the mind-fuck.  It’s a good thing she doesn’t have an inferiority complex, otherwise Wondy would be throwing a temper tantrum.  It’s a nice little way for Brian Azzarello to throw a monkey wrench into the works, messing it all up for Wonder Woman fans of old.

I like a little deviation in my comic book ventures.  This is the type of reboot I was hoping for!  Azzarello is writing such a good story that it both entices and upsets its readers.  You don’t want any of these revelations to occur, but they do, and you’re left wondering how things will turn out for Diana as a result.  This is tension at its best, utilizing the fact that fans of Wondy are going to be slightly perturbed, but giving something fresh for the “new” readers to latch onto.  It’s amazing and better than anything I could have hoped for.

If you know you’re Greek mythology, you’ll know that the Gods are not NICE beings, nor are they moralistic.  They feed off of the pain and misery of their followers below them.  They must be sipping hot tea with crumpets on the side, enjoying the show as Diana tries to make sense of everything happening around her.  But now to find out that the Amazons not only sought after a little midnight delight with sailors on the waters, but also tossed them over board into the blue!  Good grief!  I don’t think I could handle it!  But I certainly hope the Shyamalan-like surprises keep coming!

There’s a lot of great stuff going on on the sidelines too; epic battles with lava lizards, intense action and heated dialog, as well as the cultural implications of enforcing your will on another society.  As amazing as Wonder Woman has been, and still is, even she makes mistakes.  Hephaestus may be a slave driver, but this is a way of life that the male Amazons have accepted and love.  It’s nice to see that Wondy does, in fact, jump way to quickly into situations without thinking them through.  She IS flawed!  Who da thunk it?

Cliff Chang is certainly giving us our fair share of demons and monsters, all ranging in size, depth, and expressions; Hephaestus is a smarter looking ogar with the ability to make any weapon he chooses, and the lizard from Hell is just as ugly, but with some major differences.  Likewise, our Italian stallion, Eros, looks as Han Soloish as Mr. Solo ever did.  And of course, Wonder Woman is sexy and confident, but not overly sexual in anyway…the perfect match for this reboot.

I’m falling in love with this title more and more as the days continue on.  Keep the twists and turns coming Azzarello!  I’ll keep reading!

10 out of 10 stars

The Hunger Games Movie Review

Posted: March 26, 2012 in Donald Sutherland, Elizabeth Banks, Jennifer Lawrence, Josh Hutcherson, Lionsgate, Stanley Tucci, The Hunger Games, Wes Bently
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Release Date: March 23, 2012 (2D and IMAX theaters) 
Studio: Lionsgate 
Director: Gary Ross 
Screenwriter: Gary Ross, Suzanne Collins, Billy Ray 
Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Lenny Kravitz, Wes Bentley, Toby Jones, Alexander Ludwig, Isabelle Fuhrman, Amandla Stenberg, Stanley Tucci, Donald Sutherland 
Genre: Action, Drama, Sci-Fi 
MPAA Rating: PG-13 (for intense violent thematic material and disturbing images – all involving teens) 
Official Website: TheHungerGamesmovie.com

So!  Have you read the book(s)?  

That’s the question that keeps coming up whenever a conversation about the Hunger Games begins.  I think I’ve heard this question concerning this movie more than when Lord of the Rings, Harry Potter, and even Twilight came out.  Something about Suzanne Collins’s novel series has inspired a massive inquisition by fans of the books.  Apparently there’s a need to read them BEFORE walking into the theater…

“A lot information needed to understand the story is found in the book, and the movie will simply be confusing to any who haven’t read it.”

While I COMPLETELY understand the urge for people to read any novels that later inspire films, the storyline isn’t as complex as people have made the books out to be – especially if the film is anything like the novel.

A good thing to note about the Hunger Games is the ability for fans to ADMIT they’ve read them without feeling deeply ashamed inside.  Young Adult novels have become somewhat of a fad in the world of cinema and there’s only a few franchises people are ok with admitting they’ve read the novels of.  There aren’t many teen novels which I’ve found to be particularly well written, (for obvious reasons) but having not read the the Hunger Games, I can honestly say that it looks like I can add it to the “well written” pile.

Now as we all know, popularity doesn’t shame-proof a movie or a book.  If Twilight has taught us anything, it’s that very concept!  But we can’t really compare this particular film to Twilight.  Sure, it has some of the same elements and characteristics that make up Stephenie Meyer’s popular story, but there’s a few undeniable differences laid before us; Strong protagonists who don’t weigh the story down, motivations that drive the characters forward into comprehensive moralistic dilemmas, and…well…better writing.

It’s obvious this movie was meant for an audience who enjoy action and suspense, with the potential for a love triangle to occur.  We might as well slap a big sticker on this film’s forehead reading “Teen Drama!” because that’s really all it is.  Granted, this is a much stranger and bigger set of circumstances, but the hormones are still there and will evoke the most giddy of responses from every high school teenager watching.  Thankfully my lovely wife and I happened to go to the theater sitting amongst the right crowd, laughing and making fun of the Breaking Dawn part two trailer, which made for a much more enjoyable movie going experience.  (Don’t miss Abraham Lincoln: Vampire Hunter…It’ll be a hokey, nerdtastic blast!

But even teen dramas can be entertaining.  Any tale where the sport of hunting humans is the central theme, as cliche as it may sound, is always going to be tense and terrifying.  The film does have a few moments where your skin will crawl and heart race, and your skeleton may jump out of its skin at least once, but it all helps to keep the film trucking along with a fluid and effortless flow.  Watch out for those dogs though, they’ll get cha!

There wasn’t anything in the film, however, that made me want to instantly pick up the book and read it…it just wasn’t the kind of film which inspires that type of intrigued.  The thought that ran through my head as I walked back to my car was, “Suzanne Collins if ok, but J.K. Rowling is better.”  However, I am interested and will probably read the books at some point.  But I also fully support any of you (who haven’t seen the film yet) who wish to read the book first to do so.  There’s just no reason to live by the faulty philosophy of not wanting to ruin movies by reading the books first.

