Archive for September, 2011

I, Vampire #1 Review

Posted: September 30, 2011 in Andrea Sorrentino, Comic Book Review, DC Comics, Joshua Hale Fialkov, Vampire
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Writer: Joshua Hale Fialkov
Artist: Andrea Sorrentino
Colorist: Marcelo Maiolo
Letterer: Pat Brosseau
Associate Editor: Will Moss
Editor: Matt Idelson

It’s A Bloody Mess…
The queen of the vampires is out for blood, superhero blood!  Now Andrew Stanton, a fellow vampire, vampire hunter, and former lover of the queen, must now defend the lives of the masked avengers within the DC Universe.
New writer, Joshua Fialkov, brings a gothic tale of blood, sex, and violence to the pages of DC Comics…not that these aspects weren’t already in place amongst the superheroes already, but with vampire stories, it’s much more pronounced and dominant.

But Fialkov was facing a daunting challenge, trying to pull in the new readers without disappointing them that I, Vampire is NOTHING like the twilight saga.  It’s a smart move on DC’s part to take advantage of this love for vampire stories that young people seem to have today, but this series is certain to prove that vampire stories = dark and unhappy stories.

No time is wasted in getting the plot moving as we toggle back and forth between two separate plotlines, both of which put Mary, queen of the Vampires, and Andrew Stanton at center stage.  The story gives us the necessary back story displaying how these two came to know each other and, eventually, become lovers.  The other shows the start of the Vampiric war Mary intends to start against the heroes of the DC Universe.  It’s such an interesting twist on vampire folklore; to make it where vampires feel threatened by the superheroes is such an appropriate plot device and I can’t believe someone didn’t think about it before.

Vampire Romacing…What’s It Supposed To Be Like?…
Stephanie Meyer’s Twilight attempted to portray a sense of love and confusion with each character and tackling the issues surrounding those ideas.  But the final product was an allegorical mess of sexual confusion and the condolence of rape.  I, Vampire delivers a Vampire story that sends off a “Twiight” vibe, but proves to be much more mature and intelligently written.

I can’t tell if Andrew Stanton feels ashamed of his Vampiric lineage or not.  He certainly hates himself for turning Mary into a vampire, but seems content with himself as what he is.  Both him and Mary, in the flashback sequences, discuss their own opinions and philosophical mindsets about what it means to be creatures of the night, and through the conversation we discover some new details on vampires and their strengths, weaknesses, and physical appearance.
Kids expecting this comic to resemble that of Twilight might be a tad disappointed as this issue is filled with some very horrific scenes of mutilation and menacing fight scenes.  You will never find yourselves a moment where you sigh in loving admiration for the two main characters.  It’ obvious they hate and love each other at the same time, ready to kill each other at a moment’s notice while talking as if they still have a loving connection to one another, or at least a mutual respect.

Visually Stimulating…
Andrea Sorrentino does a fantastic artistic job with this gothic horror tale.  While I find many of the images terrifyingly awesome, however, none of them are as bloody as the other horror comics to come out…like Swamp Thing and Wonder Woman.  Sorrentino takes a much more Hitchcockian approach to her art, allowing the story to shock and alarm rather than simply giving us a bunch of gore of guts to scare us.  Every page is filled with low lite imagery with a dark blue or burnt sienna color tone, with blue showing the more toned down aspects of the script, and the brownish scenes depicting the more violent and displaced scenes.

In Conclusion…
I’ll be honest, I wasn’t expecting much out of this issue; I assumed it was going to be nothing more than a twilight fan hitch to draw in readers who enjoy very bad story telling.  Instead, I got a gaggle of amazing and fantastically written sets of dialog as well as wonderfully disturbing artwork.  I am a happy lover of gothic literature and comic books!

10 out of 10 Stars

Superman #1 Review

Posted: September 29, 2011 in Comic Book Review, DC Comics, George Perez, Jesus Merino, Superman
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Writer: George Perez
Artist: Jesus Merino
Colorist: Brian Buccellato
Letterer: Carlos M. Mangual
Cover Art: Perez & Buccellato

The Plot
The new Daily Planet has been erected, and everyone’s ready to get started with the new digitalized standard within news media.  All…except for one intimidating figure that hovers above the rubble of the old news building.

As the keepers of past fight against the ones who seek to adapt to the times, a burning sensation creeps along in the shadows, and taking the entire city by surprise.  Will Superman save the day from this unknown threat, or will it consume the entire city in a wave of fire and ash?

My Heretical Opinion
It’s been really hard for me to get past the armored suit that Superman is now wearing.  All the images that have been tossed around the internet have caused my fear of the Superman reboot to increase every day getting closer to the release of #1.  OF COURSE I was going to pick up Superman #1, it’s Superman!  But the Man of Steel has never endured “change” that well.  Just look at how well Superman Red and Blue turned out!  However, this first issue of Superman’s 5th renumbering was definitely a joy to read.

Superman #1 brought a lot of controversy to the table.  The most notable subliminal message were the moments of tension where the old fought against the new.  Much like what DC Comics is facing, the Digital world seems to be taking over where print media is steadily declining. Lois Lane seems to be in favor of the new changes, if only to keep her future intact, where Perry White is certain to keep showing the world that print is the world’s best hope for top notch PRINT news.

And then there’s Superman/Clark Kent, who is having trouble embracing this new philosophy that Metropolis, and the world, is taking full advantage of.  The team of Perez and Merino have given us a symbol of the things to come with the demolition of the old Daily Planet, and the construction of the new.  Superman has long since represented a certain ideal, and now with things changing so drastically around him, (both in costume and not) his world is being shaken to the brink, and all he can do is watch.

It’s an interesting dilemma since comics, and print media, seem to be migrating over to the digital world, and there are those of us who hope and pray that the digital world doesn’t take over.  I feel Superman’s pain…when you’ve invested in something for so long, sometimes it’s hard to accept that things change.  It’ll be interested to see how Supes deals with it all.

This entire issue is one big allegorical prose that has a deeper meaning within its literature and visual rhetoric.  I’m certain this fiery creature will either make its way back to the pages of Superman, or be explained in some fashion later on, but it’s an amazing  and accurate representation of how hot fans have been ever since hearing about the reboot.  More importantly, this is DC’s answer for fans…telling them that things change, but what makes DC comics so good is still a remaining driving force behind every comic they publish.  Lois may be going along with this new plan for news media, but she’s still the same stern, hard-ass that we’ve all come to love.  Perry White is still as stubborn as ever while understanding why change needs to happen.  And Lois and Clark, despite the reboot forgetting about their marriage, still bicker and fight like a couple should.  Change is always going to happen in anything you invest yourself in, it’s how we deal with those changes that dictate how well we continue to enjoy it.  George Perez uses a subliminal message in Supes #1 to allows us, the ones who are still having difficulty with the reboot, to come to terms with it and accept a very important fact…it’s comics, just have fun with it!

