Archive for May, 2011

Written By: Peter Calloway

Penciled By: Andres Guinaldo

Inked By: Lorenzo Ruggiero

Coloring By: JD Smith

Lettering By: Carlos M. Mangual

Edited By: Katie Kubert

Associate Editor: Harvey Richards

Cover By: Guillem March

The Plot

Harley helps the love of her life escape from prison…but not before they cause a little mayhem within the Arkham Asylum walls.  Elsewhere, Catwoman and Batman come together once again as a nocturnal duo and Ivy tries to convince Harley that the Joker is bad news.  It’s a lover’s quarrel in the middle of a prison break, how will it end?  Let’s see how true love’s keen sting dictates the outcome.

My Awe Inspiring Opinion

Is it just me, or do these “Super 8” inserts make these 20 paged issues seem like I should be paying a price of $3.99?

Calloway has been doing a great job at filling Paul Dini’s shoes; his handle on all three Sirens is spot on as well as his story telling abilities.  I love how, despite the numerous times Harley’s been burned by Mr. J, she can’t help but continually crawl back to the Joker due to the emotional manipulation he’s put on her.  We all know that this plot device has been used on numerous occasions, but I have a feeling this could be the penultimate moment before next month’s issue where Harley makes the ultimate decision to choose her friends over her lover.

Catwoman and Batman getting back together in a heroistic fashion was a nice touch as well, and with Ivy and Harley being best friends for the longest time, love is certainly a central theme within this issue.   All three Sirens have decisions to make…where will their loyalties lie?  Ivy does fine on her own, but is it enough to sacrifice the friendship she’s built with Harley?  And can Harley break her tie with the Joker and remain in the female-villain trifecta?  And of course, will Catwoman be reminded of how much she loves life as a burglar or will she stay true to her new friends?  No news has been announced of the Sirens cancelation so I’m assuming everything will turn out for the best, but this is definitely an arc which will boost the character development of the Sirens and bring them even closer as a team.

The subplots tangled throughout this chaos filled issue are implemented quite nicely.  Not too long ago the Black Mask was causing Batman more pain and strife than most of the villains in the Dark Knights repertoire have done in the last few years.  #23 presents a Jeremiah Arkham who seems unscathed by the events of R.I.P. and during Dick’s transition phase as Batman.  It’ll be interesting to see how Black Mask is brought back into the fold.

I’ll be honest, this is not a comic for those with weak constitutions; the Joker is cutting off the arms of guards, Black Mask makes threats of hanging people by their intestines while alive, inmates drive rusty and dirty nails into the guard’s bodies, and bullets fly every causing people to hang from above with blood dripping downward…This is not a pleasant issue.  But it’s certainly well done, thanks to Mr. Guinaldo, Ruggiero, and Smith.  I do miss having Guillem March sketching this book, but I won’t complain with the current artist line up.

My Majestically Climactic Conclusion

This is a solid issue; very few flaws (if any) with stellar storytelling and artistic techniques.  I’m glad Harley finally got her spot light!

10 out of 10 Stars

Written By: Paul Cornell

Penciled By: Kenneth Rocafort & Jesus Merino

Coloring By: Brad Anderson

Lettering By: Rob Leigh

Edited By: Matt Idelson

Associate Editor: Wil Moss

Cover By: Dan Jurgens & Andrew Dalhouse

Superman Created by Jerry Siegel & Joe Shuster

The Plot

Doomsday is back!  And along with him comes…more Doomsdays!  Along with them comes Doomslayer, a mysterious, yet powerful being with plans to destroy Doomsday and any if his clones once and for all.  How will he do this?  By destroying the Earth!  Superman along with his superfamily must now climb to the challenge of defeating Doomslayer and stop him from blowing up Earth.

My Awe Inspiring Opinion

Action Comics #900 left numerous Americans in a state of pissiness after learning Superman declared himself to be a citizen of the world and not of America.  (poor Americans…does baby need his bottle?) I was in the minority of people who felt this move was an intelligent one on DC’s part, but sadly the David Goyer tale from issue #900 seems to be an uncannonized aspect of the Superman folklore as Obama cries out on national TV for Superman to stop the oncoming meteoractic threat to the world.  Will the concept of Superman’s “un-American” ways come back to the pages of DC?  I certainly hope so, it would make for great storylines.

But allow me to move away from personal tangents to talk about my unbiased opinion of Doomsday’s latest story arc in the Superman universe…IT SUCKS!  I say that only because Doomsday, when he killed Superman and was allowed an origin story, was great when he first stepped onto the pages of Superman.  But now it seems Doomsday has become more of an annoyance and a snooze fest despite his menacing and beastly image.  #901 brings us the common Doomsday tale where he seems to blindly go about on a destructive rampage with clones following close behind.  I did enjoyed Superman’s endless love for all living beings when he chose to save the unconscious Doomsday from an inevitable death however.  (He would have come back anyway, might as well save him.) But overall, this isn’t an arc I wanted to see Superman involved with.