Much like with many haters of South Park who have trouble admitting that kids are jerks, have potty mouths and inflict bodily harm on one another, the Hunger Games can and will challenge you parents out there.  But don’t worry, seeing (and potentially enjoying) this film will not label you as a supporter of the senseless murder of children.  I think we’ll all still believe that you love your sons and daughters.  But, needless to say, this is a disturbing story where young adults, all in that age bracket of middle and high school, are killing each other because they have to.  It isn’t really that bloody, mostly using a Hitchcockian approach, but there are a few disturbing scenes that may alarm you.

Despite the cheesy teen angst, I was entertained.  Katniss Everdeen (Jennifer Lawrence) was phenomenal as the story’s hero – displaying a maturity and confidence of someone beyond her years.  However, I found myself waiting for Katniss to be placed in a situation where her moral compass was challenged, or for her to commit an act that compromised her. Every time she shot her arrow at a fellow tribute, it was always in self defense, henceforth being justified.  She was the exact same person by the end of the film as she was when she began, simply doing what she can to protect those she cared about.

The same goes for every other character as well; Peeta (Josh Hutcherson) remained a young man with very little self confidence, Cato (Alexander Ludwig) ended up dying as the same murderous jerk when he started the training sessions, and President Snow (Donald Sutherland) was left in the same moralistic position – or lack thereof – from when he first spoke into the microphone.  Likewise the people of this strange society still routed for the tributes, and there was no visible threat to the games’ existence.  Nothing changed, and no one learned anything.  Now, having not read the books, I may be jumping the gun a bit, but no doubt there is a serious lack of lessons being learned, holding the characters back from developing in a positive way.

I will say this, however – The Hunger Games is arguably one of the better films I’ve seen about a dictatorial society which puts the characters in situations where they must act out the role of gladiator.  With so many similar, already televised shows where people go through a series of challenges in order to be a victor, where each competitor belittles his or her opponent, (yes, that is what reality TV is) the Hunger Games had a fantastic set of source material to work from.

Very little complaints from this reviewer; I wasn’t expecting much from the film, but did go in expecting to enjoy my time watching and seeing what all the hub bub was about.  I don’t think I’ll go out of my way to own it on DVD, but no doubt, I had fun and would recommend it to anyone who’s interested in seeing a teen action flick that’s worth the price of admission.

Justice League #7 Review

Posted: March 24, 2012 in Comic Book Review, DC Comics, Gary Frank, Gene Ha, Geoff Johns, Jim Lee
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Written by: Geoff Johns
Pencilled by: Gary Frank, Gene Ha
Inked by: Gary Frank, Gene Ha
Cover Color by: Alex Sinclair
Lettered by: DC Lettering

Pay no attention to the creative quartet, all bearing the letter “G” in their first name. Although it is amusing!  (Sorry, These are the things I notice that should be passed over.)

Five years after the Justice League was officially recognized by the government, the team is still operating as a band of unorganized individuals who are unable to function as a unit…at least not from the reader’s standpoint.

Within this comic book world that the Justice League protects, the government is trying to maintain its ability to “govern” while the rest of the world hopes to kick it’s elected officials out and allow the heroes to take over and run the country.  It’s a pity the country doesn’t truly know how poorly the League cooperates with each other…but I guess that wouldn’t be too different from the real world.  We can always consult Colonel Steve Trevor as to how the League is functioning of course, but even he would uphold an unbiased position.  (right?)

Yes, I was just as perplexed as I’m sure you were, Steve Trevor has made his appearance in the new DC Universe, and it seems that men high up in the ranks are not free from political scrutiny when it comes to relationships.  If any of you were wondering about the future between Clark and Lois, put those inquiries on hold and focus more on the future of Colonel Trevor and Wonder Woman.  Instead of developing this couple in her own title, the two have been forced to explore their relationship across the universe.  It seems clear, though, that the two care for each other, even if Diana seemingly rejected Steve’s confession of love.

Despite Steve’s love for the princess, it doesn’t distract him from his duties as liaison between the Government and the League.  He seems to be doing his job well, even if his bosses wonder about his involvement with Wonder Woman.  If only they could see how they League behaves behind closed doors in their satellite watchtower.  Not only do they bicker, fight and focus more on enjoying their time in space, they also like to take advantage of getting free meals, bedding, and anything else that room and board includes.

Wonder Woman seems to be holding up her role as the intelligent female with the only sensible head on her shoulders, while the others have too many muscles and powers for them to be concerned with “thinking” and “working as a team.”  I was certainly surprised by Batman’s comment about the Justice League: International, but maybe he’s just frustrated with organized crime fighting units in general, more importantly…his own.

Now don’t think this issue is ONLY about a hopeless romantic disguised as a military official, or even the strange mutated subplot – there’s a mysterious villain hiding in the background sizing up the League and their abilities.  What his (or her) motives are is unclear, but I’m guessing it’s going to be a way to give Green Arrow a REASON for even being in the new DC Universe.  (Probably the worst fad that came out of the series Smallville…stupid sunglasses.)

I would have preferred that Captain Marvel stayed out of the League’s book, but the short, introductory story was at least entertaining.  I won’t be skipping over this secondary story like I do with most other comics.

I couldn’t be happier with Gene Ha’s penciling skills.  I do miss Jim Lee taking the charge, but I would be perfectly happy if Gene Ha takes over permanently.

If I were to take a guess, Geoff Johns is setting up  a more realistic viewpoint of the League.  These aren’t perfect heroes who hold to the same sense of Justice and honor the ones we knew before the reboot did.  Rather this is a group of Heroes have a lot to learn…and that promises for some fine reading material!

10 out of 10 stars

Batman #7 Review

Posted: March 23, 2012 in Batman, Comic Book Review, DC Comics, Greg Capullo, Scott Snyder
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Written by: Scott Snyder
Pencilled by: Greg Capullo
Inked by: Jonathan Glapion
Cover Color by: FCO Plascencia
Lettered by: Comicraft

Immortality is a constant theme in the world of superhero comics.  Ever since Superman’s return from the grave after getting that brutal beating of Doomsday, the concept death and life was forever altered.  However, for the most part, superheroes are brought back to life by unnatural means; time travel, liquid ooze that rejuvenates someone’s young life, massive nuclear explosions, or an event called Zero Hour.  Issue #7 of Batman takes a slightly different approach on the whole concept of immortality.