Jesus Merino, as always, finds a way to entice my imagination with some of the best artwork in comics today.  Despite my dislike for the new Superman costume, Merino is able to maintain the likeability of Superman with vibrant action and intense scenes.  But I’m mostly impressed with the fact that Merino is able to make the fight between Superman and the fire creature an exciting one…how does someone draw Superman fighting pure fire?  Allow Merino to give you lessons!

I definitely appreciate the connectivity DC has given both Action Comics and Superman, with characters returning from a life of crime from Action #1 and taking over as CEO of a huge corporation.  How much more will Action Comics and Superman tie together?  I’m certainly excited to see the results!

There’s so much going on in this issue, and we got a little extra for $2.99 because of it!  Just like the Bat books, the entire run of #1’s for the Superfamily has been amazing and worth the price of admission.  Keep up the good work guys!  See you in 30 days!  (Well, I guess Action #2 comes out in six days, so belay that remark.)

10 out of 10

Where Monster Dwell, Episode #169 With Brandon Seifert

Posted: September 29, 2011 in Where Monsters Dwell
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Every Wednesday @ 7:00 pm, Mountain Time...Picture from Where Monster Dwell

Tonight, my favorite LIVE streaming radio program airs, Where Monsters Dwell, featuring Brandon Seifert and Lukas Ketner, the creators of ‘Witch Doctor‘, a ‘medical horror’ from Image Comics and Skybound Entertainment. We’ll be chatting with Brandon and Lukas about their work together both on Witch Doctor and ‘Escape From Alcatraz’ and what takes two dudes from Alaska to Portland, OR to make comics. If you have a question for Brandon and Lukas, you can post it on our Facebook wall or give us a call in the studio by dialling 506-453-4949.

I’m excited to hear if Mike decided to picked up All-Star Western since Jimmy Palmiotti is the writer, with assistance from Justin Gray.  I know Mike is only picking up a select few comic titles since the DC reboot…Is All-Star Western on his pull list?

Anyways, go to Where Monsters Dwell and listen LIVE, call into the show or post on the their Facebook Wall in real time.  But if you can’t listen, they archive all their shows.  So there should be no worries about missing out on the geekiness.

Last Day Of DC’s New #1′s Tomorrow…Opinions?

Posted: September 27, 2011 in DC Comics, DCnU
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Tomorrow is the final day of September’s release of the new 52 #1′s.  So far it seems as though Action Comics and Detective Comics have been getting the highest amount of praise.  With one more day of #1′s ahead of us, which comic due tomorrow will get most of your attention and which one are you least excited for?

For me, Fury of the Firestorm and Superman are my most anticipated titles, with All-Star Western following closely behind.  But some question have been lingering in my head as to what will be different in this DC Universe reboot for the title coming out tomorrow…

1) How much of the Superman from Action Comics #1 will flow into Superman #1?

2) Will the Flash remember remember the events of Flashpoint?  (He sure seemed to in Flashpoint #5.)

3) Has the Firestorm Matrix changed?  And how will things be different with having TWO Firestorms protecting the streets?

4) Is Hawkman going to be a viscous brute no better than the Punisher?

5) How different will Jonah Hex be since his involvement in Flashpoint was very minimal?

What other things are you wondering about?  Are you excited for the #1′s for tomorrow or are you worried?  Green Lantern and Batman seem to be very similar, will any other heroes remember everything before the reboot happened?  How accessible will this week’s titles be for the new reader(s)?

Comments are welcome!

Super Sunday: Catwoman’s Costume

Posted: September 25, 2011 in Catwoman, DC Comics
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With this weeks release of Catwoman #1, there has been a lot of controversy over the abundance of “over-the-top” sexualization within the book itself.  How will DC respond to this?  They will either, 1) not change a thing, or 2) bring the “sex” level way down, allowing the readers to dictate how a writer expresses a character within a story once again.  I love comics, but sometimes readers can be a little ridiculous about the over all picture of a character’s personality motif.

As everyone knows by my review of Catwoman #1, I was a huge fan of the issue and look forward to more issues written by Judd Winick.  I decided to jump on the internet and look at some of Catwoman’s past costume changes.  It’s always interesting to see how a superhero’s  attire changes over the years.  For Catwoman, there hasn’t been much change; only in color and eye wear…

Anyways, here’s a few picture examples of the changes Selena Kyle has gone through.  Check out more costume changes here…

The most current version of the costume. Not too entirely different, but still different.

Back from the 90's...when I thought reading comics that stared female superheroes was unmanly.

From the greatest superhero cartoon ever made, Batman: The Animated Series. This costume might be the best in Catwoman's wardrobe.

Batman #1 Review

Posted: September 24, 2011 in Batman, Comic Book Review, DC Comics, Greg Capullo, Scott Snyder
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Writer: Scott Snyder
Artist: Greg Capullo
Inker: Jonathan Glapion
Colorist: Fco Plascencia
Letterer: Jimmy Betancourt
Cover Art: Greg Capullo

The Plot
Batman does his normal thing by fighting off a band of familiar faces, all ready to rip the Dark Knight into pieces…an easy victory for the Caped Crusader obviously.  However, looming in the darkness is a phantom villain, hell bent on killing Bruce Wayne.  Batman begins a search for the murderous perpetrator, and discovers something that will shock him beyond belief.

My Heretical Opinion
Detective Comics has my highest ranking out of all of the new 52 #1’s to come out thus far.  Tony Daniel was an unstoppable force when it came to producing an awesome #1.  Henceforth, Batman is high on my list as being one of the more exciting reboots within the DCU.  So, with Scott Snyder coming into bat, I only had high hopes for this title.

One thing that I felt has been missing in the Bat-world (as of recently) is the detective aspect of Batman.  He’s been involved with so many Earth shattering events lately that writers haven’t had much time to give him a GOOD mystery to deal with in quite a while.  Batman #1 finds its way back into that Detective story genre, giving us one Hell of cliff hanger to deal with!

There’s lots of interesting things going on with issue #1, most notably the relationships that he’s built with his fellow Bat-workers like Dick Grayson, Tim Drake, and of course his bratty son, Damian.  But the issue’s end definitely hangs a question mark in the air as to who he can trust, and who he can’t.  But more to come about that as the months progress.

Scott Snyder simply uses this issue to not only start Batman off in the right direction in the reboot, but also to introduce the new technological advancements that are going to make Batman’s job easier and more effective!  For those of you who think Batman is one of the most pathetic superheroes in the world because he is a mere mortal, just check issue #1 and you’ll see that Chuck Norris has NOTHING on Bruce Wayne.

WHOA! Get out of the way!!! Click to enlarge!