Paul Cornell is an amazing writer, but his execution of #901 felt very choppy and strange to me; border lining on being way too hokey and giving us some awkward dialog transitions from panel to panel.  Doomslayer’s announcement of who he is and what his purpose was made me wonder if this was what comics were like when my mother was a child growing and up reading about superheroes.  I have trouble stomaching corny superhero and super villain name proclamations of that nature…BARF!  Thank God Cornell recognized that the Cyborg needed to go…one literal glowing aspect of this issue.

Kenneth Rocafort is unfamiliar to me but I would like see more of his work as I’m still up in the air about it.  Superman felt very “boyish” with a button nose and all, as did all the other characters bearing the big red “S” on their chest.  Jesus Merino came in to do some artwork for a few pages, which was nice, but my preference would have been to have one artist throughout the entire issue.  Rocafort’s art, while he did make these super characters that have been around since the mid 1900’s seem as young as I am, does have a strong sense of definition within the body structure of each character and a fantastic skill of making detailed background.  Let’s keep this artist on board with Action Comics DC, I want to see more of his work.

My Majestically Climactic Conclusion

I was kind of bored with the bulk of this issue.  Superman and Doomsday have been going head to toe with no end in sight.  At least his life long feud with Luthor has some life too it, Doomsday just keeps doing the same thing over and over again, and it’s boring!  With the few minor golden moments, it doesn’t really help this issues sturdiness…or lack thereof.

4 out of 10 stars

This is awesome!!

Written By: Paul Dini

Penciled By: Jamal Igle

Inked By: Jon Sibal

Coloring By: John Kalisz

Lettering By: Pat Brosseau

Edited By: Joey Cavaieri

Associate Editor: Chris Conroy

Cover By: Adam Huges

Zatanna Created by Gardner Fox

The Plot

The last encounter Zatanna had with Brother Night, she almost lost.  Now, Brother Night is planning a comeback with a team of mindless inmate band of servants.  Zatanna must now face her most powerful enemy again, and this time she may not be so lucky.

Zatanna also pays a visit to the illustrious judge of the evil, The Spectre.  What good will this serve?  Not even Zatanna knows…a mystical cat told her to go.

My Awe Inspiring Opinion

Lucky number 13 right?  WRONG!

Everything goes to Hell (literally) when Zatanna has two hefty storylines leading the charge in this issue.  Paul Dini is back to reclaim his mantle as authoric dictator of the Zatanna series!  #13 presents a lot of story to take in without being overbearing.  This issue is only 20 pages but has a feeling of being much longer…which is a good thing!  The amount of story applied to this issue is done in a way that only writers with Dini’s ability can achieve.  Next month will definitely be a doozy!

Another compliment to throw Dini’s way is the way he approaches the theme of this series.  With #13, Dini uses this comic like a magician uses their deck of cards…it’s not exactly what it seems to be and mystifies you in the process.  And as we appreciate the skill it takes to master the art of a magical comic book, we should also recognize the creative idea being thrown out with #13; combining old and new characters to create something new and interesting.  Zatanna and the Spectre are very well known within the DC Universe, but neither have been given the opportunity to flesh out their potential…not until Dini took over the magical world of DC Comics.  (A little too Disney-esk maybe)  With the incredible work that’s been done with Zatanna in the past year, the Spectre is now given his moment to shine!

Jamal Igle does really great work, as always, and doesn’t disappoint with this issue.  Give him a task and he will see it through, no matter how daunting or difficult.  City streets, action scenes, light and dark scenery, twisting and turning pits of despair where men are thrown and turned into mice, it’s no challenge for him.  The mystical cat with the Jeweled eyeball did freak me out momentarily, which I’m sure was the hope, and only supports my already stated theory.  I don’t want to overwhelm Igle as I’m sure he’s already as busy as can be, but it would be nice to see him continually work on both Supergirl and Zatanna.  All I can do is hope.

My Majestically Climactic Conclusion

This was a shorty review, but worth reviewing either way.  I’m glad I started picking this title up a few months ago.  But, of course, anything Dini does is worth picking up right?  Especially if it’s with Igle as well!