Aside from the fact that the Court of Owls continually choose new a new Talon every generation or so, the Court attempts to renew the life of any dead Talon if they still have use for him.  The difference between this specific Talon is the connection he has to our very own former boy wonder.

It’s like an untold legend finally coming to light that would’ve EVEN worked had DC  rebooted ALL of Batman’s history.  The Court of Owls is a terrifying organization that runs more of Gotham than originally thought, and as DC Comics continually stretches the Court throughout Gotham’s history, more revelations have occurred that could even shake Batman’s unshakable mindset.

The confrontation that Dick and Bruce share is quite the ordeal.  Unsurprisingly, Dick gets a little upset at the way Bruce handles basically everything.  As far back as I can remember, Batman has always had the upper hand in detection, but his ability to express his knowledge has always been less than appealing.  However, what’s clear is how much Bruce Wayne does care for Dick despite his inability to appropriately express it.  One punch to the face and a knocked out Court of Owls tooth later, and Dick realizes the truth of his lineage, and the sins of the circus he grew up and traveled with during his youth.

Not to bring give anyone cold prickleys, but this does make me wonder how much Dick’s parents knew about the Court of Owls and how they would swipe young men at an early age, training them to become killers and hit men for the Court.  Was it in their plan all along to make sure Dick was sent away from the circus, or were they just as involved with this underground plot to turn young men into emotionless killers for the Court?

Enough about Dick Grayson though, we get enough of this side of the story in Nightwing #7.  Last month I thought the Court of Owls arc was done, but to my surprise the residue from Batman’s heated and bloody battle with the Talon reaks of unfinished business and dirty work, all contained in issue #7 of Batman; many allusions to the future and potential involvement with some interesting characters, as well as a dream of Bruce Wayne’s which reveals a potential future for the Batman legacy.

I’m on board with this storyline and hope it keeps pushing forward for another five issues.  I want to find out what exactly the Court hopes to achieve and what their long term goals are.  They’re quite unclear, But Snyder’s writing is so good that my intrigued continually discovers new peaked levels and leaves me wanting more.  Batman is delivering some really good stuff so far, and it’s only going to get better.

10 out of 10 stars

A Plea To DC Comics – More Variety In The Animated Films

Posted: March 19, 2012 in DC Animated Movies, DC Comics, Superman
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A few days ago, DC Entertainment announced its latest upcoming animated feature film, Superman vs. the Elite.  A film based on a Superman comic book story arc from a few years ago.  Take a look at the trailer…

This looks epic, no doubt about it.  However, I do wonder how much longer DC is going to pump out the Superman/Batman films before they really start selling their entire Superhero lineup via animated film release.

Not to knock the majority of their animated films as of late, there have only been a few films that have really bored me or made me wonder why they felt it was a good idea to make it into an animated movie.  DC and Warner Bros. does good stuff…I just really want to see them do more than simply animating their two big guns.

Where is Aquaman?  Geoff Johns is really selling it with the whole concept that Aquaman really IS a great hero…so why isn’t DC trying to market him?  Certainly Green Lantern has more potential than the two films released so far would have us believe.  Wonder Woman certainly deserves more than her single disc origin story release, doesn’t she?  And there are numerous heroes within DC’s heroic repertoire that are worthy enough in character, and with a number of great stories behind them that would work well as an animated film.

But let’s even dive into the Vertigo side of things too!  Y the Last Man would be a wonderfully awesome mini series that could be released in the same way that the Watchmen Motion Comic was.  The Sandman could also work quite well as a series of animated movies based on the numerous graphic novels, as well as Swamp Thing and many of the other comic trades by Alan Moore.  Who WOULDN’T want to see V for Vendetta as an animated film??

Maybe there’s a method behind their madness, but I honestly would love to see   a bigger variety within DC’s animated films.  I’ll always watch any animated film DC puts out, but I think they would do well to promote their multiple franchises by stretching out the variety to more than just Superman, Batman, and the JLA.

Tinker, Tailor, Soldier, Spy Movie Review

Posted: March 19, 2012 in Colin Firth, Focus Features, Gary Oldman, Mark Strong, Movie Review, Tinker Tailor Soldier Spy, Tomas Alfredson
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Release Date: December 9, 2011 (NY, LA; limited: December 16) 
Studio: Focus Features 
Director: Tomas Alfredson 
Screenwriter: Bridget O’Connor, Peter Straughan 
Starring: Gary Oldman, Ciaran Hinds, Colin Firth, Tom Hardy, Benedict Cumberbatch, Mark Strong, Svetlana Khodchenko 
Genre: Drama 
MPAA Rating: R (for violence, some sexuality/nudity and language) 
Official Website: TTSSmovie.com

In the middle of the 20th century, the effects of the Cold War continue to damage British internal relations.  The United Kingdom stands on the brink of loosing itself and struggles with security while attempting to stay on par with the rest of the world and their efforts in espionage.

Jim Prideaux is sent into Hungary by the Circus (Known as Control) on a secret mission.  But like all good Spy stories, the mission goes horribly wrong, and George Smiley (Played by Gary Oldman) is sent in to save the day with his keen wit and unequaled detective skills.

Much to the dismay of the British government, Smiley is secretly brought back on board with the Governments secret service unit, specifically to uncover the “mole” hidden within the ranks, endangering England by working as a double agent for the Soviet Union.  While going through the motions of his assignment, Smiley is haunted with his past and is forced to confront the details one by one.

Murders and dirty work unfold as the script progresses, certain to get your blood pumping and heart racing.  Even before the inevitable truth is unveiled, however, it’s the involvment and history of each character which truly makes this film the best of 2012.

John le Carré’s 1974 novel reeks of mistrust, twists and turns, and a plot driven by anonymity and uncertainty.  Before walking into the theatre, I never imagined that a modern-day thriller could have a script so well written that it could beat out some of the greatest films to come out in the last few decades.  No doubt, TTSS requires all of it’s viewers to pay CLOSE attention to every detail, which can be a bit trying…but the end result of all that hard thinking will result in one of the most rewarding movie going experiences in the history of independent film making.