I can’t imagine what it must be like run one of America’s biggest and most profitable enterprises in addition to running around at night in a cape and cowl.  Bruce Wayne is attempting to turn Gotham into an optimistic place to live and repel all of those opinions people seem to have of Gotham.  The focus here seems to be one of change; can a city change its image, or will Gotham always remain as it is…A breeding ground for criminals and supervillains?  It seems the upper class has high hopes for Gotham’s future, while the lower class (or the ones who have to deal with the lower class such as Harvey Bullock) isn’t giving their hopes up.  It’s an interesting sociological look on a city that has been nothing more than a dark and dismal place in comic book geography, and it’s what makes Gotham City so interesting.  It’s the only thing Chris Nolan’s Batman franchise is missing…not that I’m complaining.

I honestly was shocked by how good Capullo’s art was.  The open splash page where some of Batman’s most notable enemies come towards Batman with murdering momentum was sinister and wicked!  I have no idea if this is Capullo’s normal style or not, but it reminds me of a combination of a new and classic drawing technique that calls out to my childhood as well as appealing to my more modern artistic tastes.

This week has delivered some fairly EDGY comics, what with the sexually driven Catwoman #1, and the animal cruelty of Wonder Woman #1, Batman brings us a disturbing image of a man pinned to a wall by a barrage of potstickers…all driven right through his body; blood dripping from his wounds and stripped down to his underwear.  It’s not daunting by any means, and is nowhere NEAR as gruesome as the images depicted in Swamp Thing or Wonder Woman, but definitely something to be aware of if you aren’t into that sort of thing.

Batman #1 was a delight to read and truly caught me off guard with that nice little twist at the end.  You’ll have to read this issue to know what I’m speaking of.  And believe me, if you do, you’ll be anxiously waiting for what’s coming up in 30 days just like I am!

10 out of 10 Stars

Wonder Woman #1 Review

Posted: September 23, 2011 in Brian Azzarello, Cliff Chiang, Comic Book Review, DC Comics, Wonder Woman
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Writer: Brian Azzarello
Artist: Cliff Chiang
Inker: Cliff Chiang
Colorist: Matthew Wilson
Letterer: Jared K. Fletcher
Cover Art: Cliff Chang

The Plot
The gods bring their battlefield to the mortal realm, with three sets of deities plotting against one another all throughout the world.  In the gods little tussle that they seem to be instigators of, people, animals, and even gods die, and the enigma that is their motives is quite unclear, and only Wonder Woman can save the day.

My Heretical Opinion
It’s an interesting (and incredibly satisfying) deviation from the classic Wonder Woman story telling method. Wonder Woman is now presented in a true mythological light; bringing in all the gods and demons that Azzarello could muster in this 20 paged story.  We aren’t led into a plot filled with Nazis, or a Wonder Woman who’s trying to “find herself” due to some anomalimic space/time alteration, or some unprofound quest for love, this is a true horror story that is fitting of the Amazon princess herself.  Does it have the potential of beating Gail Simone’s run on Wondy you ask?  Only time will tell, but I dare say that it’s certainly heading in the right direction.

The tone set for this series is a terrifying one; the gods feel as if they can use Earth as their playground (AKA warzone) putting the humans in danger.  Animal brutality and decapitazation also shows that the gods have very little concern and love for their creations.  And while we haven’t actually seen Zeus or Hera yet, we can assume from this first issue that the gods are not a happy bunch of omnipotent, all-powerful beings from above.

Wonder Woman actually doesn’t make her appearance until half way through the book, but the excitement and mysterious aura of this first issue is not affected in the least because of it. The dialog and script is quite brief and pithy, with tons of meaningful expression, which gives this introductory chapter in the new Wonder Woman folklore a very strong path for future issues.

The Classic Bullets and Bracelets look, with some spice!

Wonder Woman herself is as I always hope for her to be.  Her entrance into the story is a bright and luminous piece of art work thanks to Mister Cliff Chiang.  His art style is not of my usually liking, but I’m definitely not going to complain with what he puts into this issue.  I’m glad Azzarello decided to stray away from the Straczynski Wonder-Ways and instead, trail back to the strong and honorable woman that Diana has been known for almost since the beginning.  Wonder Woman doesn’t hesitate to assist Lola in her time of need and walks right into danger without question, ready to die if it means protecting the innocent.  It sounds cheesy, but this is a person who I’d want fighting on my side. But it’s also why it makes Wonder Woman one of the best superheroes in the comic book genre!

Artistically this issue is a gem.  As I stated above, Chiang’s artistic style isn’t my typical cup of tea, but it really works with this book.  It’s a bloody mess in the beginning, and in certain parts dispersed throughout the issue, but it makes for a fantastic and visually grabbing moments!  Characters are quite wooden and stiff, while at the same time being very energetic and vibrant.  I’m not entirely certain I like the costume alterations from a gold to silver tiara, as well as a few other silver aspects to the costume, but as we saw from her closet, Wonder Woman has a vast number of clothing and armor choices to choose from! (Which should close out the worrisome fan’s concerns about whether not it’s pants or no pants.) I think I’m going to be very happy with Chiang’s work.

The book is heavy in mythology and characters from the Greek mythological realm.  I wonder if new readers who know nothing about Greek Mythology will be turned off by this overbearing aspect to the title?  I would like to say no, but as a friend of mine said after seeing the Thor film, “I don’t like having actual mythological characters in comics or comic book movies.  Why can’t they make original characters?”  This is in no way a negative aspect of the book, I find it great fun to be honest!  But there is something to be said about over doing it on the god-like side of things.  I have no fears with this title however.  Bring on the deities!

When it comes to getting a new writer, new arc, new artist, or even simply rebooting a character, Wonder Woman is the one I worry about the most.  If I was forced to choose only ONE comic book to pick up on a monthly basis, I’d choose Wonder Woman.  So it goes without saying that I’m very particular about what writers and artists do to her.  I’m very happy to see that Azzarello and Chiang are starting this series off well, and I look forward to seeing what they do in the next year!

10 out of 10 Stars

Catwoman #1 Review

Posted: September 22, 2011 in Batman, Catwoman, Comic Book Review, DC Comics, Guillem March, Judd Winink
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Writer: Judd Winick
Artist: Guillem March
Colorist: Tomeu Morey
Letterer: Sal Cipriano
Cover Art: Guillem March

The Plot
Danger around every corner!  Some of it instigated by Catwoman, some of it by the evil doers around her.  Either way, Catwoman has a knack for attracting danger.

Of course what does one do when their home is attacked by men in skull masks who blow up your domicile shortly afterwards?  Catwoman is filled with a series of events that are seemingly unconnected, yet give us insight into the persona one of DC’s sexiest villainesses.  And it’s only the beginning!