10 out of 10 Stars

Written By: Judd Winick

Penciled By: Hendry Prasetya

Coloring By: Jessica Kholinne

Lettering By: John J. Hill

Edited By: Joey Cavalieri

Cover By: Sami Basri

The Plot

Starrware’s business is booming, and Karen Starr is becoming just as big of a business tycoon as Bruce Wayne.  Is this a good thing or a bad thing?  While this concern is steady on the ground, flying above the heads of innocent bystanders is an airplane ready to shoot down towards Earth…that is until a certain Middle Eastern man uses his super powers to bring the plane down to a safe and secure landing.  But the government doesn’t thank him for his efforts.  Rather he is taken into custody and treated as a terrorist.  How will this end? I’m sure you can figure this one out.

My Awe Inspiring Opinion

You know, I’ve read a lot of stories within comics that have terrorism as either its main plot or secondary sub-plot, and I keep thinking that I’m going to get tired of it…but I’m haven’t.  There’s still a sentiment going around that if you are Muslim, or from the Middle East, there is a high probability that you are a terrorist.  It’s frustrating to see Americans take every opportunity, even if it’s of their own doing, and use that to show the world why Middle Eastern men are evil.

In this issue of Power Girl we are introduced to Rayhan Mazin, an educated man with super powers he decided to never use as it would only strike more fear than necessary within the hearts of the feeble minded and the bigots. It’s not a constant thought that runs through my head, but every once in a while I’m reminded of the fact that, while there are those who choose to use their powers for the greater good, there are also those in the comic book world who choose to live normal lives and keep their powers hidden.  Of course, Mazin’s interrogation officer however views it as a terrorist plot against America.  But after all the interrogation and scrutiny, Mazin doesn’t give in and waits patiently for the government to realize he no threat to the states. That is until he discovers his father is sick and could be dying…and isn’t allowed to see him.  All Hell breaks loose and it’s one of the more powerful scenes in #24.  Just goes to show, don’t take a man from a country that values family connectivity over everything else and deny him his family livelihood…especially if he has super powers.

Power Girl takes on a very human role when she’s forced to deal with the advice and orders from a security agent sent by the government.  (hmmm, the government seems to have its hands in everything huh?)  While PG has always shown her more human side, this issue shows an even deeper humanity within her psyche.  Judd Winick has really taken Power Girl and given her more life than I had thought possible; the argument she has with Batman, the confrontation with Secret Agent Teman, the new enemies she’s acquiring, and the progressive move her company is making is pushing Power Girl into a much more unique personality that is causing her to have a much more identifiable character beyond being the big boobed Kryptonian.  After two years, Power Girl has become one of the stronger titles currently being sold by DC.

Hendry Prasetya does a fantastic job as a substitute artist in Basri’s absence.  Whether or not Prasetya is now taking over as the regular Power Girl artist, I’m not sure.  But if he is, I won’t complain.  Jessica Kholinne keeps doing great work with the colors and actually helps make Prasetya’s style feel not so strange and unfamiliar.  This might be one of the best artist transitions I’ve ever seen, and I couldn’t be happier.

Oh, and just a side note, I think Bruce Wayne and Karen Starr would make an excellent couple, don’t you?  Maybe I’m just crazy but they seem to click quite well.

My Majestically Climactic Conclusion

Power Girl continually does great work month after month.  After two years it’s still one of my favorite titles to read.

10 out of 10 Stars

I believe it!

Written By: Nick Spencer

Penciled By: Cafu, Mike Grell, Nick Dragotta

Inked By: Bit

Coloring By: Santiago Arcas, Val Staples, Lee Loughridge

Lettering By: Patrick Brosseau

Edited By: Will Moss

Cover By: Fiona Staples

The Plot

A red headed woman is enjoying a nice time at home with her baby, listening to her favorite tunes on the radio.  And in the awesome “Kill Bill” style, we learn that this woman is no mere stay-at-home-mom.  Hold onto your asses everyone because you’re about to dive head first into a flashback sequence that will keep you gripping for more

My Awe Inspiring Opinion

When one states they are going to kill their mother, it’s usually rhetorical right?  In issue #7 of T.H.U.N.D.E.R. Agents we are given a fantastic history lesson consisting of very little dialog and a lot of amazing artistic representations the Golden and silver age of comics, presenting two separate storylines that connect in strange ways.

The team has been established, which means a new disaster needs to occur so the agents can have something to do right?  Typically, comics go straight into the drama and action cold turkey, But #7 started us off nice and slow with a flashback sequence that knocked my socks off.  Spencer decided to give readers some time to lean about the villain before pumping through the upcoming story arc involving Iron Maiden and Dynamo.  For someone who knows nothing about the Tower Comic’s original series, it’s nice to have something to go off of and not “learn as I go.”

The book is separated into two sections, a main one presenting many mysteries and questions that will no doubt be answered within the next five issues, and a secondary one to help understand the relationship and sexual tension Iron Maiden and Dynamo secretly shared.  Both segments are fantastic and fun.  I can only assume that the main sequence is from a 60’s vantage point while the secondary storyline comes from an 80’s influence…and I ate them both up!