Tomas Alfredson (a Swedish director who’s most recent accomplishment was a vampire center story titled “Let the Right One In”) took hold of an idea never meant for the big screen and completes it with flying colors.  TTSS is swarming with personality, tension, and teeth grinding moments, with a mystery that will have you guessing until the very end.  Let me be completely honest with you, I am NOT a fan of spy movies, but this film grabbed me like no other film I can remember seeing has.

From what I can tell, Alfredson had a daunting task before him.   Le Carré’s novel is far from being an EASY read, verging on being so complex that it becomes confusing.  The greatest challenge with TTSS is undoubtedly making sure everything important is included in the script.  Otherwise we, the movie goers, will have nothing to grab onto.  But even more importantly, the task of making all of that important information uncontrived and flow well is even more jolting for any director and screen writer.  How does one compress such a complex story into something tangible while keeping what made  le Carré’s book so fantastic?  What ISN’T spoken is just as imporant, (if not more important) as what IS spoken.

I think it was put best by cinematographer, Hoyte Van Hoytema, with his brief  one lined review of film,  ”It is a melancholic world set in small rooms, drenched in nicotine and bureaucratic sweat.”  Everything that this stellar cast radiates from their performance is soaked into everything surrounding them.  It’s an amazing accomplishment of cinematography, paying respect to the time period this story comes out of without sacrificing the importance of the cinematic beauty of the cities, rooms, and physical objects.

As already stated, the casting is one of the best I’ve ever seen.  I always praise the Harry Potter franchise at having one of the most expertly chosen casts in film history, but TTSS might have just beat it out.  Mark Strong presents a very strong and powerful portrayal of Jim Prideaux,even though it’s very brief. Colin Firth, as always, shows the best performance possible in a supporting actor role, with John Hurt giving us his usual (and all too familiar) role of the creepy leader of a questionable organization.

Gary Oldman, on the other hand, was amazing as he was surprising as the pick to play George Smiley.  So often do we see him playing these exceptionally animated and energized characters, it was very pleasant to see him play a character who’s quite stiff.  Oldman’s depiction of Smiley is not as the name implies; almost antisocial, tired, without the appearance of any ambition, and maintaining a grey undertone to his already faded personality. Despite these aspects to Smiley’s character, Oldman gives a certain amount of life and respect to his role, making him a joy to watch as he uncovers the mystery, piece by piece.

I won’t attempt at explaining the plot in any more detail than what’s already stated above.  To do so would take too much time and be quite cumbersome.  No doubt, however, this film is as complex as it is amazing.  Granted, it isn’t for everyone, and the reviews have shown it hasn’t been as well received as the hype was hoping for it.  But for me, it was nice to see a well written thriller that was reliant on the kind of eye covering moments found in films like Black Swan.  I could sit back and soak in every last detail as it drove my intrigued and yearning for the unveiling of the culprit.

Is Tinker Tailor Soldier Spy a movie I’ll want to own on DVD?  You bet!  Is it a film that I would recommend to all my friends?  Yes indeed!  This film represents the very best of cinema and movie going experiences.  While it may not be a movie I’ll want to watch as frequently as I do Lord of the Rings, Harry Potter, or many of the comic book films that have come out in the last 15 years, I can honestly say, without a shred of doubt in me, that this is the greatest spy movie ever made and one of the best movies I’ve ever seen in my life time.

10 out of 10 stars

John Carter Movie Review

Posted: March 17, 2012 in Andrew Stanton, Dominic West, John Carter, Lynn Collins, Mark Strong, Movie Review, Taylor Kitsch, Willem Dafoe
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Release Date: March 9, 2012 (3D/2D theaters and IMAX 3D) 
Studio: Walt Disney Pictures 
Director: Andrew Stanton 
Screenwriter: Andrew Stanton, Mark Andrews, Michael Chabon 
Starring: Taylor Kitsch, Lynn Collins, Samantha Morton, Mark Strong, Ciaran Hinds, Dominic West, James Purefoy, Daryl Sabara, Polly Walker, Bryan Cranston, Thomas Hayden Church, Willem Dafoe 
Genre: Action, Adventure, Sci-Fi 
MPAA Rating: PG-13 (for intense sequences of violence and action) 
Official Website: Disney.com/JohnCarter 

Another formulaic adventure story has hit the big screen.  Filled with familiar plot devices and character developing sequences, John Carter is no different from most steam-punk, end-of-the-world genre type movie story lines.  The difference, however, lies within the story’s originality. It was the inspiration for many sci-fi adventure stories that came after it after all, right?

The story tells of a former military captain , John Carter, (Taylor Kitsch) who’s gone off the deep end with alcohol and a criminal lifestyle.  While outrunning a pack of Indians and a Military police force, with almost no warning Carter is transported to a strange planet called Barsoom, more familiarly known to us as Mars.  Carter, soon after, finds himself in the middle a three-way war among the planets’s inhabitants.  Thus follows a series of events that allows Carter to rediscover his humanity and redefine who he is and his purpose.

Let’s not beat around the bush, this film isn’t for everyone.  Much like with John Favreau’s Cowboys and Aliens, it’s only going to attract a certain type of crowd.  And even then, not everyone going to see John Carter will enjoy it.  Its Steam-Punkish take on the mysterious world is hard to swallow for most film goers.  But if you like Star Wars, more than likely, you’re going to like John Carter.

A little too weighty for the big screen, the overall plot from the 1912 novel series does surprisingly well as an adapted screenplay.  Ironically formulaic, there’s some pleasure in knowing that this specific story laid the groundwork for many novels and films with similar desolate landscapes whose inhabitants have state-of-the-art technology.  And there’s always going to be some interest in stories that have biblical, historical, and mythological references whose author has carefully placed chronological care in the story.