My Heretical Opinion
Ok, let’s get it out of the way, this is a sexually driven comic book.  Guillem March is just as notorious as Ed Benes for making all his women slender, athletic, boobaliscious, and as ass-tastic as possible.  But let’s not concern ourselves with that at this very moment, because while #1 definitely shows off Catwoman’s exceptional features, the story definitely has more meat on its bones than that and it simply uses sex as the catapult into a darker and more disturbing arc that is bound to deliver sweet results, both literary, figuratively, and visually.

Catwoman #1 hits the ground running with amazing action and riveting suspense.  The first four pages succeeded in causing my anticipation muscle to tense up and beg for more; something Catwoman wants out of me, I’m sure,  as this issue dives into her mentality, giving us a picture of what makes her tick and why she acts the way she does.

It’s her love and flare for danger that gives Catwoman a rise.  The little public disturbances aren’t even worth the effort in her mind.  It’s almost as if she lives for the BIG, daily risks that life provides.  She says it herself doesn’t she?

“I’m not sure I like doing anything unless it puts me out on a limb.  ‘Cuz that’s where the fruit is, right?

This issue describes Catwoman in the best way possible.  She isn’t simply a thief and public menace because she’s desperate for money, she leads this kind of life because…well…it turns her on!  March gives us a perfect display of this from the very beginning as Catwoman jumps out of her window, bullets chasing after her, with a smile on her face…

I can't smile like that under pressure, can you?

Now we haven’t gotten to the point where this sexual undertone is clearly defined (with exception of the art) as we get a brief interlude into Catwoman’s social network.  She still has friends who are willing to help her and look beyond her life as a criminal.  Her friendship with Lolo clearly illustrates that, while Catwoman is undoubtedly all women, she still has a little girl deep inside her (get your minds out of the gutter)  who desires personal connections with friends.

No doubt that this issue is one of the raunchiest that DC has ever produced as it’s almost pornographic!  The last scene where Batman enters into the story brings the ultimate climax to the mix.  If I were a betting man (and I’m not) I would say Winick and March were trying to see how far they could go without making this first issue a porno comic.  Violence and sex make for a great read!

But even in her successful quest in obtaining a job and a temporary place to live, her life in normalcy is brief, interrupted by a ghost of her past.  We can only assume, based on the sepia toned flash back sequence, that the woman murdered in front of Selina’s very eyes by the bastard, Renald, was her mother.  If not her mother, then someone she cared for deeply.  We are then, of course, presented with an unforgettable image that I’m sure every guy fantasizes about in hopes that something like this would one day happen to them…

Moments before I die, I get to see this...totally worth dying for right??

Guillem March does a fantastic job with every single panel of this issue.  Each page is filled with color and detail, with every panel as lively as the next.   One of my favorites in on page 13, with March giving us a violently detailed and graphic four panel page that is completely in black and white, with exception to Selina’s red wig and Renald’s splattering blood; beautifully reminiscent of Frank Miller’s “Sin City” cinematography. Of course, afterwards, what happens?  Selina leaves with a smile…another wonderfully “happy” moment in the life of the danger magnet, Catwoman.

With all of this violence and tension buildup, Selina is most definitely ready for some type of physical release.  Enter Batman to help with that.  Judd Winick presents the same type of idea that Alan Moore presented with his masterpiece, Watchmen.  The danger and thrill of what comic superheroes and supervillains have to endure (whether by choice or no) on a daily basis has never been truly described as a type of aphrodisiac, except with Watchmen, and now with Catwoman.

It’s certainly true that Batman can now enjoy the results of Catwoman’s obsession at the end of each day.  But the interesting thing is, Catwoman and Batman leave their costumes on, only removing the parts of clothing necessary to have intercourse.  Symbolic me thinks! But for you concerned readers, know that this reboot of Catwoman is definitely NOT G rated.

This is an appropriate representation Catwoman.  She doesn’t seem very different in how her character is represented, but more so in her motives, desires, and needs.  Catwoman should be shown as a lively person who thrives under the thrill of danger…as well as getting very excited by it all.  With all of this, however, Judd Winick adds in a bit of sympathy intermingled with it all.  And I suspect that this sexually driven title will emerge into something bigger and better than it already is in future issues.

10 out of 10

Batman vs. Darth Vader…Who Wins?

Posted: September 20, 2011 in Batman, Star Wars
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So, who do you think would win?  I lean towards Batman; he’s a martial arts expert, master of hiding in dark places, (which is where Darth hangs out most of the time) has gadgets to block telepathy, owns an electromagnetic pulse generator which would dissipate Darth Vador’s mechanical body, and is much quicker than Darth in ever sense of the word.

But as wrong as you may be, I’m willing to hear your opinions about why Darth Vador might be able to be Batman…keyword, MIGHT!  I’m also welcoming people to comment and support my theory as well.  But to help establish my points, here are a few examples of Batman’s awesomness in taking down Darth Vador and his “oh-so-mighty” Empire.

Reason #1: Batman has beaten Superman. I don't care how you slice it, Superman is not weak minded and would own Darth Vador's ability to use the force.

Reason #2: According to polls all throughout the internet, fans give Batman the edge over Chuck Norris in a fist fight. If you can beat Chuck Norris, you can beat anyone!

Reason #3: Even those of the religious community admits to the fact that not even the almighty, all powerful God can defeat the Batman. Click to Enlarge.

Now, certainly, we can all come to the same conclusion that this would not be an easy fight for either opponent.  So based on what I know of each character, I had to analyze the tactile advantages of each, and the conclusion I came to was that Batman is smarter, faster, more resourceful, a better fighter, more illusive, and has better control over his emotions.

But if you’re still not convinced, here’s a video to prove the inevitable Batman victory; bats bringing his best to the empire in a Bat-wing/tie-fighter fight to the finish.  If you can defeat both the entire tie-fighter fleet, knock Vador’s ship off course, and blow up the Death Star all at the same time…you’re pretty much awesome.

Happy International Talk Like A Pirate Day!!!

Posted: September 19, 2011 in Goofy Holidays, International Talk Like A Pirate Day
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Arrrrrgggg me harty’s and scallywags, tis the day of speaking like a man o’ the sea, like a treasure hunter….a Pirate!  Go around town with your friends and use the native sea talk of piratanies.

Seriously, it is that time of year again where every should be going around and mumbling like a pirate should!  Apart from you family, job, and friends, what do you have to loose right?

However, if you’re still too proud to step outside of yoru box and cut loose like a pirate, here’s some inspirational music from Captain Dan and the Scurvy Crew rapping about talking like a Pirate.  Seriously, it’s cool to talk like a pirate!!

William Shatner On The Star Wars vs. Star Trek Debate

Posted: September 17, 2011 in Star Trek
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The Cap’n himself, William Shatner lets his opinions be known on the whole Star Wars vs. Star Trek debate.  I’m sure most of what he’s saying is simply him being silly, but I’m detecting a hint of truthfulness in his words as well.  What do you think?