The main 60’s sequence presents a very sketched out look, paying homage to the classic “pin-up girl gone bad” motif and the stereotypical plastered smile that seems to plague the women of that era.  And while I love this segment to death, the shorter 80‘s segment blew me away both artistically and story wise.  Mike Grell and Val Staples perfectly execute that Flash Gordon, space age look, giving the women the those sharp eyebrows and luscious lips, and the men carrying all the burden of grit and rough-edged manlihood.  To top it all off, Nick Spencer shows he’s no stranger to corny and hilarious dialog and made me chuckle more than once.  I’m certainly excited to see what issue #8 brings us next month!

Nick Spencer, while it doesn’t show so much in this issue with the lack of dialog, writes out a magically wonderful tribute to vintage comics and how it influences the modern-age.  This issue has certainly got me excite for the upcoming issues of T.H.U.N.D.E.R. Agents in the next few months.

My Majestically Climactic Conclusion

There are those who get frustrated by a comic that decreases the level of dialog for the sake of having great art.  Personally I don’t mind it provided that the art is stellar, which it is.  The fact that Colleen gets no more than two pages worth of stage times didn’t bother me as more will develop in the coming issues.  But no doubt, T.H.U.N.D.E.R. Agents has become one of my favorite comic book series, right after Secret Six.

10 out of 10 stars

+ 2 incentive points.

Keep your eye on the Flashpoint Map of World Threats because they’re sure to come up when the series kicks off!

The following article can be found at The Galactic Empire Times.  No, this is not an original article, but it’s awesome enough that I just had to embed it into my own blog!  But this article does belong to another website and should be credited for it.  Please visit the Galactic Empire Times for more Star Wars Hilarity!

Vader Delivering The Penultimate Speech Of Obi-Wan's Death

CORUSCANT — Obi-Wan Kenobi, the mastermind of some of the most devastating attacks on the Galactic Empire and the most hunted man in the galaxy, was killed in a firefight with Imperial forces near Alderaan, Darth Vader announced on Sunday.

In a late-night appearance in the East Room of the Imperial Palace, Lord Vader declared that “justice has been done” as he disclosed that agents of the Imperial Army and stormtroopers of the 501st Legion had finally cornered Kenobi, one of the leaders of the Jedi rebellion, who had eluded the Empire for nearly two decades. Imperial officials said Kenobi resisted and was cut down by Lord Vader’s own lightsaber. He was later dumped out of an airlock.

The news touched off an extraordinary outpouring of emotion as crowds gathered in the Senate District and outside the Imperial Palace, waving imperial flags, cheering, shouting, laughing and chanting, “Hail to the Emperor! Hail Lord Vader!” In the alien protection zone, crowds sang “The Ten Thousand Year Empire.” Throughout the Sah’c district, airspeeder drivers honked horns deep into the night.

Kenobi's Hut Where He'd Been Hiding In Plain Sight For Years.

“For over two decades, Kenobi has been the Jedi rebellion’s leader and symbol,” the Lord of the Sith said in a statement broadcast across the galaxy via HoloNet. “The death of Kenobi marks the most significant achievement to date in our empire’s effort to defeat the rebel alliance. But his death does not mark the end of our effort. There’s no doubt that the rebellion will continue to pursue attacks against us. We must and we will remain vigilant at home and abroad.”

Obi-Wan Kenobi ’s demise is a defining moment in the stormtrooper-led fight against terrorism, a symbolic stroke affirming the relentlessness of the pursuit of those who turned against the Empire at the end of the Clone Wars. What remains to be seen, however, is whether it galvanizes Kenobi’s followers by turning him into a martyr or serves as a turning of the page in the war against the Rebel Alliance and gives further impetus to Emperor Palpatine to step up Stormtrooper recruitment.

In an earlier statement issued to the press, Kenobi boasted that striking him down could make him “more powerful than you could possibly imagine.”

How much his death will affect the rebel alliance itself remains unclear. For years, as they failed to find him, Imperial leaders have said that he was more symbolically important than operationally significant because he was on the run and hindered in any meaningful leadership role. Yet he remained the most potent face of terrorism in the Empire, and some of those who played down his role in recent years nonetheless celebrated his death.

Given Kenobi’s status among radicals, the Imperial Galactic government braced for possible retaliation. A Grand Moff of the Imperial Starfleet said late Sunday that military bases in the core worlds and around the galaxy were ordered to a higher state of readiness. The Imperial Security Bureau issued a galactic travel warning, urging citizens in volatile areas “to limit their travel outside of their local star systems and avoid mass gatherings and demonstrations.”