Having not read the series of novels, John Carter was a delight to see!  that is due to my likes an interests, however. I pride myself on being able to recognize whether or not a movie is expertly filmed and made, whether or not I enjoyed it.  However, I found that, despite it’s formulaic script, (all too familiar to us now, but not when the novels were being published) the writing and adaptation of the novel was expertly executed and fun.  Nothing about the film felt forced in order to meet its 2 hour duration, and all of the characters, plot developments, and mythological aspects of the story fit into the limited time frame effortlessly.

When it comes to acting in these types of films, you can always count on seeing familiar faces.  It’s hard not see Mark Strong in every end of the world, steam punk adventure story as the bad guy.  Even his performance as the soon-to-be leader of the Sinestro Corps was somewhat evil and misguided.  Lynn Collins, with her gorgeous portrayal of a brilliant woman who struggles with the matriarchal society of Barsoom, shows how strong women are, most often, the best part of any sci-fi adventure story.  And the almost unrecognizable performance of Willem Dafoe as Tars Tarkas should not go unnoticed , as well as Dominic West, who can’t seem to play anything BUT seedy characters that no one likes.  But the lime light was shining brightly on Taylor Kitsch who played Jon Carter.  His performance in Wolverine as Gambit was proof enough that he can handle a comic book style film adventure.  Will Taylor now be inducted into the long list of actors and actresses that continually pop up in comic book and sci-fi related films?  Come to think of it, I think every major actor in this film has appeared in some of the major comic book films within the last 15 years.  Nicely done Andrew Stanton!

If you’re like me and enjoy the campy adventure story of John Carter, you’re going to love the action and CGI explosiveness even more.  The overall cinematography is gorgeous to look at, and the computer generated effects will make James Cameron wonder what the heck he’s doing!  But from what I could see based on the 2D version of the film, 3D can’t be THAT intense.  Go see it in 2D, it’ll be a better watch for you.

This film, without a doubt, is right up my ally; adventure, suspense, action, great writing, and a story that ‘s as weird as it is amazing, you can’t get much greater than that.  For me, I rank this film fairly high, but understand that this cinematic expedition won’t be for everyone.  So for those of you going in with low expectations, remember that even though this film may not be your cup-o-tea, there’s still quality lingering in camp.

Suicide Squad #7 Review

Posted: March 15, 2012 in Adam Glass, Clayton Henry, Comic Book Review, DC Comics, Suicide Squad
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Written by: Adam Glass
Pencilled by: Ig Guara, Clayton Henry
Inked by: Scott Hanna
Cover Color by: Rod Reis
Lettered by: Jared K Fletcher
Colored by: Ivan Reis, Eber Ferreira

WARNING!!!  SPOILERS AHOY!!!

I can already hear the screams and cheers!  Off in the distance, a certain select group of people are throwing parties, drinking beer, and wearing the classic Harley Quinn costume in celebration of this memorable event.  Suicide Squad #7 delivers a promising gift to the haters of the New 52 Harley Quinn.

That’s right, She’s kicked the bucket! Harley Quinn is dead as a door nail.  This is, of course, an interesting turn of events, especially with the mystery surrounding the whereabouts of the most popular comic book villain ever, the Joker.  You don’t believe me?  See for yourself…

But, of course, with all things that make us happy, a wrench will undoubtedly be thrown in the mix to make these haters unhappy again.  No, she’ll live, she’s too popular for DC to kill her off right now.  I think Adam Glass wanted to simply give the Quinn Critics a moment of zen.

But issue #7 isn’t as great as it was hyped up to be.  The title itself is certainly known for its insane and rambunctiousness within every adventure, so confusion is bound to happen.  But much of what went on this issue felt too contrived for my taste.

Harley is crazy, no doubts there, but what was the motivation behind placing Joker’s scrapped off face over Deadshot’s?  How does his personality mesh with Mr. J’s?  And what was Harley going to do if she had no one to place the face on?  Was she just going to take it and run, never to be seen again?  I was truly hoping for some emotionally driven moment that gives Harley more depth for the new 52 set of readers.  Instead we have this awkward moment where Harley begins to poor her insane heart out, then Deadshot ruins the moment with a gunshot to the gut.  This is, without a doubt, the equivalent of a boner killer.

The Harley flashback origin story also felt forced, being pushed way too fast with not enough time to really understand why Harley was falling in love with the Joker. The book opens up with Harley showing concern with her own feelings for a mad man, then almost immediately turns into insane doctor before we can realize what’s going on.  I’m certain the short time frame Glass was given to flesh this story out had a lot to do with it, but it’s still a story killer for me.

It’s was nice, however, that the the nano bomb implants aren’t some idle threat.  Lime and Light aren’t the most interesting characters, so blowing one of the duet’s heads off works quite well. But what happens when DC needs to kill off one of the more popular team members?  Oh, wait, it already happened!  But as stated above, I’m sure she’ll come back…probably by next issue!

Clayton and Iguara do a fine job, but there’s a bit of a WTF moment when Harley walks out of the vat of acid, hair red on one side and blue on the other.  The acid would completely incinerate her hair, not turn it Christmas red and Sultry blue.  Maybe I’m allowing myself to be too realistic with this title instead of setting my notion of disbelief aside.  It is comics of course, and it SHOULD be somewhat unrealistic, but I guess this was a bit much for me.

I’ll give this to Glass, he’s is making Harley out to be a complete LOONEY, and that’s always enjoyable!  When the series started, Harley felt more timid than crazy, but this arc has definitely shown us her bad ass side.  Don’t screw around with her, otherwise she’ll cut your lip, or leave you for a land mine to decide your time of death.

I’m still enjoying the series, no doubt, but this is the weakest issue thus far.

6 out of 10 stars.

Daylight Savings Time…

Posted: March 12, 2012 in Daylight Savings Time, The Princess Bride
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Red Lanterns #7 Review

Posted: March 11, 2012 in Comic Book Review, DC Comics, Ed Benes, Peter Milligan, Red Lanterns
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Written by: Peter Milligan
Pencilled by: Ed Benes, Diego Bernard
Cover Color by: Nathan Eyring
Lettered by: Carlos M. Mangual

One arc down and I’m still collecting the “doomed” title known as Red Lanterns. Something about it keeps drawing me in, compelling me to stick with the rage filled book that expands on Atrocitus and his Red Lantern Corps.  The title itself is doing quite well – expertly written and wonderfully drawn.  As always, however, my concern is with the longevity of the title…can it last as long as DC hopes it to?  With the publication of issue #7, my hopes have certainly been raised.