Superboy #1 Review

Posted: September 17, 2011 in Comic Book Review, DC Comics, Superboy
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Writer: Scott Lobdell
Artist: R.B. Silva
Inker: Rob Lean
Colorist: The Hories
Letterer: Carlos M. Mangual
Cover Art: Eric Canete & Guy Major

The Plot
No matter how many reboots DC has, they can’t get away from the cloning of the super family…in the image of the Man of Steel no less.  However, this specific clone seems to be developing some complications, being unresponsive to the virtual simulations and the interactions he has with the people in them.  On the verge of calling this experiment a failure, scientists are ready to pull the plug on Superboy.  Little did they know that inside his prison of “glass and wet,” Superboy is thinking, wondering…and plotting.

My Heretical Opinion
Be warned reader, this isn’t anything you’re going to be familiar with.  In fact, the entire issue is quite polarizing, but in a positive way.  The setup within the narrative comes off rather disturbingly, but I found myself sympathizing with Superboy as he watches and learns while the scientists continued their experiments.  While Lobdell utilizes Superboy’s inner monolog to push forward with the story, the overall picture of the book is what makes this comic as good as it is.  As readers, we get both sides of the story, realizing that everyone involved is compelled to complete this Superboy experiment.  Superboy may understand that their intentions are good, but as he states, “a jailor is still a jailor.” Watch out everyone!

But the most joyously daunting aspect to this book is not knowing what’s real and what’s not.  This deception may upset you, but it sets direction of this comic book title up nicely and will prepare you for what type of storylines will come out of it.  It may be a bit of a mind jolt, so don’t allow yourself to get too attached to the established characters right away as you may find yourself back at square one by the last page.  It’s an interesting and fresh way to start off a story and I’m looking forward to what new stuff Lobdell is going to throw my way as the month’s progress.

It’s very clear that Superman has something to do with this entire Superboy experiment, but the extent of his involvement is what’s unknown.  Lobdell has done a very good job at creating a lot of mystery to be solved for the future; why is Superman involved? Who’s human and Alien DNA is this new Superboy modeled after? Who’s funding the project?  Who’s in charge? What’s the purpose of the experiment?  There are so many questions and they’re all expertly addressed without feeling too convoluted or weighted down in confusion.

R.B. Silva’s artwork has always caught my eye.  His unique style leans more towards being cartoony and almost rubbery.  This isn’t a bad thing…just different.  The coloring team of the Hories (the who?!?) boosts the artistic prowess even more.  And while Silva presents a cartoony style, it doesn’t negate the fact that he has a talent that all artists could aspire to.

The characters are all very segregated emotionally; Superboy locked away in his chamber, Ms. Red (as Superboy calls her) is seemingly of a different mindset than the rest of her colleagues, and the rest of the characters all seem at odds with the entire project.  There isn’t a lot to hold onto which makes this comic unemotionally emotional.  (I know, I phrase things strangely.)  There is a huge emotional disconnect that causes so much angst and darkness within the story that you wonder if any happiness will ever come over anyone!  Don’t allow that to turn you off as the story is incredibly well written and planned out.  It’s refreshingly new and different with the right amount of “darkness” to keep my twisted senses alive and kicking!

10 out of 10 Stars

Nicholas Cage Is A REAL Vampire…No Joke!

Posted: September 17, 2011 in Nicholas Cage, Vampires
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Well, it probably IS a joke, but whomever is making this claim is playing it off as a serious conspiracy.  This is a photo currently (As of 9/16/2011) being sold on Ebay…

Yeah, This Doesn't Look Like A Movie Still At All Now Does It?

This individual made his proclamation on Ebay as he is trying to sell his his “authentic” photo from the 1870′s of someone who looks amazingly like Nicholas Cage.    Well, in fact, it IS Nick Cage.

The seller claims that the photo was not digitally enhanced in any way and is an authentic print of Mr. Cage as a vampire from the late 1800′s. Yet I recognized the movie still instantly from a very funny vampire movie called “Vampire’s Kiss” (or Embrace of the Vampire). Very few people know about the film. Cage plays a man who becomes obsessed with the notion that he has been bitten by a vampire and he slowly makes himself into one, complete with plastic teeth and a sun ray allergy. It’s disturbing and at time hilarious. I wonder if the film director, or the film company can sue the seller for trying to make a profit off of their movie?

Below is his Ebay posting about the photo and the beliefs he holds concerning it…

Original c.1870 carte de visite showing a man who looks exactly like Nick Cage. Personally, I believe it’s him and that he is some sort of walking undead / vampire, et cetera, who quickens / reinvents himself once every 75 years or so. 150 years from now, he might be a politician, the leader of a cult, or a talk show host.
This is not a trick photo of any kind and has not been manipulated in Photoshop or any other graphics program. It’s an original photo   of a man who lived in Bristol, TN sometime around the Civil War.I’ve had a lot of questions asking where I purchased this. As followers of my website know, I collect antique memorial photography – images of dead people – from the 1800s.  This photo was found in the very back of album that contained an unusual number of  Civil War era death portraits (which is why I purchased it). All of  the other people in the album, living and dead, were identified by name – this man was not.

Photographer is Professor G.B. Smith. A contact of mine forwarded this interesting article (link) about the photographer, Smith. Turns  out he was a confederate Civil War prisoner of war photographer.

Now if you’re slapping your head in disbelief, just wait…it gets better.  On his website, there are multiple photos within the archives dating as far back as the 1840′s.  The photo below is apart of those archives…

What Do You think? Is Nicholas Cage The King Of The Vampres?

I had to do some extensive searching over the internet to locate this photo because it’s not available in the “Sample Photos” section.  I’m uncertain if this photo is an actual print or a digital reproduction, so its authenticity is very much in question.  Whatever it is however, it’s a darn close resemblance to Mr. Cage, that’s for sure.

Personally I don’t believe anything that the Thanatos Archives claims about Nicholas Cage and his Vampiric lineage.  It’s clear he’s much more likely to be related to Mortal Kombat muscle man, Johnny Cage!  Or is that giving Nicholas Cage too much credit?

Related To Nicholas Cage? Eh...Maybe Not.

In any case, do you have any opinions?  Is the above photo some sort of digitally reworked photograph or an authentic photo of someone who looks amazingly like the overacting Hollywood thespian?  (Yes I know I used thespian incorrectly.  My blog, my rules…deal with it!)

Green Lantern #1 Review

Posted: September 16, 2011 in Comic Book Review, DC Comics, Doug Mahnke, Geoff Johns, Green Lantern
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Writer: Geoff Johns
Artist: Doug Mahnke
Inker: Christian Alamy
Colorist: David Baron
Letterer: Sal Cipriano
Cover Art: Ivan Reis, Rod Reis, Joe Prado

The Plot
Sinestro has a Green Ring, and the Corps is mad as Hell about it!  The Guardians support the ring’s decision, but Sinestro wants his new found ball and chain off his finger so he can rejoin his yellow ring bearing brothers and sisters.