The strike could deepen tensions within the Outer Rim, which has periodically

The Kenobi Hut Layout

bristled at Imperial counterterrorism efforts even as Kenobi evidently found safe refuge it its territories for nearly two decades. Since taking over as Supreme Commander of the Imperial Navy, Lord Vader has ordered significantly more strikes on suspected terrorist targets in the Outer Rim, stirring public anger there and leading to increased criminal activity.

When the end came for Kenobi, he was found not in the remote uncharted areas of Wild Space and the Unknown Regions, where he has long been presumed to be sheltered, but in a massive compound about an hour’s drive west from the Tatooine capital of Bestine. He had been living under the alias “Ben” Kenobi for some time.

The compound, only about 50 miles from the base of operations for the Imperial Storm Squadron, is at the end of a narrow dirt road and is roughly eight times larger than other homes in the area, which were largely occupied by Tusken Raiders. When Imperial operatives converged on the planet on Saturday, following up on recent intelligence, two local moisture farmers “resisted the assault force” and were killed in the middle of an intense gun battle, a senior Stormtrooper said, but details were still sketchy early Monday morning.

A representative of the Imperial Starfleet said that military and intelligence officials first learned last summer that a “high-value target” was hiding somewhere on the desert world and began working on a plan for going in to get him. Beginning in March, Lord Vader worked closely with a series of several different Admirals serving onboard the Death Star to go over plans for the operation, and on Friday morning gave the final order for members of the 501st Legion (known commonly as “Vader’s Fist”) to strike.

Kenobi and a group of his followers were eventually captured while fleeing the system, and taken aboard the Death Star, which was in the midst of surveying the recent environmental disaster on Alderaan. Darth Vader called it a “targeted operation,” although officials said four tie fighters were lost because of “mechanical failures” and had to be destroyed to keep them from falling into hostile hands.

In addition to Kenobi, two men and one wookiee were killed, one believed to be his young apprentice and the other two his couriers, according to an admiral who briefed reporters under Imperial ground rules forbidding further identification. A woman was killed when she was used as a shield by a male combatant, the Admiral said. Two droids were also reported missing.

“No Stormtroopers were seriously harmed,” Lord Vader said. “They took care to avoid civilian casualties. After a firefight, I defeated my former master and took custody of his body.” Jedi tradition requires burial within 24 hours, but by doing it in deep space, Imperial authorities presumably were trying to avoid creating a shrine for his followers.

Lord Vader has denied requests to present photographs of the body, describing them as “too gruesome” for the general public.

Written By: Geoff Johns

Art By: Scott Kolins & Francis Manapul

Coloring By: Michael Atiyeh & Brian Buccellato

Lettering By: Sal Cipriano

Edited By: Brian Cunningham

Cover By: Francis Manapul

The Plot

Hot Pursuit is trying to kill Kid Flash in order to save the universe!  But then Mr. Pursuit realizes that the unnatural anomaly wasn’t being generated from the little tyke, but from a reversed evil doer.  Will the Professor of Zoomology be brought to justice, or has the road to Flashpoint already been paved?

My Awe Inspiring Opinion

The hardest thing of any story arc to deal with (for me at least) is how they never really end.  I used to make fun of soap operas all the time, but comic books are just as bad, if not worse than “The Rich and The Richer.”  This is not at all a negative critique, but rather a factual statement proclaiming why comics are so successful with me, and Johns knows how to take me along for the ride.

I ran into a major problem by reading Flashpoint #1 first, and then reading Flash #12.  I like that the two issues came out in the same week…but I wish I had known which issue to read first.

The main story was good; tension is great, new revelations are given, a character dies, Iris and Barry try to mend their…..wait, what? Who dies?!?!

I won’t give that little bit of information away for those of you who haven’t picked up your comics from Wednesday yet, but it honestly won’t affect you as much as you might think.  It does provide a great set up for what’s to come in Flashpoint, but it isn’t that big of a deal in the grand scheme of things.

Now concerning the unending subplots…who else felt everything was put on hold for Flashpoint?  Just as Barry was ready to accept the fact that he has new opportunities being laid before him, he is jettisoned into a strange new world where everything is backwards.  I think Barry was on the verge of becoming a bigger part of his family’s life – like spending more time with his wife and grandson. Some things seemed a little more solidified with ending, but as we all know, comics always seem to sneak in storylines we all thought had ended years ago. But this unending theme in #12 could be only the beginning of what’s about to occur for Barry Allen as a speedless Flash.  And I for one am excited to see the results!

Francis Manapul – 10, Scott Kolins – 0.  And while I absolutely cannot stand Kolin’s artistic style, and having an artist toggle in the same issue frustrates me even more, this issue was smart about the toggling.  Kolins typically leans more towards a darker and gothic style while Manapul is much a lot light and well defined.  The two differing styles help to set a tone of the two segments of #12, which I have to give DC props for.