One thing I’ve noticed about Red Lanterns is how difficult it would be to translate the script onto the big screen.  Sure, the dialog looks great as wrote, but if you ever heard anyone say this in real life, it would be clunky and strange.  But Peter Milligan writes a wonderful story that splits up into three different sections; Bleez’s take over of the Red Lantern Corps in Atrocitus’s absence, Guy Gardner fighting the newly inducted Red Lantern from Earth, and Atrocitus facing his past. Milligan has a lot of good things coming, and he’s writing them in a way that will make yearn for more.

But the poor letterer, or whoever is in charge of making sure the right set of dialog is being said by the right character, made an incredible boo-boo.  I don’t think anyone who’s as big of a reader as me would have missed it, but this needs to be said regardless.  Carlos Mangual, in the future, be a little more careful, ok?…

Aside from that, Mangual lettering job is spot on perfect.

Guy Gardner’s entrance, of course, is interesting.  He’s always been the hot head of any comic he’s featured or guest starring in.  He’s good at it, and it makes for wonderfully tense moments.  But he also hits the nail on the head when he remarks about how opposite his confrontation with Rancorr is…

Guy? The Reasonable One? NNNAAAHHHHH.....

The confrontation is intriguing though.  The Hot head of DC is the one having to talk sense into a lantern controlled by his rage.  But there’s also an instance where Rancorr speaks to Guy, pleading for help.  Why isn’t Rancorr like every other Red Lantern?  Sure, Atrocitus can speak and has taught the others how to speak and think coherently, but that took time.  Rancorr’s ability to remember, be aware of himself, and speak are developments that have not yet happened (at least this quickly) with any of the Corps members.  The implications of this are endless.

The tension that’s building up between Atrocitus and Bleez is amazing.  Bleez is in charge of the Red Lanterns, but the question of how long was raised by one of her tortured victims.  Bleez has yet to prove herself, so the fear of Atrocitus is still out there.  Yet Atrocitus’s rage seems to be controlled by his needs to kill Krona.  But now Krona’s skin is wrapped around Atrocitus’s son, and the source of his rage no longer exists.  This begs the question…if the source of a Red Lanterns rage is obliterated, will that Red Lantern loose his or her ring, and in turn, go back to their normal life?  More than likely not, but it is interesting to think about.

Give me more Ed Benes please!  Sure, you see a lot of the some poses, action shots, and ass bearing moments, (like you’ve seen the exact same ones in previous issues) but he’s so good at it!  I would have asked for a different colorist, but it’s still stunning to say the least.

A lot of interesting questions are raised by Rancorr’s inner monologue , which will lead to some interesting confrontations for the future, and tension is building up better than I thought possible.  I guess it proves that as long as you have a capable writer behind the wheel, any comic book can have a great story.

9 out of 10 stars

Justice League International #7 Review

Posted: March 10, 2012 in Aaron Lopresti, Comic Book Review, Dan Jurgens, DC Comics, Justice League International
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Written by: Dan Jurgens
Pencilled by: Aaron Lopresti
Inked by: Matthew Ryan
Cover Color by: Jeromy N. Cox
Lettered by: Travis Lanham
Colored by: Richard Friend, Hi-Fi

Judd Winick, Dan Jurgens, I can’t decide who’s better!  Winick wrote the one of the best comic book miniseries I’ve ever read, Generation Lost, and now Dan Jurgens is continuing the quality work started by Winick when the mini completed its task.  Of course, I was initially upset by the fact that Jurgens wasn’t continuing with the story Winick had set up, but I’m sure his hand was forced as well.  Seven issues into the rebooted series, however, and I’m starting to get into the grove Jurgens has set with Booster and his Government snactioned League.

I’m certain Booster was ready to bask in the glory of UN and civilian acceptance on the steps of the White House, especially after defeating a threat as deadly as the Signal men, but this is clearly not going to be a title that defines itself by certainty.  All 20 pages of this issue present new challenges and struggles the League is going to have to fight through and learn from.  (Is it strange that I thrive off of stories that cause so much pain and anguish for its characters?)

#7 starts off with a gorgeous, yellow and orange tinted opening page, with Booster carrying Beatriz out of the fire, smoke, and damage done by the bomb.  It’s funny isn’t it?  They were able to stop one of the most dangerous threats Earth has ever faced, yet they were taken by surprise and disarmed by one measly bomb – which starts the angst driven script.

What follows is a series of trials and tribulations, hell bent on breaking up the League; Mari has a life threatening spinal injury, Tora’s entire skeleton is on the verge of breaking completely, and Gavril is seemingly dead.  In addition, the faith each member has in the League seems to be faltering, with Batman leaving and Guy Gardner taking care of his own needs instead of helping Booster clean things up.  It seems, as well, that the government is regretting their decision of sanctioning the JLI, as after only a few short hours of being instated, Chairwoman Bao confronts Booster with an order of Cease and Desist.  Not only have has the “still-walking” members lost a team mate, with several others critically injured, but now can’t legally save the lives of others.  Talk about tension!

The story is great, and certainly one that will keep me coming back for more.  Even more so, the art, provided by Aaron Lopresti and Richard Friend. Ever since his work on Wonder Woman, I’ve always said Lopresti is my favorite penciller of all time.  However, there is a minor defect that irks me.  Lightweaver seems to be a potentially great villain for the League for future arcs. However, I’d think with constructs such as his, Guy shouldn’t have a lick of trouble taking them out.  It’s also kind of difficult to MAKE OUT the lightweaver’s constructs.  Yes, they light constructs are all throughout the beginning of the book, but it’s hard to make them out…

A construct is there, I promise

And a few more...

I never would have noticed them in the first place, but a second reading of this isse allowed for me to see things I didn’t notice the first time.  Initially I thought Guys was chatting with himself and not some light construct.  But this is a minor complaint.