Meanwhile, back on Earth, Hal is having one Hell of a time getting back into the swing of normal life.  Luckily, an old friend pays him a visit at the issue’s end…we’ll see if this is a good thing or not.  Will Sinestro get his wish and become a Yellow Lantern again?  Will Hal ever make it back to his beloved Corps?  More in 30 days!

My Heretical Opinion
So…um…what exactly is new and different about Green Lantern?  Did the Flash stumble on the cosmic treadmill, causing the world of the Green Lantern to be unaffected?  I thought DC was trying to make everything accessible for the “new” readers they wanted to real in.  Geoff Johns is merely continuing with his already establish remapping of the Green Lantern mythos, bringing Doug Mahnke back in as the Penciller.

I have to be honest, this is a major disappointment for me as I was expecting something really cool to come out of this reboot, but it feels like just another issue from the “old” series that is a timid and unexciting juxtapose from the old to the new.  Were my expectations too high maybe?  Everyone talks to each other as if nothing changed.  Carol Ferris was still a Star Sapphire, Sinestro was still the leader of the Yellow Lanterns, Kronos still f**cked up everything…did anything actually change?  My verdict…not in the least.

However, preconceived notions shouldn’t dictate whether or not this book is enjoyable.  If the reboot of the DC Universe had never happened, this issue would be getting rave reviews as normal, dubbing Geoff Johns and Doug Mahnke as geniuses yet again.  Geoff Johns doesn’t know how to write clunky dialog and drives every story he’s ever written into fantastic conclusions and/or cliffhangers.  Likewise, Doug Mahnke can do no wrong with his gorgeous display of characters and scenery.  Sigh, if only I wasn’t so perplexed by how lackluster this #1 feels in comparison to all of the rest that have come out.

Green Lantern has felt very weighty for the last few years with all the events and enemies darkening its doorstep, maybe it needed a break from anything SUPER angst driven.  It was interesting to see Sinestro back in Green, especially since the last time I saw him sporting the Green leotards was back when I was a kid…when Hal Jordan was on the cusp of going insane, dawning the Emerald Twilight saga.  It’s also very refreshing to see Jordan reverting back to his arrogant days of unintentionally playing the women around him and being ignorant to the fact that he really has no clue how to appropriately interact with “regular” people.

As always, Doug Mahnke brings in a glimmer of perfection with his artistry.  But all the credit shouldn’t be dispersed to Doug alone; his colorist, David Baron, as well shows a remarkable talent for color and shine.  So much of what the two artists bring to the pages allows for each character to come to life in extraordinary ways, combining color, definition, and clean lines to allow it’s explosiveness to radiate through the pages and up to your eye balls, causing our jaws to drop and drool a little.

There’s actually a lot of good stuff coming out of this new GL title; Sinestro is ready to kill in order to achieve his goal, and after all this time in the Corps, Hal still has a lot to learn about himself and others…but I’m still up in the air about it.  If everything else has changed within the DCU, why hasn’t Green Lantern?  How does this make the Green lantern title accessible to new readers?  Are the events of Blackest Night still part of this new canon? What has Johns taken from the old universe and applied to the new?  I’m very confused.

So, overall, this first issue is enjoyable, but the buildup of the new 52 really did get my blood pumping for what was in store for Green Lantern.  I trust Geoff Johns; Green Lantern has been his baby for a REALLY long time so I’ll trust him to deliver some incredible stuff.  Fingers crossed.

7 out of 10 Stars

Suicide Squad #1 Review

Posted: September 15, 2011 in Adam Glass, Comic Book Review, DC Comics, Suicide Squad
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Writer: Adam Glass
Artist: Federico Dallocchi, Ransom Getty, and Scott Hanna
Colorist: Val Staples
Letterer: Jared K. Fletcher
Cover Art: Ryan Benjamin

The Plot
Issue #1 starts off with the Squad bound and chained by a group of unknown kidnappers, using every torturous method in the book; stemming for hot blades cutting away at the skin, to pouring salt in the wounds in order to get the Squad to reveal who they are.  But if the Secret Six has taught us anything, its that psychopathic, murdering maniacs are hard to make squeal…

Well, except for the blonde haired girly man that somehow got and invitation to join the Squad.

My Heretical Opinion
I’m already convinced that this rebooted Suicide Squad is going to be far superior to its predecessor.  Not that it was a bad series, I enjoyed it more than most, but it lacked substance and humor that a title of its caliber needed.  #1 begins with this joyful display of torture and chaos, (Yes, I enjoy seeing people in pain…I guess) and brings us to an awesome cliffhanger that beckons me to come back in 30 days for issue #2.  Another great week of new #1’s me thinks!

The highlight of the issue is portrayed on the cover, as Harley bears a striking resemblance to the much more retro and anime-styled one of the video games, while showing off a new sex appeal within her new wardrobe choices.  She seems to be smarter, funnier, sexier, and downright evil!  The Harley of old was a lot more playful.  Granted this is the first issue and we haven’t TRULY gotten to know Harley yet, but she has a much more sinister side to her personality that kind of freaks me out…but I like it!  Let’s be honest, what male doesn’t like the sexy bad-girl who would get a kick out of peeling off your face with a knife right?

The rest of the Squad has familiarities as well as unfamiliar characteristics; Deadshot doesn’t seem to be much different with his wisecracking dry humor, And King Shark’s only newness is with his hammerhead skull…he’s still got a craving for human flesh!  I’m a little disappointed in the way Savant falls to his comically devastating end, but I suspect he’ll be back sooner than we think…which is good.  A few new names have been entered into the ranks, Voltiac and El Diablo, which I’m not too familiar with, but I look forward in getting to know.

Adam Glass proves himself to him an exciting writer with an immensely creative side whose future in comic book writing can (and will) only get better with time!  The bad guy books have always excited me as the rules can be thrown out of the window, making the bloodshed is much more prevalent!  The Comics Code Authority has no place in this world anymore and I’m glad for it as the stories and content of the comics (especially within the DCnU) have become so much more adult and mature.  The Suicide Squad is proof of that.  The back stories provided by each character helps to show where the arc will be going, as well as the direction of the series in general.  This first issue hits the ground running, not giving me time to breath, but allowing my excitement to build up and want more.

There was a certain character development JOLT that hit me rather suddenly.  I’m not entirely sure what I think of Amanda Waller’s sudden change in physique.  It’s not necessarily bad in and of itself, but I wonder why DC felt it was necessary to change her from being the plump, strong women she was to the typically thin, slender and sexy woman we find coming up in comics all the time.

So Amanda Waller is eye candy now...Is she going to remain a hard ass? I hope so!

I shouldn’t make a huge deal out of it, but it’s hard to move past it.  It doesn’t change my mind in the least about the quality of the book overall, just a little thought that lingers in my head, causing me to tilt my head to the right in an inquisitive manner.