My Majestically Climactic Conclusion

It’s been one year since this series began and it’s been a fun ride.  I look forward to speeding along with the Flash for another twelve issues!

8 out of 10 Stars

Written By: Geoff Johns

Penciled By: Andy Kubert

Inked By: Sandra Hope

Coloring By: Alex Sinclair

Lettering By: Nick J. Napolitano

Edited By: Adam Schlagman & Rex Ogle

Cover By: Andy Kubert, Sandra Hope, & Alex Sinclair

The run-at-the-seat-of-your-pants Plot

After hearing about a shoot-out between some of Barry Allen’s fiercest enemies, the DC Comic speedster runs after the crime scene only to find his speed force ring missing.  He falls down a set of stairs to see his mother after so long.

After a series of events, Barry realizes that not all is well and reality has become somewhat unfamiliar.  The world fights against Wonder Woman and Aquaman, and the similar heroes we all know are a tad bit more relentless and “dirty fighters.”  Worst of all, Iris loves another man.  Barry must now decipher the mystery of this familiar, yet strange new world he’s stumbled into and find his way back home…after Flashpoint is done in five issues of course.

My Awe Inspiring Opinion

Where Brightest Day began horribly, Flashpoint gets off with a bang.  Personally, I find that DC uses the Multiverse way too much, giving us too many Flashes, Supermans, Wonder Womans, and Green Lanterns.  However, Johns seems to have taken full control of this version of Earth within the multiverse giving it a new and fresh feeling, filled with mystery and excitement.  I can honestly say that I’m hooked and will most likely stick with this series all way through to final issue #5.

Johns starts off with a tremendously emotional first few pages, delving back into Barry’s past and how it led up to him being the Flash and developing friendships because of that.  But as we shift further into this world where Barry Is “slow,” even more occurs to enticement and ensnare our senses.  Unlike the beginning of Brightest Day, Johns leaves so much unanswered but gives us so much to go on, leaving the mystery swimming in our heads in a positive flow.

Among these mysteries in the overarching theme of Flashpoint, the two most center-staged ones deal with Wonder Woman and Aquaman turning out to be murderous jerkfaces!  Without a doubt I’ll be picking up the Flashpoint One-Shots staring Wonder Woman and Aquaman just to find out why they are so evil!  But concerning this first issue, we discover one very interesting thing about this world’s Batman.  I can’t give it away for fear of ruining the best surprise to come out of a DC Comic in a very long time, but I don’t know if I can hold in this “father” of all secrets for very much longer.  (Riddle me this!)

The tone was set very well for this series and its character developments.  Faces and costumes are familiar, but mindset is completely different.  It seems Johns has expanded on the dark side of each hero’s personalities.  Batman now seems to be much more willing to sacrifice the lives of evildoers in the name of justice, and the heroes in this world don’t seem to get along with each other in the very least.  The only character that seems to have maintained his personality trait is Cyborg, who not only has the ability to walk, but run, jump and save damsels in distress after “slipping” from the top of a tall building.  Only recently have I gotten into Cyborg’s character.  I think John’s may have just sparked my interest even more.

It’s good to see Andy Kubert working on a series I’m reading again.  But the best work of this issue doesn’t come from the action or more intense scenes found towards the middle and end of the book, but rather at the beginning.  I can’t see a more emotionally gripping panel than the one where Barry embraces his mother in a heartfelt hug.  But even with that said, the artistic vision and execution of this issue is flawless, never sparing on details nor lacking in the depth of color and definition.  Sinclair became just as much of a storyteller as Johns and Kubert with his excellent depiction of a torn and beaten up Gotham City with the multiple shades of red and black.

My Majestically Climactic Conclusion

Now I can’t say that this issue is one of the best I’ve ever red out of DC’s comic repertoire, but it’s definitely got my interests peaked and excited for what’s in store for the future.  It kept my attention from start to finish.  While Geoff Johns is great at writing storylines for Green Lantern, I think some of his real passion lies with the Flash, and it shows!

10 out of 10

oh wow!  This is freaking amazing!  I love the “itsjustsomerandomguy” youtube channel.

Take away the blonde hair, the glittering outfit, and the corny smile, and you have the body of an Amazon princess right here!  Honestly, wouldn’t you think Wonder Woman would have the body of a muscular, in shape woman?  I certainly think so.

Wow, and I thought I had an appetite for meat!  (shut up you pervs!)