I enjoy how Jurgens is giving each character, with exception of Mari, an important role in the series.  Each hero’s purpose in the title is clear and straight forward.  Without a doubt, however, this series is making way for the legitimization of Booster Gold, giving him a much more serious purpose in the DC Universe.  I’ll admit, as I have before, I’ve never liked Booster as a hero.  He was always a bumbling idiot who was so focused on his own fame that it hindered so many of the story lines staring him.  And while Booster still retains some of those qualities, at the same time he seems to be much more focused and less self-indulgent.  Booster is certainly being given a fresh start, a chance to have a legitimate and interesting role as a DC superhero.

JLI is certainly delivering on the classic title.  I’m happy with what Jurgens is doing with it and suspect it will only get from here.

9 out of 10 stars

Night Force #1 Review

Posted: March 8, 2012 in Comic Book Review, DC Comics, Marv Wolfman, Night Force, Tom Mandrake
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Written by: Marv Wolfman
Penciled by: Tom Mandrake
Cover Color by: Wes Hartman
Lettered by: Wes Abbott

So apparently this is a revived series from the seventies, staring Baron Winters, that dove into the the mystical and horrific side of the comic book world.  unbeknownst to the superheroes of Earth, Baron Winters monitors this side of reality with an uncaring eye for those who live and die. Don’t count on the Baron to save you, he’s kind of like that! fumbling into the middle of the mystical chaos is Sergeant Jim Duffy, coming up on retirement, and Zoe Davis, a woman who doesn’t seem to have a handle on what’s real and what isn’t.  With every known dark force working against them, the gothic trifecta have a mystery to solve that could shake the very essence of reality in the DC Universe.

Horror, whether it be in film or literature, all have the same set of rules.  The gimmicks may be different and the plot lines might have a different process, but overall, the horror genre doesn’t vary that much; the Sarge seems to underestimate himself, The Baron has an otherworldly knowledge that defies intelligence and wisdom, Zoe Davis is an emotionally beaten up character who seems attractive to the demons of the underworld, and they all come together in this disgustingly decadent house that has no place in the real world.  This is fairly common in horror stories, but Night Force, at the same time, was very different in comparison to the other horror stories DC is putting out right now.

Marv Wolfman has always been a fantastic writer, but the uniqueness of Night Force  isn’t within it’s story, but rather in the visuals.  The creepy, angular ways the panels were placed on each page gives that dream-like and out of place feeling appropriate for the book.  This title really does have that terrifying visual edge that makes a horror story good.

I did find myself a tad bit tuckered out after I finished reading it however.  The story rushed through everything faster than I could comprehend. I still got the premise and enjoyed it from start to finish, but Wolfman certainly packed a lot of story into these 22 pages, probably more than should have been.  This is the ignigma however.  It’s difficult to write an introductory story to a comic book series as weighty as this one. So much is going on that to limit it to 22 pages kind of hurts the effortless flow Wolfman was going for.  Still enjoyable, but a very tiring read none-the-less.

I’m definitely coming back for more next month.  There’s enough GOOD happening here that I’m compelled to find out what happens!  I just hope I have room to breathe next time.

9 out of 10 stars

Action Comics #7 Review

Posted: March 8, 2012 in Action Comics, Comic Book Review, DC Comics, Grant Morrison, Pat Brosseau, Rags Morales
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Penciled by: Rags Morales, Bradley Walker
Cover Color by: Brad Anderson
Lettered by: Pat Brosseau
Ok, there’s a new logo, AWESOME!  Let’s move on to the more interesting aspects of this month’s installment of Action Comics…
So, my physics friends, what do you think of a comic book superhero, who has just saved the city by unrealistic means, who makes this kind of statement?…
“Who says you don’t meed physics in the real world?”
Steel, once again, bears his undeniably annoying metal butt back on the pages of the new DCU in a secondary story after the Man of Steel’s MAIN one.  While Superman is out in space trying to save the recently bottled city of New Troy, Steel is waging war against the tide.  It’s a nice little reminder that, while the big name superheroes are out defeating the alien baddies, Earth is still in peril with the seemingly much “smaller,” yet terrifying disasters amongst the common city folk.  I’ve never liked Steel, but I guess he is the perfect choice for this side story.
The bigger, more important story of #6 is undoubtedly a humdinger!  Even Superman’s leather boots couldn’t take the pounding of this excellent installment of Action Comics.  Of course, with the destruction of Superman’s boots, before hurtling off into space, comes the inevitability of the examination of his Super wardrobe.  As to HOW Superman gets his costume, I’m certainly a fan of it. However, I’m not sure I understand how it automatically changes colors from solid white to the more recognizable Blue, red, and yellow.  Explanations please!  I’m glad to see that Supes will finally be donning some threads that won’t tear under pressure.
Al Gore is definitely going to take issue with DC proclaiming the internet to be an alien piece of technology, and not something if his design.  It was a clever move on Morrison’s part to make one of Superman’s most intelligent enemies more like a hive-minded entity that went from planet to planet, supplying each world with data, information, technological connectivity, and world-wide communal access…..and porn.  (Thanks Avenue Q for cementing the idea of what the Internet is ACTUALLY for.)
Everything is still a mystery though!  Brainiac, or the Collector of Worlds, has a very unique form.  Much more slug-like than humanoid.  Plus, the story behind Superman’s origins is still floating around with no answers in sight.  All we know is that the answers we as readers need to understand everything are hidden within the Bottled city of Kandor.  If Morrison keeps this up, the NEW revelations behind Superman’s past should be quite entertaining.  And the characteristic that the majority of people dub as a “boy-scoutish“ attitude from the Man of Steel (Stupid fans) is definitely rearing it’s head.
Rags Morales is certainly giving the world something to look at!  This issue might just be the best art I’ve ever seen him deliver; it’s expressive, moving, emotional, fun, and full of energy.
Knock on wood, I think Morrison is writing a Superman story worth remembering!  I had thought that with his All-Star Superman story he should never be allowed to come near the title again with his dirty, continuity destroying pen in hand.  But this go ’round his seems to be taking extra care and finally writing a story worthy of the character.
9 Out Of 10 Stars

100 Years Of The Oreo…Happy Birthday Oreo Cookies!

Posted: March 6, 2012 in Nabisco, Oreo Cookies
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ok ok, so this is in the shape of a wedding cake MORE than a birthday cake...sue me!