Speaking of the looks, we’ve already talked about Harley Quinn’s new look, let me now praise the artist trifecta in how amazing the sketches are.  Every page turn is an amazing display of action and suspense assembled in a flawless array of visual artistry.  It is kind of violent, mind you, and might make your skin crawl, but it certainly doesn’t compare to the blood and skin carving nature of Detective Comics #1.

Of course, I’m going to have trouble NOT comparing this to the greatest super villain comic ever made, the Secret Six.  Gail Simone gave that title what it needed in order to still be qualified as a bad guy book, while maintaining a certain, twisted sense morality and family love…I’m wondering if this new Suicide Squad can do something to help give its readers something to relate and hold onto, much like the Secret Six did.  But as of right now, I’m hooked and looking forward to what’s coming next month more than any other title that’s come out thus far!

10 out of 10 Stars

What Do You Say About Wonder Woman That Hasn’t Already Been Said?

Posted: September 14, 2011 in DC Comics, Wonder Woman, Wonder Woman Wednesday
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Just like most Wednesdays, trying to create a new topic for today’s Wonder Woman Wednesday was tough.  We can talk about how strong she is, how incredible of a role model she is for young women, and how she mirrors both the good and bad traits of Superman and Batman, but it’s all been said before.

Wonder Woman’s sexuality is something I try to stay away from because, while she’s still the hottest superhero in comic book history, she’s much more than that too.

Cracked.com, however, has taken a different approach to the Woman of Wonder with an article about how she sucks and was victim of men not really knowing how to give her powers deserving of her personality.  While I don’t agree with most of the article, nor can I figure out if the writer is being serious or humorous, it’s entertaining to read none the less.  So please click on the link in this paragraph and enjoy!

Oh, and enjoy these photos i found on the internet…

Painting By Moritat

Painting By Dennis Budd

Pulling a jet...I LOVE this sketch!

Superman Said A Dirty Word! Let’s Boycott Him!!!

Posted: September 13, 2011 in Action Comics, Grant Morrison, Superman, The Comic Conspiracy
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Yes it’s true, and It’s hitting the internet like crazy…Superman said a swear word!!!  What are we to do now?!?!?  Superman is an American icon, and to hear him use the Lord’s name in vein is to deny that wholesome and virtuous aura that has been sprinkled all over this wonderful country of ours right?

Again, another instance where a fan complains too much!

Apparently the owner (Named Jeff Lamb) of the comic book shop, The Comic Conspiracy, located in California, order his stack of the September 7th release of new number 1′s by DC Comics, and got a little irked.  I can only imagine how this fellow comic shop owner went about his weekly reading comic book routine by starting with Action Comics…sitting back in his chair, popped open his deliciously disgusting can of Bud Light, leaned back, opened Action Comics #1 and saw this…

I don't know about you but I always take the Lord's name in vein by omitting the incredibly unimportant vowel known as the letter "O"

If you your near sighted, and don’t have your glasses on, the letters in that thought balloon are “GD.”  So, yes, the owner of The Comic Conspiracy store blew a gasket because Superman let out a grunt of pain after being hit by an explosion of brick, cement, and fire.  The full story can be found at Comic Book Resources and Digital Spy.

Certainly, I’ve always known that the best way to swear and get people riled up about it is by omitting the vowel sounds within those swear words.  Ya know, like “sht,” or “dmn,” or “fck,” or my personal favorite, “Jss fckng Chrst!”

Of course I’m being sarcastic, but let’s look at what the owner posted on his own Facebook Page…

“As of today’s release of Action Comics #1 by Grant Morrison, The Comic Conspiracy, will until further notice, be boycotting all future Grant Morrison books. If you want Action Comics, you will have to buy it elsewhere.”

“I could see Guy Gardner and maybe even Hal Jordan (Green Lanterns) saying it. I could see Oliver Queen (Green Arrow) saying it. I could easily see Damian Wayne (Robin) or MAYBE even Bruce Wayne saying it. But Superman was created to be the “perfect” super-hero. Unblemished. Superman is an American icon.”

“This wasn’t creative flow. It wasn’t necessary in the story. It isn’t Superman at all. And it goes against a basic Christian principle. It was a blatant stab.”

“I deal with books like “Crossed” and “The Boys”. I accepted gay characters being introduced into a children specific book like Archie Comics. I however am getting very tired of having comic writer’s liberal agendas force fed to me. Mr. Morrison has stepped over my line. If I have to stand alone on this… I will.”

Action Comics #1 Cover

I understand that, now, the owner still isn’t going to be purchasing any comics by Grant Morrison but will order them for any customer from Diamond Distributors upon request.  Furthermore, any title that he deems to be an “ADULT” book will not be available to purchase at his store unless by personal request.

I can understand holding firm to your beliefs, but to take a stance against something that was obviously a misunderstanding goes a bit too far.  I know I’ve read bits and pieces of comics and /or books and misunderstood the intent behind them, but I don’t go to an extreme like a BOYCOTT.  But for someone as well read in comics as I’m sure this man is, he sure doesn’t seem too familiar with the typical grunts and moans that come along with comics books, especially within the superhero genre.

Comics are, and have always been a bit edgy; pushing the issue of violence and sex since the late 1940′s.  The women in comics are typically depicted as sexual beings and are often times portrayed as a weaker vessel simply in how they carry themselves.  Could it be argued that the portrayal of women in comics is an ungodly depiction?

Likewise, the act violence within comics goes even further by not only being the most consistent theme within the genre, but also being glorified as a righteous and justified aspect of life.  Again, could this be viewed as an ungodly lifestyle being promoted by comics?

Out of response to the widely publicized boycott, an artist over at “Let’s Be Friends Again” drew up a very funny comic strip showing how ridiculous the shop owner is being…

When Batman grunts, he gets applause and money, but when Superman grunts, the world comes to an end!

This specific comic shop owner can uphold any belief he wants and has the right to say what he wants about literature that seemingly goes against his upbringing.  But I would recommend to this person that, before you go making claims that someone is portraying God in a terrible way, make sure you aren’t interpreting the author’s intentions incorrectly and calling him names because of it.  As you state on your facebook page Mr. Lamb, you believe people should get a life and stop belittling you for having a belief that does not mirror your own.  Practice what you preach and you may get that same courtesy.

Comic Book Regulations Of the Late 1940′s

Posted: September 13, 2011 in Comic Book News
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Here’s just a snippet of the kinds of rules comic books had to adhere to in order to be published.  It wasn’t until the mid 50′s when the Comic Code Authority was put into place, regulating the content within comic books.