It’s amazing what you find when going through old boxes you haven’t opened in years.  I decided to do a little organizing in the office and discovered I had some extra room in my closet.  So, I went to the storage closet out on our balcony and pulled out two of my “book” boxes.  I opened up the first one and foudn this little gem…

Published by Random House in 1988

Well, to be honest, this isn’t the specific comic I found.  When I was collecting comics, I wasn’t this nice to them.  During the late 80′s, the comics I collected typically turned out ripped or torn.  Here’s my TMNT comic that’s been hiding in my box for so long…

Click to enlarge to see the damage inflicted on it over the years

It’s interesting to think that, after almost 30 years, the 80′s franchise is still alive and kicking where most others have either failed or outlived it’s welcome.

As most of us Turtle fans know, this team of anthropomorphic reptilians have one of the biggest fan and cult organizations in superhero history.  Kevin Eastman and Peter Laird have gone on to make multiple TMNT marketing gimmicks such as four films, three TV shows, 21 video games, one short lived magazine, and many other toys and clothing.  There was even a concert tour, a TMNT musical (that I had the pleasure of attending) in 1990 titled “Coming Out Of Their Shell.”

For me personally, it feels really good to have been following the turtles almost since the beginning.  The Turtle’s comic was what really got my interests in reading going which lead me to discover awesome young adult authors like R.L. Stine and Bruce Coville.  The Turtles was such a clever and well executed idea, and I’m happy to be apart of that first generation of Turtle fans that can proudly make that claim.  I’ll remain as a Turtle fan for the rest of my years and relish in their longevity while other half-baked franchises, such as the Power Rangers and Pokemon, dwindle into a lost world.

So it’s free comic book day, right?  Which means there’s going to be lots of free comics ready for you to pick up and take home!  Hooray, it’s awesome!  It’s a day I look forward to every year!

However, what is free for us isn’t so free for the the store owners.  Yes, every comic book store that participates in Free Comic Book have to actually pay for the “free” comics they provide.  They have to pay for the shipping costs as well as actually purchasing the free comics for FCB.

Didn’t know that?  Well now you do!  Why don’t you help out your local store buy purchasing a few back issues or a trade paperback graphic novel!  Don’t be a free loader, keep your comic book supplier in business!

Written By: Gail Simone

Penciled & Inked By: J. Calafiore

Coloring By: John Kalisz

Lettering By: Travis Lanham

Edited By: Rachel Gluckstern

Cover By: Daniel LuVisi

The Plot

Like most of Simone’s Secret Six storylines, the twisted sense of family loyalty is brought up as the villain team is impossibly outnumbered by Ragdoll’s minions within the depths of Hell.  The card is still his hands and Scandal Savage will stop at nothing to take for herself.  But the Six will have to fight past their own personal Hells before doing what must be done.

My Awe Inspiring Opinion

As already stated, Gail Simone presents such a fascinating viewpoint to the concept of family love, loyalty, and forgiveness.  Lady Blaze gives the team an ultimatum – serve in Hell as her minions, or suffer an eternity in Hell as the rest of damned souls.  Faced against all odds, Scandal and the rest of the Six determine that they are, and have been ready to die for a long time and will fight Lady Blaze to the very end.

The best attribute the Six has is their unrelenting vigilance in staying true to themselves.  They don’t care if it means living an entire afterlife succumbing to the torturous ways of hell, they all refuse to allow the bad guy to win.

#33 shows the Six as who and what they really are…a villain team.  But even still, it’s hard for us to call them bad guys right?  If we, as readers, only knew the exterior shell of the Six, no one would hesitate to call them bad guys an hate them for it.  But in having 33 issues to truly get to know the team, Simone has shown us six (or seven) villains whose pasts almost justify each character’s defining attributes.  With the exception of Killer Shark, there isn’t one member of the Secret Six who isn’t tainted by their horrid upbringing.  It’s hard not to understand and feel bad for these villains whose human side comes out even more than your average super hero.

This issue is filled with the drama of losing loved ones and reliving painful memories, but Simone allows our hearts to breath with a few humorous moments.  My favorite? King Shark’s own personal Hell is where all he has to munch on are vegetables.  Gail, you have WAY too much fun writing this series don’t you?

Catman finds his way through the desert of Hell to the holding pit of his long dead father.  You don’t read to many stories of a son going to Hell to simply double check  that his father was being justly punished in Hell.  But the icing on the cake is the identity of Blake’s father’s tormentor.  No, I won’t give it away…but it’s a doozy and presents an interesting take on what Heaven could be like for some!

The Six is one big mesh of screwed up characters, sustaining this remarkable semblance of humanity but never swaying away from their horrible past and what it’s turned them into.  Throughout all 33 issues, Simone has posed a very deep and thought provoking question, but that question is hoisted up into our brains even more with this specific arc…When is a person bad, and when is a person evil?  It’s for you to decide that, but Simone makes it very clear in her thematic take on the Secret Six that the answer to that question is not always as clear as we may want it to be.