“I don’t always eat store bought sandwich cookies.  But when I do, I prefer Nabisco’s Oreo cookie.”

Who knew that a store bought cookie could last for one century?  I do prefer Oreo’s over all the others available at the local grocery store.  In recent years I haven’t gotten Oreo’s as much as I would like, but I’ll never forget the joy they brought to my tummy!

Remember some of the classic commercials from when you were a kid?  Take a trip down nostalgia lane…

Even during Christmas I remember getting exciting at seeing Santa scarfing down on every last Oreo left on the plate.  That’s definitely something to get excited about.  If only 100 years of the Oreo happened on Christmas, I’d totally leave out some cookies for Santa!

I think my favorite Oreo cookie commercial, however, is the following one.  When I was a kid, I simply loved the contraption used to roll the cookie downwards.  Later, however, I began to wonder if the little black boy was a much younger version of Steve Urkel.  See if you agree with me.

Anyways, if you’re having an Oreo party with your friends, enjoy!  Happy 100th birthday Oreos!

Justice League #6 Review

Posted: March 6, 2012 in Comic Book Review, DC Comics, Geoff Johns, Jim Lee, Justice League Of America
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Written by GEOFF JOHNS
Art and cover by JIM LEE
Inked by SCOTT WILLIAM, SANDRA HOPE, BATT & MARK IRWIN
Colored by ALEX SINCLAIR with TONY AVINA
Lettered by PAT BROSSEAU
Variant cover by ADAM HUGHES
B&W Variant cover by JIM LEE

As my “Heretical Biography” states, my introduction into comics was with issue #61 of Justice League: America.  Just under two decades since then and I’m still as loyal to the said title as I was in 1992…even more so.  When the title was terrible, I stuck with it.  When the title was amazing, my nerdgasms were that much better!

That being said, there’s really nothing exceptional about the rebooted title other than the art.  Geoff Johns is an amazing storyteller, don’t get me wrong, but anything and everything has already been done with every Justice League origin story. There’s not much left to do that’s fresh and new.  Thankfully, Johns found a way to make sure THIS origin story had a bit of originality to it, with a rough edge.

The first five issues gave us a decent display of each of the hero’s powers, with exception to Cyborg since he really has no control over his techo-implants. (Or at least he simply hasn’t learned to use them.) But now we’ve come to issue number six and all of the introductions to each hero’s super powers were forgotten, ending this story arc in a free-for-all.  No Amazonian awesomeness, ring slinging fun, nor any splashing moments for the king of the seas.  I try to give the writer the benefit of the doubt for a severe lack in power displaying, but with how the previous five issues set it all up, I assumed that meant it would all come together in one powerful conglomeration of super powered team-ups.

There was a semblance of teamwork however; each member providing something interesting that became the defeat of Darkseid.  However, I didn’t feel there was anything to latch onto.  In fact, Darkseid’s arrival might be one of the biggest let downs with this Justice League origin.  The heroes dog pile on top of him, he’s able to get a few good punches in here and there, but nothing about Darkseid’s entrance felt worthy of the amount of build up the previous issues gave him.  Is he really going to be some brute, all brawn and no brains?

Thankfully some intelligence emerges with Wonder Woman and Aquaman jabbing at Darkseid’s most powerful asset…his eyeballs.  Being the responsible employee I am, I left my issue of JLA #6 at home so I wouldn’t be distracted by it.  (But blogging while working is ok!) Because of that, however, I am unable to use it as a reference, but I seem to recall no omega beams in sight.  It’s a shame, but only a minor complaint.

Currently, the only members of the League that are impressing me thus far are Wonder Woman and Aquaman.  Superman, being the most powerful is unsurprisingly subdued in a light shows of shackles, and the other more powerful members of the League can’t seem to shake off the ruler of Apocalypse.  Leave it to an Amazon and a man with scales (both of which only have one title with their name on it) to use the gifts given to them to defeat the bad guy!

I won’t say anything about Cyborg.  Pure cop out if you ask me…

Lots of negativity, I know.  To be honest, however, I still enjoyed this issue; the art is great, and it’s still fun to see all of the characters back together on the same team.  The ending of this issue, though, is what makes it all worth it.

The team stands in front of the world at the capital accepting recognition from the President.  While the cheers and hoopla are thrown their way however, the League wonders where they go from here.  They aren’t a team, they don’t really like each other, and feel much more drawn towards their personal responsibilities rather than the the assumed collective responsibilities as the League.  However, they can’t refuse the acceptance as it’s a free ticket into the hearts of the people.  Thus will follow the fantastic potential of great character building stories and team building adventures!  I’ll definitely be coming back for more to see how Johns builds this team into somethings bold and daring!

7 out of 10 stars

Happy Birthday Heretical Jargon!

Posted: March 4, 2012 in Heretical Birthday
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Yes, it’s true, Heretical Jargon is officially ONE YEAR OLD!  It’s been slow to grow, and I’ll still need more time to get the Heretical Jargon hits u to where The Heretic’s Blog was at before moving over, but I’m confident it will.

In other news, I’ve also started a Pinterest account!  You won’t see a bunch of photos of wedding dresses, shoes, and cupcakes on my boards though.  I delve into the geeky side of life, posting photos dealing with comic books, cool stuff, art, and geeky fun.  Go ahead and head on over to Heretical Pins! I even have a special board dedicated to Wonder Woman…that’s awesome right???

Also, do me a BIG favor and “like” my Heretical Jargon facebook page.  Just search for “Heretical Jargon” on Facebook and I’ll pop up!  You’ll see a very creepy picture of Catman from the Secret Six pop up as the profile photo.  Show me some love and visit that page!

Well, here’s to one full year!  Time for another 365 days….unless you count the leap year, then I get one extra day.  There’s always room for MORE fun right?