Many of the rules within the CCA were aimed at maintaining a “wholesome” outlet for the youth, attempting to sway their political, religious, and sexual opinions to a certain conservative standard

Charles F. Murphy, a magistrate in New York model the CCA after the Hollywood Production Code which was established sometime in the early 1930′s.  The code was created mainly out of response to the gore, violence and seemingly sexual nature that the drawn women portrayed on a “regular” basis.  The Code’s goal was to exterminate these violent images, and the sexual nature of comics, ultimately referring to it as “good girl art.”

Comic Creator William Gaines took it upon himself to openly criticize the Code and how badly it minimized the creativity of writers and artists.  Vampires, werewolves, zombies, and many more were banned from comics in general, making the horror comics a primary focus of the CCA. Stan Lee, Marcel Comics superstar, also later criticized the Code on the same points.

Slowly, as comic book companies withdrew from the CCA, creating their own rating system, it became defunct as no longer holds any validity with advertiser and other magazine publishers.  The last Comic Book publishers to withdraw from the CCA was DC Comics and Archie Comics.

Personally, I’m glad the Comics Code Authority is now invalid; the creativity of writers and artists were greatly diminished and was the main reason why comics have such a bad reputation among the non comic book reader.  Thank God people like Stan Lee, Alan Moore, Neil Gaiman, and Will Eisner came along to give the art form some legitimacy within the world of artistic literature.

Below is a list of many of the rules comics had to adhere to when the CCA was still in control…

  • Crimes shall never be presented in such a way as to create sympathy for the criminal, to promote distrust of the forces of law and justice, or to inspire others with a desire to imitate criminals.
  • If crime is depicted it shall be as a sordid and unpleasant activity.
  • Criminals shall not be presented so as to be rendered glamorous or to occupy a position which creates a desire for emulation.
  • In every instance good shall triumph over evil and the criminal punished for his misdeeds.
  • Scenes of excessive violence shall be prohibited. Scenes of brutal torture, excessive and unnecessary knife and gunplay, physical agony, gory and gruesome crime shall be eliminated.
  • No comic magazine shall use the word horror or terror in its title.
  • All scenes of horror, excessive bloodshed, gory or gruesome crimes, depravity, lust, sadism, masochism shall not be permitted.
  • All lurid, unsavory, gruesome illustrations shall be eliminated.
  • Inclusion of stories dealing with evil shall be used or shall be published only where the intent is to illustrate a moral issue and in no case shall evil be presented alluringly, nor so as to injure the sensibilities of the reader.
  • Scenes dealing with, or instruments associated with walking dead, torture, vampires and vampirism, ghouls, cannibalism, and werewolfism are prohibited.
  • Profanity, obscenity, smut, vulgarity, or words or symbols which have acquired undesirable meanings are forbidden.
  • Nudity in any form is prohibited, as is indecent or undue exposure.
  • Suggestive and salacious illustration or suggestive posture is unacceptable.
  • Females shall be drawn realistically without exaggeration of any physical qualities.
  • Illicit sex relations are neither to be hinted at nor portrayed. Rape scenes as well as sexual abnormalities are unacceptable.
  • Seduction and rape shall never be shown or suggested.
  • Sex perversion or any inference to same is strictly forbidden.
  • Nudity with meretricious purpose and salacious postures shall not be permitted in the advertising of any product; clothed figures shall never be presented in such a way as to be offensive or contrary to good taste or morals.

Swamp Thing #1 Review

Posted: September 12, 2011 in Comic Book Review, DC Comics, Scott Snyder, Swamp Thing, Yanick Paquette
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Writer: Scott Snyder
Artist: Yanick Paquette
Colorist: Nathan Fairbairn
Letterer: John J. Hill
Cover Art: Paquette & Fairbairn

The Plot
Alec Holland is doing all he can to live a normal life and forget his forget as the Swamp Thing, but it’s not easy to shovel out all of those past, swampy memories!  Yet, off in the distance, another creature rises from the elements.  Will Holland be able to fend off his horrid secondary memories before becoming knowledgeable of the oncoming threat?

My Heretical Opinion
It’s nice to see DC bringing back its line of comics that caused it so much trouble with the Comics Code Authority back in the day.  DC wasn’t kidding in their advertisements for their new line of horror comics.  Animal man and Swamp Thing have both proven that the horror in the new DCU will be nothing but of the utmost quality and gothic nature.

The issue starts out with Alec Holland reminiscing on his past as a child working in his father’s flower shop.  This introduction is pretty typically of Snyder; he’s known for stories that start off with beautifully written narratives that are heavy in metaphors and nostalgic inclinations.  The buildup of tension then occurs in that awesome Dave Gibbons style of zooming into a single location from afar, much like with Watchmen.

We immediately juxtapose into series of disturbing and gross images of birds falling from the sky in a molting trajectory, crushed bat skulls from hitting the ground from above, and hundreds of fish floating in the middle of the ocean either dead or half eaten.  Holland’s inner monolog then becomes increasingly darker and more disturbing within the visual context of the animal graveyards.  It’s a fantastic display of artistry and literary components that give the start of this issue an explosive and disturbing beginning.

Hooray For Splash Pages!

Scott Snyder then attempts to lighten the mood with a meeting between Alec Holland and Superman himself.  The exchange is interesting and helps to establish Holland’s viewpoint on the worldwide phenomenon of dying animals.  It’s obvious Holland has very little interest in rediscovering his swampy past.  What’s also obvious is the fact that an unknown danger is coming, and Snyder has designed it specifically for Holland to make a comeback as Swamp Thing…although it’s unclear as to how this will occur.

The true terrifying moment was when the team of archeologists discover their missing prehistoric bones late in the night.  (All the really scary moments in horror happen at night right?)   The motives of this new creature are unclear, but the damage the creature did to human’s bodies was certainly intentional.  Even creepier was the phantom voice attempting to keep its victim’s at peace while their necks snap and twist a full 60 degrees.  Comforting words mixed with excruciating pain and death…makes my skin crawl with goose bumps!  Is it possible my taste for the horror genre could be revitalized due to the sheer awesome writing in the Swamp Thing title?  I’m optimistic it very well could be.

No rest for the weary as issue #1 leaves us with a wonderful cliff hanger, pitting Holland and Swamp Thing against each other in a psychological conflict that will that will leave everyone wanting more.

There’s so much going on with this first issue that anyone who reads it won’t know how to take it initially.  My recommendation is to simply enjoy issue #1 and let everything unfold as it may.  There’s more coming and I’m stoked about what Snyder has planned.  Oh, and no matter what Alan Moore may say about this reboot of his iconic and horrifying character, this is a great start to a one of DC’s most terrifying comic book characters.

10 out of 10 Stars

September 11 Tribute And Remembering Captain America!

Posted: September 11, 2011 in Batman, Captain America, September 11 Trubute, Superman, The Incredible Hulk
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So I know this video was made for the 4th of July, but this video seems appropriate for today.  You all may view this as a day to mourn, but I view it as a day laugh and be happy.  What better way than to watch the Hulk sing?!?!?

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