I’ll never complain about Calafiore’s art work…I just won’t.  It’s so vibrant and gorgeous that I often times get trapped in a gaze of his amazing talents.  Dan LuVisi has been tearing up the coolness with his series of Secret Six covers, #33 being one of his best.  The colors and demonic look are nothing to look down at or criticize…and anyone who does should be shot in the face!

My only daunting moment was the ending.  And this is by no means a negative critique, but it definitely made me wonder what happened.  If this was part three of three, why doesn’t the story feel as if it’s done?  That’s right, Gail has tricked us all!  This story arc isn’t complete, it’s only beginning!  I shake my fist at you Gail Simone, you have tantalized my need for more!

My Majestically Climactic Conclusion

So, all in all, this is a great issue and I commend Simone for writing such innovative material for such an innovative series.  I’ve said it before, and I’ll say it again…Please Gail, don’t leave this title!  If you do, I might die!

10 out of 10

Written By: Matthew Sturges

Penciled & Inked By: Freddie Williams II

Coloring By: Tanya & Richard Horie

Lettering By: Pat Brosseau

Edited By: Joey Cavalieri

The Plot

The world has seemingly gone loopy as no one really knows if their universe is real or fake!  The superhero currently known as Prince searches for his old nemesis, Dr. Hate, but ends up finding his mother instead.  Now the All-Stars must figure out who their allies and enemies are before millions of innocent people perish in a worldwide explosion to be detonated by Prince.

My Awe Inspiring Opinion

JSA All-Stars has been a fun ride.  I’m sad to see it end so soon – not even reaching its two year mark.  Sturges created such out of this world storylines that were both smart and quirky at the same time.  Like most spin-off series, the All Stars had trouble finding its footing…all it took was kicking ‘ol mister Magog out of the picture and the series began its upward slope into greatness. It’s so sad to say goodbye to a series that was only beginning to see its potential.

That being said, I knew the title wasn’t going to last.  Matt Sturges came to my local comic book store towards the beginning of the title’s run.  I had asked him of the longevity of the All-Stars; he began talking about the numerous ideas he had planned for the book, but even then I didn’t hear a lot of certainty in his voice.  The title has so much baggage involved with it that it’s hard to imagine even the best writer bringing it out of the JSA’s shadow, allowing it to become its own entity.

This final, 18th issue, while maintaining that same fun, cataclysmic storytelling, had a rushed feel to it.  Maybe Sturges was rushed or a little unmotivated having his book yanked from him.  But regardless, it wasn’t my favorite All-Star’s installment.

I would have liked to see DC take this title to a good 24 issues, allowing Sturges the right amount of time to conclude this arc and begin the process if giving the team an ending worthy of who they are.  I never quite understood this “other world” that the Prince came from, nor was any of the explanation about the Prince’s origin clear.  And maybe it’s just my inability to understand psychotic behavior, but I can’t comprehend how blowing up an area of a 500 mile radius will bring back the world he remembers.  Along with this comes a lot of dialog which doesn’t represent the quality that Sturges has set with previous issues.

#18 does have its good points however with incredible action sequences and humorous detours.  It’s always nice when a writer recognizes a title’s typically tendencies and plot devices, and Sturges lets the entire world know that the JSA really does tend to bring down the unknown baddies…

I was glad to see Roxy get one last moment in the spotlight. I love her and her annoying mannerisms and jokes.  Why did everyone hate her so much?  She’s cute, funny, and has so much potential as a character that I hope she is carried on into the regular JSA title.  But that also begs the question, “how many of the All-Star heroes will be utilized in the Justice Society from now on?

Williams has always met my eye with a lot of negative criticism, but I have to recognize talent where it’s due.  He’s not my favorite artist, but Williams does have more talent in his pinky finger than most artists do in their whole body.  That final page where Power Girl stands triumphantly on the rocks is a sight for sore eyes!

My Majestically Climactic Conclusion

I really am sad to see this title end and wonder how in the world the JSA writer is going to handle such a big amalgamation of the two teams? Oh well, at least Power Girl won’t have as many back problems with Williams not being put in charge of her bodily functions anymore.

8 out of 10 Stars

Fellow geek and Star Wars nut, Shayna Gibson, celebrated May the 4th with her own musical composition in which she titled “The Ballad Of Han Solo.”  I know I’ve already posted my Star Wars Day awesomeness but I feel I need to honor Shayna’s musical talents and post her video on my blog.  Shayna and I have never actually met and only know each other through our viscous competitions of trying to beat each other’s score out on the game “Dataworm.”  But I’m confident that she will appreciate my shout out to her awesomely geeky tribute to Han Solo.  Enjoy and May the 4th be with you!